61st Cannes Winners Spread Among Countries

The 61st Cannes Film Festival, which wrapped today, spread the festival awards among many countries with the biggest winners being France and Italy.

The jury headed by Sean Penn named the French movie THE CLASS (Entre Les Murs), the Palme d’Or (Golden Palm) winner for best film at Cannes. It was directed by Laurent Cantet (TIME OUT, 2001, HUMAN RESOURCES, 1999), and is based on an autobiographical novel by Francois Begaudeau who plays himself as a young French teacher facing a sometimes rebellious class (surprise?).

The Grand Prix runner-up prize went to Italy's GOMORRAH (Gomorra), Matteo Garrone's hard-hitting film about the world of modern day Naples crime families, the principal one being the Camorra family. The movie is based on the book by Neapolitan writer Roberto Saviano.

The second Italian competition entry, IL DIVO, a satire on the life of former prime minister Giulio Andreotti and directed by Paolo Sorrentino, won the jury award.

A special prize was given to screen legend Catherine Deneuve, as well as Clint Eastwood whose film THE EXCHANGE (a.k.a., CHANGELING) was in competition. The Camera d'Or for best new directorial debut went to Britain's Steve McQueen for HUNGER. Yes, that's his name.

The Best Director award went to Turkey's Nuri Bilge Ceylan's dark tale, THREE MONKEYS.

Puerto Rican actor Benicio del Toro was named Best Actor for his portrayal of the Argentine revolutionary Ernesto "Che" Guevara in Steven Soderbergh's epic four-and-a-half hour CHE (USA).

The Best Actress award went to Brazil's Sandra Corveloni. She portrays the trials of a now pregnant mother, who already has four sons, in the popular Brazilian drama LINHA DE PASSE (Line of Passage), co-written and directed by Walter Salles, which is set in the slums of Sao Paulo.

Belgium's Dardenne brothers, Jean-Pierre and Luc, won Best Screenplay for LORNA'S SILENCE. Previously, the brothers have won two Golden Palms together: L' ENFANT (2005) and ROSETTA (1999).

The Federation of International Film Critics (FIPRESCI) awarded their FIPRESCI Prize for "Revolation Film" to Mexican filmmaker Fernando Eimbcke's second feature, LAKE TAHOE. The award was announced 19 May during Critics' Week.

Films receiving this award at Cannes must have won a FIPRESCI at a previous festival during the year, and TAHOE won the FIPRESCI at the Berlinale in Berlin this year. His first film, DUCK SEASON, won the same award during the Cannes Critics' Week in 2004.

For a list of the 22 films in competition, to read more about these films and Cannes, click the link on the right sidebar to access my Film Festivals Page-Part I.

ORPHANAGE Opens Today

THE ORPHANAGE (EL Orfanato), Spain's submission for the Best Foreign Language Film (BFLF) Oscar®, opens in select theaters today. It was directed by J. A. (Juan Antonio) Bayona - - directing his first feature, produced by Guillermo del Toro (PAN'S LABYRINTH), and scripted by first-timer Sergio Sanchez. LABYRINTH won three Academy Awards last February, but not for the BFLF. That honor went to Germany's THE LIVES OF OTHERS.

Belén Rueda plays Laura, a former ward of the orphanage who returns to the house 30 years later with her doctor husband, Carlos (Fernando Cayo), and their son Simon (Roger Princep). Simon does not know he is adopted, acquires an imaginary friend named Tomás, then he goes missing.

Laura goes into the cavernous areas of the house searching for her son. Aurora (Geraldine Chaplin) is a paranormal who goes into a trance. She suggests Simon's disappearance may be connected to the harrowing fate of the other orphans who lived there decades ago, and also went missing.

Critics tend to refer to the movie with lines similar to: "A mystery in a well-crafted, if familiar, haunted house," "A horror story with tears," or "A tale of love and a story of horror." I'm sure there will be many more attempts to write the perfect tag line for this movie.

