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Showing posts with label Kevin Spacey. Show all posts
Showing posts with label Kevin Spacey. Show all posts

Monday, May 28, 2012

CANNES - A WRAP


Austrian director Michael Haneke's AMOUR (Love), in French, was awarded the top prize, the Golden Palm (Palme d'Or), for Best Motion Picture Feature at the 65th Cannes International Film Festival, Sunday. He received a Palme d'Or in 2009 for THE WHITE RIBBON in German and Italian. He is only the seventh director to take the top prize twice.



Riva in AMOUR

AMOUR was filmed entirely in Paris, and stars beloved French actors Jean-Louis Trintignant, 81, and Emmanuelle Riva, 85, as an elderly couple still very much in love, and Isabelle Huppert. It is 180 degrees from most of Haneke's movies, as he stated, ". . . a film’s style should match its subject matter, not its director, and 'this film is about love.'"

Saturday, we posted on our "Mimi at the Movies" Facebook page: "We choose Michael Haneke's AMOUR (Love), to capture the Palme d'Or at Cannes tomorrow."  So far, we are two for two this year, the Best Motion Picture Oscar (The Artist) and the Cannes winner!

CHILDREN OF SARAJEVO

THE CANNES UN CERTAIN REGARD 2012 section presented 20 films directed by 26 directors hailing from 17 different countries. Four of the works were first films.

Presided over by Tim ROTH (actor, director), the Jury was comprised of Leïla BEKHTI (actress), Sylvie PRAS (head of cinema - Centre Pompidou Paris, artistic director - La Rochelle Festival), Tonie MARSHALL (director, producer) and Luciano MONTEAGUDO (critic - Pagina/12 - Buenos Aires). According to Roth, “This was an extraordinarily strong group of films and our deliberations were passionate. The film makers never once failed us! Incredible!”

TOP PRIZE OF UN CERTAIN REGARD
AFTER LUCIA (original title, DESPUÉS DE LUCIA0) by Michel FRANCO, a Mexican/French co-production in Spanish. It is about teenage bullying in Mexico.

SPECIAL JURY PRIZE
LE GRAND SOIR (The Great Evening) by Benoît DELÉPINE and Gustave KERVERN. A French production in French.

SPECIAL DISTINCTION OF THE JURY
CHILDREN OF SARAJEVO (original title, DJECA) written and directed by  Bosnian--Herzegovinian filmmaker Aida BEGIC, telling the story of two orphaned siblings struggling to survive during the Bosnian War. Congratulations to Aida, Kevin Spacey and all the gang at the upcoming Sarajevo Film Festival! I will be following.

Writer/Director/Producer Aida Begic

 

AWARD FOR BEST ACTRESS (Shared)
Suzanne CLÉMENT for her performance in LAURENCE ANYWAYS directed by Xavier DOLAN, and Emilie DEQUENNE for her performance in À PERDRE LA RAISON (Reason to Lose) directed by Joachim LAFOSSE.

AWARD FOR BEST ACTOR
Mads MIKKELSEN in JAGTEN (The Hunt) directed by Thomas VINTERBERG.

GRAND PRIX
REALITY directed by Matteo GARRONE.

BEST DIRECTOR
Carlos REYGADAS for POST TENEBRAS LUX (title means “light after the darkness”).

BEST SCREENPLAY
Cristian MUNGIU for DUPÃ DEALURI (Beyond The Hills).

JURY PRIZE: THE ANGELS' SHARE directed by Ken LOACH.

Caméra d'Or for Best First Film -  BEASTS OF THE SOUTHERN WILD directed by Benh ZEITLIN.

SHORT FILMS
Palme d'Or - SESSIZ-BE DENG (Silent) directed by L. Rezan YESILBAS.

OTHER AWARDS:  NO, starring Gael García Bernal, a Chilean production in Spanish, took Top Prize at the Directors' Fortnight; FIPRESCI Prizes (Critics Awards) went to BEASTS OF THE SOUTHERN WILD (USA) filmed in New Orleans, and IN THE FOG, a Latvian production in Russian.

