Forty-one Songs Eligible for Oscar® Nomination

Forty-one songs from eligible feature-length motion pictures are in contention for nominations in the Original Song category for the 83rd Academy Awards®, the Academy of Motion Picture Arts and Sciences announced a couple of days ago.

The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film and song title:

• "Alice" from "Alice in Wonderland"
• "Forever One Love" from "Black Tulip"
• "Freedom Song" from "Black Tulip"
• "Bound to You" from "Burlesque"
• "Welcome to Burlesque" from "Burlesque"
• "You Haven’t Seen the Last of Me" from "Burlesque"
• "There’s a Place for Us" from "The Chronicles of Narnia: The Voyage of the Dawn Treader"
• "Coming Home" from "Country Strong"
• "Me and Tennessee" from "Country Strong"
• "Despicable Me" from "Despicable Me"
• "Prettiest Girls" from "Despicable Me"
• "Dear Laughing Doubters" from "Dinner for Schmucks"
• "Better Days" from "Eat Pray Love"
• "If You Run" from "Going the Distance"
• "Darkness before the Dawn" from "Holy Rollers"
• "Sticks & Stones" from "How to Train Your Dragon"
• "Le Gris" from "Idiots and Angels"
• "Chanson Illusionist" from "The Illusionist"
• "Never Say Never" from "The Karate Kid"
• "To the Sky" from "Legend of the Guardians: The Owls of Ga’Hoole"
• "What If" from "Letters to Juliet"
• "Life during Wartime" from "Life during Wartime"
• "Made in Dagenham" from "Made in Dagenham"
• "Little One" from "Mother and Child"
• "Be the One" from "The Next Three Days"
• "If I Rise" from "127 Hours"
• "When You See Forever" from "The Perfect Game"
• "I Remain" from "Prince of Persia: The Sands of Time"
• "Dream Big" from "Pure Country 2: The Gift"
• "How I Love You" from "Ramona and Beezus"
• "Darling I Do" from "Shrek Forever After"
• "Noka Oi" from "Six Days in Paradise"
• "This Is a Low" from "Tamara Drewe"
• "I See the Light" from "Tangled"
• "Rise" from "3 Billion and Counting"
• "We Belong Together" from "Toy Story 3"
• "Eclipse: All Yours" from "The Twilight Saga: Eclipse"
• "Nothing" from "Tyler Perry’s Why Did I Get Married Too"
• "A Better Life" from "Unbeaten"
• "Shine" from "Waiting for ‘Superman’"
• "The Reasons Why" from "Wretches and Jabberers"

On Thursday, January 6, the Academy will screen clips featuring each song, in random order, for voting members of the Music Branch in Los Angeles. Following the screenings, members will determine the nominees by an averaged point system vote. If no song receives an average score of 8.25 or more, there will be no nominees in the category. If only one song achieves that score, it and the song receiving the next highest score shall be the two nominees. If two or more songs (up to five) achieve that score, they shall be the nominees.

A DVD copy of the song clips will be made available to those branch members who are unable to attend the screening and who request it for home viewing. A mail-in ballot will be provided.

Under Academy rules, a maximum of two songs may be nominated from any one film. If more than two songs from a film are in contention, the two songs with the most votes will be the nominees.

    

The 83rd Academy Awards nominations will be announced live on Tuesday, January 25, 2011, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

         

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood and Vine; Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Lynch to Present at AFI Fest

Director David Lynch will serve as the inaugural Guest Artistic Director at AFI Fest in Los Angeles, November 4 - 11, 2010.

As part of his duties he has picked five feature films to screen in a sidebar, including his own ERASERHEAD, which will screen Saturday, 6 November, on a double bill with Billy Wilder's SUNSET BLVD, and Lynch will present them in person. He made ERASERHEAD as a student at the American Film Institute (AFI).

Also featured in the sidebar are Ingmar Bergman’s HOUR OF THE WOLF, Stanley Kubrick’s LOLITA, Jacques Tati’s MON ONCLE, and Alfred Hitchcock’s REAR WINDOW.

The public is invited to tweet questions for Lynch. Responses will take place during the double-bill presentation. Questions should be sent to the AFI Fest Twitter account @AFIFEST).