For anyone who knows Spanish cinema, ORPHANAGE is much more than a tag line. I've seen more than 200 Spanish-language movies, all from the best directors Spain, Mexico, and other Latin countries have produced since before the rule of Francisco Franco. The Aragonian Carlos Saura, who followed "The Master," Aragonian Luis Buñuel but has never eclipsed him, is fading, and the Catalonia Bayona will hopefully deserve a place in the line of succession. PAN'S LABYRINTH is a wonderful movie, but it isn't "Spanish" in the Spanish surrealism tradition of Buñuel and Saura. THE ORPHANGE comes darn close.

The Goya of Honor is given by Spain's Academy of Cinematic Arts and Sciences, and is considered Spain's "Oscar." This year, OPHANAGE is nominated for 14 Goya Awards, including best picture and best director of a movie based on a novel. Rueda is nominated for a Goya as best actress, Chaplin for best supporting actress, and Princep for promising young actor.

The movie did not garner the most Goya nominations. That honor went to 13 ROSES (Las trece rosas, directed by Emilio Martínez Lázaro). It received 15. Nonetheless, over a million Spaniards rushed to the theaters in the first four days of ORPHANAGE'S release in Spain.

I must point out that Spaniards normally don't rush to see a Spanish movie, period. They rush to see the latest dubbed Hollywood movie.The population of Spain is only about 40 million in contrast to the U.S, which boasts over 300 million. Therefore an initial $36 millon gross for a Spanish movie in Spain is huge in comparison.

Some viewers have suggested the movie is based on the video game "Rule of Rose." I don't know, but Bayona's best director Goya nod is for "direction based on a Novel." I do know that ORPHANGE is backed by PictureHouse, a specialty film production and releasing company that is an arm of Time Warner, the same company that backed LABYRINTH. That is huge, too.

See my 30 September post, "Spain Sends THE ORPHANAGE to Fetch BFLF Oscar®." To find the post quickly, simply type ORPHANGE in the search box above. To see all the Goya nominations on my 2008 Awards Page, click this link that goes directly to my translated list of nominations.

MORE ABOUT TOP MOVIES AT CANNES

In the previous post I forgot to mention that Geraldine Chaplin is appearing in THE ORPHANAGE (El Orfanato, Spain-Mexico). Her character's name is Aurora, and the director is Juan Antonio Bayona.

Also, I failed to mention Michael Moore's latest documentary, SICKO. This is the "Inconvenient Truth" about the ailing American health care system but, overall, much less entertaining than "Truth," or Moore's previous films. One thing it is - - a powerful wakeup call!

SOME TOP MOVIES AT CANNES

According to many critics, there were more top-rate movies at Cannes than were expected. The first thing that caught my eye was the Mexico-Spain co-production THE ORPHANAGE (El Orfanato), produced by director Guillermo del Toro (PAN'S LABYRINTH). It's a Spanish ghost story that has been described as, "terrifying and enthralling." I suggest you watch for it.

Others you might want to put on your must-see list:

THE DIVING BELL AND THE BUTTERFLY (French) that won best director at Cannes for Julian Schnabel, and A MIGHTY HEART, produced by Brad Pitt and starring Angelina Jolie as reporter Daniel Pearl's widow, were both extremely well received.

The Coen brother's NO COUNTRY FOR OLD MEN starring Javier Bardem, Kelly Macdonald and Josh Brolin, didn't win any awards but it received great buzz. It arrived with distribution from Miramax, which acquired DIVING BELL at the market.

Sony Pictures Classics purchased rights to the Israeli comedy THE BAND'S VISIT, while IFC bought the Palme d'Or winner, the Romanian drama 4 MONTHS, 3 WEEKS & 2 DAYS (now mostly referred to as 4 MONTHS). IFC also acquired FLIGHT OF THE RED BALLOON (Le Voyage du ballon rouge, France) starring Juliette Binoche.

It's almost summer, and I'm going on a short hiatus. Of course, if anything happens that I think is interesting, movie-wise, I'll probably post it.

HAPPY SUMMER EVERYONE!