Here Comes Cannes 2012

The first edition of the Cannes International Film Festival (CIFF) was originally set to be held in Cannes in 1939 under the presidency of Louis Lumière. However, it was not until over a year after World War II ended that it finally took place, September 20, 1946. It was subsequently held every September – except in 1948 and 1950 – and then every May from 1952 onwards.

This year is the 65th Cannes IFF Anniversary Edition. It will run from May 16 through May 27th. Among those who mainly are associated with American motion pictures and who are expected to walk the red carpet are: Brad Pitt, Reese Witherspoon, Robert Pattinson, Nicole Kidman, Sean Penn and Matthew McConaughey.

The full line-up for the Festival's Jury, who will judge the 22 motion pictures in competition is: French actress Emmanuelle Devos; German actress Diane Kruger; French designer Jean Paul Gaultier; British actor Ewan McGregor; American director, scriptwriter and producer Alexander Payne; and Haitian director, scriptwriter and producer Raoul Peck.

The Competition Jury will be presided over by Italian director, actor and producer, Nanni Moretti. The task of selecting the best new filmmaker falls to Brazilian filmmaker Carlos Diegues, head of the jury for the Camera d'Or.

President Gilles Jacob, and artistic director Thierry Fremaux, announced the official selection of films in competition, which will include a stronger showing from the U.S. this year than last. Some of the films in competition are from: David Cronenberg (Crash, 1996), Lee Daniels (Precious, 2009), Ken Loach (The Wind That Shakes the Barley, 2006) and Michael Haneke (The White Ribbon, 2009).

Veteran French filmmaker Alain Resnais, who is approaching 90, will bring a new film, You Haven’t Seen Anything Yet (Vous N’avez encore rien vu), an adaptation of Jean Anouilh’s Eurydice from Greek mythology, starring Marion Cotillard and Cannes veteran Mathieu Amalric. Resnais won his fourth Palm d'Or in 2009 for Wild Grass.

 LIST OF FILMS IN COMPETITION

MOONRISE KINGDOM

Two-time Oscar nominated director Wes Anderson's Moonrise Kingdom will open the 65th Anniversary Edition Wednesday, May 16, the opening night of competition. Anderson's previous films include: The Royal Tenenbaums, Fantastic Mr. Fox and Rushmore. The Moonrise Kingdom cast includes Kara Hayward, Jared Gilman, Bruce Willis, Edward Norton, Tilda Swinton, Bill Murray, Frances McDormand, Jason Schwartzman, Harvey Keitel and Bob Balaban. Music by Alexandre Desplat, who was nominated for an Oscar for The King's Speech, Fantastic Mr. Fox, The Curious Case of Benjamin Button and The Queen.

Focus Features has acquired the world wide rights to Moonrise Kingdom.  It opens in the U. S. in select theaters May 25th.

French director Claude Miller

Thérèse Desqueyroux (a.k.a., Thérèse D ), a 2012 adaptation of the novel by François Mauriac, the final movie directed by the late French director Claude Miller (20 February 1942 – 4 April 2012), will close the festival Sunday, May 27th. A previous adaptation of the novel was filmed in 1962. No release date in the U.S. has been announced.

Miller, film producer, writer and director, was 70 when he died. His principal mentor was my late friend, French director François Truffaut. The movie features Audrey Tautou in the title role as well as Gilles Lellouche and Anaïs Demoustier. A release date in the U.S. has not been announced. READ MORE

 

Every year, the Cannes Film Festival invites prominent figures from the world of cinema to give “Masterclasses,” Chiefly focusing on directing. Previous directors have included Martin Scorsese, Quentin Tarantino, Wong Kar-wai, etc. from time to time, the Masterclasses explore other aspects of film-making other than directing.

Masterclasses for the 65th anniversary will be given by Philip Kaufman, Alexandre Desplat and Norman Lloyd (above). Each speak about their work at the Buñuel Theatre followed by a Q&A with the audience.

Sean Penn

The Festival de Cannes will present "Haiti: Carnival in Cannes," a benefit event presented by Giorgio Armani in support of Sean Penn’s J/P HRO, Paul Haggis’ Artists for Peace and Justice and Petra Nemcova’s Happy Heart’s Fund for their united and extraordinary fund raising work in Haiti.

That gala evening, presented by Giorgio Armani, will feature a dinner Friday, May 18th at the Festival Agora. The funds raised at the gala will benefit all three charities and help them to bring sustainable programs to the Haitian people quickly and effectively.