It must be noted that, despite a stronger showing of American movies at Cannes this year, U.S. films were shut out when it came to the awards, except for BEASTS OF THE SOUTHERN WILD, which won two awards.

SOME FEATURE MOTION PICTURES THAT RECEIVED FAVORABLE ATTENTION AT THE FESTIVAL:

1. Leos Carax's HOLY MOTORS, labeled bizarre by some. Carax is French. From IMDb Trivia: His professional name, Leos Carax, is an anagram of his first and middle names, "Alex Oscar."

2. A big standing ovation and favorable buzz at Cannes following David Cronberg's COSMOPOLIS premiere with Robert Pattinson and Cronenberg in attendance. At this festival, Pattenson was praised for his acting. The movie features French actress Juliette Binoche, who rose to movie stardom after appearing in Philip Kaufman's  critically acclaimed, THE UNBEARABLE LIGHTNESS  OF BEING.

3. Kaufman's latest, HEMINGWAY AND GELLHORN, received some words of warmth at the festival as well. It is an HBO movie, starring Nicole Kidman and Clive Owen. The drama is centered on the romance between Ernest Hemingway and WWII correspondent Martha Gellhorn, Hemingway's inspiration for, For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer. This one is definitely on my "must see" list.

Kidman and Owen as Gellhorn and Hemingway

LINKS:

  Cannes Festival Home in English

  Movie reviews plus video



Sunday, March 13, 2011

EW Writes About Fixing the Oscars


It seems that one analysis of the 83rd Academy Awards will not suffice. I came to this conclusion after I read the article in the March 11th issue of Entertainment Weekly (EW). [#1145, March 11, 2011, “How to Fix the Oscars,” page 44]

Number one on their list was also my main suggestion in my previous post, which was to go back to five best picture nominees. Yes! See, Chewing the Oscars: Getting Down and Dirty.

Next, EW dealt with the hosts, and we are pretty much on the same wave length here. Franco and Hathaway were too young and inexperienced, and the material they were given was not up to the usual standard for hosts. It all showed, big time.

EW suggested that Tina Fey and Will Farrell host the show. Emphatically, I DO NOT agree. The Oscar broadcast should not be a circus joke fest, although the broadcast is listing in that direction.

I mentioned Billy Crystal as an example of a contemporary host of exemplary quality. They mention two others, which I should have but neglected to mention, Hugh Jackman and Steve Martin. All of them did an excellent job helming the Oscars.

In the suggestion “Stop Chasing Your Youth,” EW points out that people do not watch the Oscars to constantly be reminded as to how “hip” the Academy is with technology.  I took it much further in my post than they.

I think most viewers tune in to watch the Oscars because their favorite movie star and/or one of the movies they saw during the year is nominated for something. They enjoy the “horse race” and want to be a part of it. Heck, they probably have 25 bucks, or more, in the office pool riding on their choices to win. They want to root for their choices, and gloat when they have picked a winner.

I was giving "Oscar Parties" in Los Angeles long before the Academy ever designated their Oscar Night Parties. Someone passed it on to them, and I am happy they did. We can all still enjoy our private parties with our friends and families.

EW suggests something to wake up the audience in mid-show. I agree. As I pointed out, after 20-something acceptance speeches all of which could be given for any winner simply by changing the names, we need something stimulating.

They suggest something like Woody Allen’s salute to NYC after 9/11. I suggested in my previous post, and still do, a mini salute to the individual given the year’s Lifetime Achievement Oscar at the un-televised Governor’s Ball. I’m still smarting because that has been completely removed from the Oscar Broadcast.

I suggest, no statue, no speeches. The receiver is introduced by some hot star of today, reminding the audience how great this individual once was, and the honoree takes a spotlight bow to hearty applause.

I do agree, and I missed writing about this in the previous post, that all short films should be removed and honored elsewhere. I go to commercial movie theaters fairly regularly and in different places. It has been decades since I have seen a movie short of any kind run at a theater. Perhaps in city art houses they still have one evening when they show the nominated short films, but not in Peoria.