Click title of post for more.

Cannes Afterglow

SERIES: Major Film Festivals

 Joe the Director

By many accounts, the 63rd International Cannes Film Festival took place on the Croissette seemingly under a cloud of gloom. The Festival showed fewer films than last year, there were less Americans attending, the American movies they did screen were mostly disappointing, and the buyers at the film market were not buying as in previous years. They were carefully choosing only one, or perhaps two, films.

The economic downturn that hit the U.S. in October 2008 didn't impact the Festival much last year because many films for the festival were either finished or completely financed, but financing was dropping by this time last year, and productions in Hollywood began to decline sharply. Then, the Euro fell against the dollar this past fall and studio budgets around the world shrank. Generous funding for those "maybe hits," elaborate open-bar festival parties, and unlimited promotional trips took a beating.

Every festival this year has seen a decline in festival budgets, attendance and revenue, and why should Cannes be an exception? Of course, Cannes was also impacted by that unpronounceable Icelandic volcano. Many who may have attended didn't because of unpredictable travel plans. We must wait until the festivals of 2011 to see if this downward pattern continues.

This year, the films at Cannes seemed to mirror the gloomy mood. Roger Ebert's review of this year's Cannes International Festival on Roger Ebert's Journal is basically short and concise[film titles changed to match my style], "Of the first ANTICHRIST screening [last year], I wrote: "There's electricity in the air. Every seat is filled, even the little fold-down seats at the end of every row. This year, I saw some good films, but felt little electricity. The opening night fun of [last year's] UP was replaced by the drudgery of ROBIN HOOD. I was in awe of Mike Leigh's ANOTHER YEAR and the South African LIFE ABOVE ALL, but not much else."

I haven't read anyone who has captured the mood and the films of this year's Festival so concisely and straightforward as has Ebert. Many writing about the festival often used adjectives when referring to films at Cannes like, brooding, plodding, downer, dark, muddled, etc.

Some did not understand the Palm d'or winner, UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES, either. Of the film Ebert writes, "I felt affection and respect for it, but no passion." I shall not reveal his reasoning for that, but you can click the title of the post and read it for yourself. The movie is about a man as he is dying. Adjective? Morose?

I shall reveal that the Thai director, Apichatpong Weerasethak, asked festival goers to call him, "Joe." So, now, we have Joe the Plummer and Joe the Director.

The jury prize (second place) went to A SCREAMING MAN, a film from Chad directed by Mahamat-Saleh Haroun. It's about a man who was the swimming champ of central Africa years before the film begins, and who now rules in his handsome uniform over the swimming pool at a fancy hotel. When he is replaced by a younger man he loses his identity. Ebert compared it to Murnau's THE LAST LAUGH, and that says everything as to how he feels about this one.

Ebert did not care for Mathieu Amalric's TOURNEE (On Tour), the story of a failed TV producer touring France with a troupe of American burlesque performers, and not because the strippers were past the first blush of youth. Ebert feels there are flaws in the film which make him question Amalric's award for Best Director.

From the feedback I have received from people who were a Cannes, those who viewed TOURNEE thoroughly enjoyed it, but the critics who wrote about it were not as generous. Most would agree with Ebert that TOURNEE leaves loose ends that do not come together. However, Amalric's film strippers joined him on the stage to collect his award and the crowd loved it.

So, Cannes this year was not the sparkling jewel of past festivals, and neither have many festivals been this year. Even the Gulf Film Festival in Abu Dhabi slashed its budget. In this age of instant world-wide electronic communication (streaming video, pod casts, webcams, etc.), the day of the lavish film festivals may be drawing to a close. Something else may be evolving where the film community can come together. Skype, anyone?

To access Roger Ebert's Journal and see more about films at Cannes this year, click title of this post.

Golden Razzie® "Winners" 2010

30th Annual Golden Raspberry "Winners"

Last night, Oscar® eve, the "Berry Bad Movies of 2009" were dis-honored during a gala at Hollywood's Barnsdall Gallery Theatre sponsored by The Golden Raspberry Award Foundation. The chosen ones received a gold-spray-painted "Razzie®" statuette designating them as being among last year's Worst Achievements in Film.