A Haitian show entitled “Carnival in Cannes” will present a concert of authentic RaRa and Racine music, created with the RAM band, Haiti's leading Racine group, brought in for the occasion from Haiti. The event will be co-sponsored by Chopard.

Festival Site in English

'The Tree of Life' Wins San Francisco Critics Best Picture, and Sundance News

 

The San Francisco Critics Circle rallied around the Cannes' winner, The Tree of Life on Sunday, naming it the best picture of the year, and giving the best director award to Terrence Malick. The critics also singled out the movie's Emmanuel Lubezki for best cinematography.

Watch featurette of The Tree of Life star Jessica Chastain, also with Brad Pitt, and producers Dede Gardner and Grant Hill.
VIDEO 

Comprised of 31 Bay Area film critics the organization, voted Gary Oldman best actor for his portrayal of a British intelligence officer in Tinker Tailor Soldier Spy.

Tilda Swinton

They hailed Tilda Swinton as best actress for portraying the mother of a severely troubled boy in We Need to Talk About Kevin.

  

Supporting actor went to Albert Brooks for Drive,

Vanessa Redgrave

and supporting actress to Vanessa Redgrave for Coriolanus.           

Fiennes and Chastain

Ralph Fiennes not only stars in the Coriolanus, he makes his directorial debut in this  lesser-known Shakespearean tragedy.

Also in Coriolanus, Chastain shows her best Shakespearean acting chops.
VIDEO

Bridget O'Connor and Peter Straughan took the best adapted screenplay prize for Tinker, while J.C. Chandor received the best original screenplay prize for Margin Call, which revolves around the key people at a investment bank over a 24-hour period during the early stages of the financial crisis, and stars Zachary Quinto, Stanley Tucci and Kevin Spacey.

Rango was named best animated feature, again beating out Scorsese's Hugo.

Certified Copy (France, starring Juliette Binoche, William Shimell and Jean-Claude Carrière) garnered best foreign language film.

Tabloid(UK)was named best documentary. For more on the awards, click title of this post.

~~~~~~ SUNDANCE ~~~~~~
~~~~~~~

The 2012 Sundance Film Festival online film guide is up and running, and it is in html. Search now to learn more about this year’s films, and the new ones for 2012, make a must-see list, and share on your social networks. The Festival opens January 19 and runs though the 29th in Park City, Utah.

Ticket registration closes at 5 p.m. MST on December 19. Register for tickets today! Get Park City’s best digs and deals when you book your accommodations online through the Sundance Institute.

National Board of Review and NY Film Critics Circle Award Their "Best Of" for 2011

Three Breakout Movies

 

Last week, both the National Board of Review (NBR) and the New York Film Critics Circle (NYFCC) voted the Iranian movie A Separation (Jodaeiye Nader az Simin) Best Foreign Film. Few outside the movie industry hear about the NBR or the NYFCC awards, but I post them because I rely upon them when making my Oscar picks.

 
A Separation, written and directed by Asghar Farhadi, was awarded the Golden Bear for best film and the Silver Bear for best acting ensemble at the Berlin Film Festival this year. In addition it won the FIPRESCI Prize at the Riga Film Forum in Latvia, along with many festival nominations and awards from various countries around the world.

I hope A Separation receives better treatment by the Academy this year than Farhadi's 2009 film, About Elly. For a list of films submitted and accepted for a run for and Oscar as Best Foreign Film at the Academy Awards this coming February, see the link on the right sidebar.

 
Farhadi has a long list of awards beginning with his first movie, Dancing in the Dust in 2003, through his most previous film, About Elly. Unfortunately, his films have not received a single Oscar nomination. His internationally acclaimed About Elly was submitted to the Academy by Iran, but did not make the first cut. This year, A Separation was submitted by Iran. I hope the cultural, religious and political divides between the USA and Iran will not handicap this movie's chance for an Academy Award.

 
So far, there is hope for a first-time nomination for Farhadi. A Separation is about a married couple faced with a difficult decision. Should they move to another country to improve the life of their child, or stay in Iran and look after a deteriorating parent who has Alzheimer's? For more on A Separation, click the title of this post.