For those not in the know, many years ago when a movie project was pitched to producers or a studio head, they would ask, “But, will it play in Peoria?” 

Someone, I have forgotten who, determined that Peoria, Illinois, was the perfect example of middle-class America. I doubt short films are shown in Peoria. Perhaps they should be included in the evening when the student film awards are presented.

EW suggests some other things, too, such as moving the broadcast back to January, but then they admit that the logistics, in relation to the awards season in general, would be a nightmare. That it would. Why did they suggest it in the first place?

EW thinks there should be a rule that costars do not present. I agree. I would add, unless the costar won the Academy Award the year before in the category he/she is presenting.

They urge the Academy pay attention to the Grammy’s which gives only 10 awards. I agree. There are too many awards that are not relevant to today's viewers.

In days gone by during the Golden Age of Hollywood (1920’s to mid-1950s) the Academy gave the awards at and for the pleasure of the Academy members, which were broadcast by radio. With the advent of national television. they began to give the awards to pleasure the entire nation. Now, in this century, they are taking on the world, and that is a huge responsibility. Are they living up to the task?

Personally, I do not think so. If the awards are going to be for the world to enjoy, there is big room for improvement, and it would not necessarily involve whiz bang technology. However, that is another post for another year.

EW did not mention the revolving producers in the last five years, as I did, but this is the last I shall write about this year’s Oscars. Promise! The first words for next year’s Oscars? Think:
Kevin Spacey.

Wednesday, July 15, 2009

SERIES - “Upcoming Film Festivals”

Traverse City, Sarajevo & Telluride

Traverse City FF Tickets On Sale

This is it! Tickets for the 5th Traverse City Film Festival went on sale Sunday at noon in downtown Traverse City, Michigan, for Friends of the Festival, which will run Tuesday, 28 July through Sunday, 2 August.

Remaining tickets will go on sale to the general public this coming Saturday, 18 July, at 12 noon in the box office located at 300 E. Front Street, Traverse City. Sales online and by phone (231-946-3731) begin at 6 pm.

For more about the Festival, see my two previous blog posts in this series, Upcoming Film Festivals. There is still time to become a Friend of the Festival. The best way is through the Web site. While you are there, check the site for other passes, get information on the many special programs the Festival is offering this year, as well as the films showing.
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Sarajevo, Bosnia-Herzegovina

The Sarajevo Film Festival began during the Serbian invasion of Bosnia and Herzegovina. In 1994-1995, Sarajevo’s residents decided to establish the Sarajevo Film Festival. In the beginning, it looked like a pipe dream, like fighting the windmills. No one thought that the dream of a group of movie enthusiasts would grow from amongst war into the most important annual event not only in B-H, but in the entire region.

Now, the Festival is one of the biggest cultural events in B-H, and the one with the most attendance. The Festival award is the Heart of Sarajevo. This year is the 15th edition, and it will run from 12 - 20 August. American Actor Kevin Spacey, who helped found the Festival is expected to attend again this year. So is UK director Mike Leigh, another Festival sponsor.

Opening the festival is TALES FROM THE GOLDEN AGE, written and directed by Cristian Mungiu, whose last movie was the acclaimed 4 MONTHS, 3 WEEKS & 2 DAYS (2007). GOLDEN AGE is described as an unconventional personal history of the late Communist period in Romania. Remember what they did to the disabled and orphan children? Web site.
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TELLURIDE

A quick note about Telluride, which will be in the spotlight in the next post of this series. Passes are now on sale. They are expensive and they go fast. If you want to take a chance, go here.
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Some festivals that will be spotlighted in the continuation of the Series:

August -

Montreal WFF:
Le Festival des Films du Monde Montréal, Canada, 27 August - 7 September.

Venice:
2 - 12 September, Italy, the granddaddy of them all.

Telluride
4 - 7 September, Colorado, a wonderful time of year to be there.

Toronto:
10-19 September, Canada.

San Sebastián:
18 - 26 September.