Sandra Bullock won two Razzie® awards. The first in the worst actress of 2009 category for her role in ALL ABOUT STEVE. The second with actor Bradley Cooper for the worst screen couple for ALL ABOUT STEVE, which also garnered a Worst Picture of 2009 nomination, but lost the Razzie to TRANSFORMERS: REVENGE OF THE FALLEN. The TRANSFORMERS' screenplay was dis-honored as was its director Michael Bay.

Bullocks competition for worst actress were: Miley Cyrus (HANNAH MONTANNA: THE MOVIE), and Megan Fox (JENNIFER'S BODY, REVENGE OF THE FALLEN), Beyonce Knowles for OBSESSED and Sarah Jessica Parker for DID YOU HEAR ABOUT THE MORGANS?

The worst actor was a three-way tie of the Jonas brothers for JONAS BROTHERS: THE 3-D CONCERT EXPERIENCE. The worst supporting actress and actor statuettes went to Sienna Miller (G.I. JOE: THE RISE OF COBRA) and Billy Ray Cyrus (HANNAH MONTANA: THE MOVIE), respectively.

Because 2009 marked the turn of a decade, the Foundation awarded three special awards: The worst picture, actress and actor of the decade. They went to the following, in order: BATTLEFIELD EARTH (won by a landslide), Paris Hilton (THE HOTTIE & THE NOTTIE, HOUSE OF WAX and REPO: THE GENETIC OPERA) and Eddie Murphy (ADVENTURES of PLUTO NASH, I SPY, IMAGINE THAT, MEET DAVE, NORBIT and SHOWTIME).

To see all the nominees click the tag "Razzie" at the bottom of this post for a previous post. To access the Foundations' official Website, click title of this post.

Berlin Film Festival Winners 2010

SERIES: Major Film Festivals

60th Berlin International Film Festival (Berlinale) awards their Bears at annual gala.

The second major international film festival of 2010, the 60th Anniversary edition of the Berlin International Film Festival (BIFF) closed last night with the presentation of their Gold and Silver Bears, and other awards. The Berlinale, as it is known in Europe, begins the annual official 2010 award season for Europe, as did last month's Sundance (SFF) in the U.S.

Berlin, held in what was known as West Germany, was originally known for screening films that otherwise would not have been shown anywhere outside of the former West and East Germany, the USSR, Yugoslavia, etc. They hold to their basic tradition today in the united Germany, primarily showing German film, but also showing films from Russia and other Eastern Europe countries.

Honorary Golden Bears for lifetime achievement in cinema went to actress Hanna Schygulla and the screenwriter and director Wolfgang Kohlhaase. Schygulla’s name is inseparably connected with the late West German director Rainer Werner Fassbinder’s films. Wolfgang Kohlhaase adopted a course that was new for DEFA (the publicly-owned film studio in the German Democratic Republic, the former East Germany). Motion pictures in which Schygulla or Kohlhaase had a part were shown in separate programs during the festival. For German cinema, finally a meeting of West and East.

I have had the privilege of seeing many of the films from DEFA and UFA made before unification. For anyone interested in German films made at DEFA, the DEFA Film Library is now at the University of Massachusetts Amherst. It is the only archive and study center outside Europe devoted to the study of a broad spectrum of films by East German filmmakers or related to East Germany from 1946 to the present. Here's the UMASS link.

But, you came here to see the winners. Roman Polanski won the Silver Bear for Best Director for his latest film, THE GHOST WRITER. He did not attend. The major movie winners are, HONEY; IF I WANT TO WHISTLE, I WHISTLE; HOW I ENDED THIS SUMMER; and APART TOGETHER. Here are the major winners by award, name of film, and director (where appropriate):

GOLDEN BEAR FOR THE BEST FILM - HONEY (Bal, Turkey) directed by Semih Kaplanoglu;

JURY GRAND PRIX SILVER BEAR - IF I WANT TO WHISTLE, I WHISTLE (Eu cand vreau sa fluier, fluier, Romania) by Florin Serban;

SILVER BEAR FOR BEST DIRECTOR - Roman Polanski for THE GHOST WRITER (France, Germany, UK), based on the novel The Ghost by Robert Harris, who adapted the screenplay;