 
The NY Film Critics Circle bestowed its Best Picture award for 2011 to Michel Hazanavicius’ black-and-white silent film The Artist, along with the Best Director award. I predict good things for this movie at the 84th Academy Awards.  Here is the NYFCC's winner's list:

Best Picture: The Artist
Best Cinematography: Emmanuel Lubezki (The Tree of Life)
Best Screenplay: Steven Zaillian and Aaron Sorkin (Moneyball)
Best Director: Michel Hazanavicius (The Artist)
Best Foreign-Language Film: A Separation
Best Actor: Brad Pitt (Moneyball, The Tree Of Life)
Best Actress: Meryl Streep (The Iron Lady)
Best Supporting Actress: Jessica Chastain (The Tree Of Life, The Help and Take Shelter)
Best Supporting Actor: Albert Brooks (Drive)
Best Nonfiction Film: Cave Of Forgotten Dreams
Best First Feature: Margin Call
2011 Special Award: Raoul Ruiz (posthumous).

 
The National Board Of Review Named Hugo Best Film, and Martin Scorsese Best Director for the animated movie. I also predict good things for this movie at the Academy Awards. Here is is the NBR's winner's list:

Best Film: Hugo
Best Director: Martin Scorsese, Hugo
Best Actor: George Clooney, The Descendants
Best Actress: Tilda Swinton, We Need to Talk About Kevin
Best Supporting Actor: Christopher Plummer, Beginners
Best Supporting Actress: Shailene Woodley, The Descendants
Best Original Screenplay: Will Reiser, 50/50
Best Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, The Descendants
Best Animated Feature: Rango
Breakthrough Performance: Felicity Jones, Like Crazy
Breakthrough Performance: Rooney Mara, The Girl with the Dragon Tattoo
Debut Director: J.C. Chandor, Margin Call
Best Ensemble: The Help
Spotlight Award: Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)
NBR Freedom of Expression: Crime After Crime
NBR Freedom of Expression: Pariah
Best Foreign Language Film: A Separation
Best Documentary: Paradise Lost 3: Purgatory
Special Achievement in Filmmaking: The Harry Potter Franchise – A Distinguished Translation from Book to Film.

The 84th Academy Awards nominations will be announced live on Tuesday, January 24, 2012, at 5:30 a.m. PT, in the Academy's Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012, at the Kodak Theatre at Hollywood and Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Official Site

Telluride Film Festival Wrap

Telluride 2011 Poster

George Clooney

Tilda Swinton

The four-day 2011, 38th Telluride Film Festival (TFF), known as The Show, wrapped Monday, Labor Day. First of all Telluride is a non-competetive festival, meaning there are no grand prize winners. Instead, the sole emphasis is on the films and the film-going experience.

The Festival screened six film revivals selected by Guest Director Caetano Veloso, plus twenty-eight new feature films in its main program, nine Backlot programs, nine classics and restorations, 30 shorts and student films, and hosted nine seminars and conversations between festival guests.

Pierre Étaix

Whew! What a whirlwind that must have been. All that in four days! In addition, the Telluride Film Festival's Silver Medallion awards, given to recognize an artist’s significant contribution to the world of cinema, went to George Clooney, Pierre Étaix, and Tilda Swinton.

I'm fairly certain my readers can identify George Clooney and Tilda Swinton but perhaps not as easily the man in the middle. Pierre Étaix is a French clown, comedian and filmmaker, born in 1928.

Étaix made a series of acclaimed short and feature-length films, which are available again. The TFF festival goers were treated to Frederick Wiseman’s portrait of Paris’s glamorous cabaret of the same name; and Le Grand Amour (Great Love), TFF Tributee Pierre Étaix’s lost masterpiece, never-before-seen in North America. It was screened as a Sneak Preview.

As I mentioned in a previous post, Sneak Previews at Telluride are an unofficial part of the TFF program. They are not revealed in the program. Instead, they are announced at various times during the Festival. This year there were three, Le Grand Amour; Jim Field Smith’s Butter (U.S., 2011) starring Jennifer Garner and Ty Burrell, all three of whom were in attendance to present the film; and Crazy Horse (U.S., 2011).

The Special Medallion award, given to a hero of cinema that preserves, honors and presents great movies, went to one of my favorite movie magazine, the British film magazine Sight and Sound.  Editor Nick James accepted the award in-person.

Lots of goodies, including the above poster, are for sale in the Telluride Show Shop.

It Isn't Fall Yet, But Festivals Don't Know It

I tried to stretch my hiatus out a little longer, but when the Venice International Film Festival started Wednesday, I knew it was time to start paying attention to what was happening on the movie scene. Thus, a break from the cookout today for this post.