SILVER BEAR FOR BEST ACTRESS Shinobu Terajima in CATEPILLAR (Kyatapirâ, Japan) by Koji Wakamatsu;

SILVER BEAR FOR BEST ACTOR - Sergei Puskepalis for HOW I ENDED THIS SUMMER (Kak ya provel etim letom, Russia) by Alexei Popogrebsky;

SILVER BEAR FOR AN OUTSTANDING ARTISTIC ACHIEVEMENT IN THE CATEGORY CAMERA - Pavel Kostomarov for the camera in HOW I ENDED THIS SUMMER by Alexei Popogrebsky;

SILVER BEAR FOR THE BEST SCRIPT - Wang Quan'an and Na Jin for APART TOGETHER (Tuan Yuan, China) by Wang Quan'an;

ALFRED BAUER PRIZE, awarded in memory of the Festival founder, for a work of particular innovation - IF I WANT TO WHISTLE, I WHISTLE by Florin Serban.

For all awards, download the .pdf file here. Click the title of this post to link to the Official Festival Site. To find out more about individual films at a glance, visit the IMDb.

Santa Barbara Film Festival Winners

SERIES: Major Film Festivals

ENEMIES OF THE PEOPLE wins Best Documentary Film and another major award.

The winners of the 25th Annual Santa Barbara International Film Festival (SBIFF) were announced yesterday. The festival, which celebrated its Silver Anniversary beginning 4 February, announced the winners of the 2010 festival competition at a Press Conference and Sunday morning brunch at the famed Fess Parker’s Doubletree Resort, Sunday, 14 February.

The winning films are as follows:


The Panavision Spirit Award for Independent Cinema, given to a unique independent feature that has been made outside mainstream Hollywood, went to EXAM (US Premiere), directed by Stuart Hazeldine, and starring Luke Mably, Nathalie Cox.

The Best International Film Award went to LETTERS to FATHER JACOB (Postia pappi Jaakobille) from Finland, and directed by Klaus Härö. [Submitted for Oscar® consideration for Best Foreign Language Film (BFLF), but not nominated. It is, however, receiving praises for cinematography such as, "If you want to see cinematographic art at its finest, see this movie."]

The Nueva [New] Vision Award for the best Spanish/Latin American film was awarded to THE WIND JOURNEYS (Los viajes del viento, Columbia, US Premiere), directed by Ciro Guerra and starring Marciano Martínez, Yull Núñez. [Submitted for Oscar consideration for BFLF, but not nominated.]

Best East Meets West Cinema Award went to South Korea’s MOTHER (Madeo), directed by Joon-ho Bong, about a mother who desperately searches for the killer that framed her son for a horrific murder. [Submitted for Oscar consideration for BFLF, but not nominated.]

Best Eastern Bloc Award went to KATALIN VARGA (Romania/UK, US Premiere), directed by Peter Strickland.

Best Documentary Film Award went to ENEMIES of the PEOPLE from UK/Cambodia and directed by Rob Lemkin and Thet Sambath. The film is about the Khmer Rouge slaughter of nearly two million people in the late 1970s, yet the killing fields of Cambodia remain unexplained.

Bruce Corwin Award for Best Live Action Short Film Under 30 Minutes went to ANA'S PLAYGROUND, directed by Eric D. Howell. Film depicts just another day for children surrounded by armed conflict.

Bruce Corwin Award for Best Animation Short Film went to UTS, directed by Moritz Mayerhofer.

The Fund for Santa Barbara Social Justice Award Sponsored by The Fund for Santa Barbara for a documentary film that addresses social justice issues also went to ENEMIES of the PEOPLE, the Best Documentary winner.

The festival closed tonight with the World Premiere of MIDDLE MEN,” directed by George Gallo. Starrin Giovanni Ribisi, Luke Wilson, James Caan, Kelsey Grammer and Kevin Pollack, the film chronicles Jack Harris, one of the pioneers of internet commerce, as he wrestles with his morals and struggles not to drown in a sea of conmen, mobsters, drug addicts, and pornstars.

Read more about the winners by clicking this title of this post. For honorary awards at the SBIFF, scroll down to previous post under the title, " Major Film Festivals in February 2010".