Venice IFF's Golden Lion Award

Two major Film Festivals are underway this weekend. For starters, the granddaddy of the film festivals, the 68th Venice International Film Festival - La Biennale di Venezia - opened Wednesday, 31 August, with the well-received world premiere screening of The Ides of March, the highly anticipated new film written, directed, and starring George Clooney, in the Palazzo del Cinema, following the opening ceremony.  Co-starring with Clooney are:  Paul Giamatti, Philip Seymour Hoffman, Ryan Gosling, Evan Rachel Wood and Marisa Tomei.

The Ides of March is the only U.S. film screening in competition. However, David Cronenberg's A Dangerous Method, Germany/Canada, is worth noting. It stars Viggo Mortensen as Sigmund Freud, Michael Fassbender as Carl Jung, and Keira Knightley as a troubled young woman seeking treatment. There are no films of note from the USA screening out of competition.
The complete list of films in competition Here.

Telluride

George Clooney

The other festival is the 38th Telluride Film Festival (2-5 September), to which the Academy of Motion Picture Arts and Sciences awarded a $50,000 grant to underwrite this year's  Festival’s Guest Director program, featuring musician Caetano Veloso, who is described as ". . . a musician who loves movies." For more on the Academy's grant to Telluride, click the title of this post.

George Clooney’s The Ides Of March may have been well-received in Venice, but it did not make the Telluride roster.  None-the-less, Clooney headed from Venice to the Colorado San Juan mountain festival to support the other movie in which he stars this year, The Descendants. It is the new film from director Alexander Payne, his first since his Oscar-winner Sideways (2007). Telluride will host tributes for Clooney, and actress Tilda Swinton, who won a best supporting actress Oscar in 2008 as Clooney's co-star in Michael Clayton.

Besides Venice, Telluride is also a stop in the film festival circuit between Cannes and New York. There's The Artist, a black and white silent film directed by Michel Hazanavicius, and Martin Scorsese’s new documentary about the late member of The Beatles - George Harrison: Living in the Material World, plus the Irish drama Albert Nobbs, co-written by Glenn Close, which has the actress playing a shy butler who is hiding the fact that he/she is a woman.

At Telluride, there are the "to be announced" slots, which keep festival goers guessing. In the past, some films shown in these TBA slots, including last year's The King's Speech, received Oscars. Therefore, there is big buzz of speculation about this year's TBA films. One that has been revealed is Butter, a comedy starring Jennifer Garner, Olivia Wilde and Hugh Jackman. Telluride Festival.

Coming up, the San Sebastian Festival in Spain (16-24 September), has set it's jury members.  Serving as part of the official selection jury will be Babel screenwriter Guillermo Arriaga, director Álex de la Iglesia (The Last Circus) and actresses Bai Ling (The Crow), Sophie Okonedo (Hotel Rwanda) and Frances McDormand (Fargo). American writer and film critic Jonathan Rosenbaum will chair the New Directors competition at the festival. This from Nikki Fink's Deadline/Hollywood blog.

Readers say Academy Awards need some changes.

Best of 2008

Actor - Daniel day-Lewis, Supporting Actress - Tila Swinton, Actress - Marilon Cottilard, and Supporting Actor - Javier Bardem.

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I received some comments by e-mail concerning the previous two posts about the recent Academy Awards television broadcast. Perhaps, I didn't make myself as clear as I had wished, or the readers didn't find the points clear enough for them. So I shall try to explain a little better for those of you who wrote.

First of all, my point was really that the Academy of Motion Pictures Arts and Sciences seeks to honor its own, and that is exactly what it did for almost three decades. Then, television came along and things began to change. Now, television, a.k.a., the ABC Network at the moment, has a huge say about the Academy Awards. They want ratings because they do it for money. Rightfully so, as they are a business, and they just extended their contract with the Academy for seven years. So, they are happy.

Around the world movie fans, and those who work in the industry in foreign countries want to see the Oscars. Once the Academy starts live streaming on the Internet, the entire world will be happy, except maybe ABC.

The Academy wants everyone to be happy. The Academy today is a super big business. It is no longer that dinner at a Hollywood hotel, and awards being given out among a few invited guests. They started to allow the radio broadcast fairly early on, and the importance of the Oscars started to grow.

Next, along came television, and the Academy awards began changing radically. Now, there is the Internet and the Academy foot soldiers are fiercely trying to catch up, yet they want to hang on to televisions' coattails at the same time.

Today, the money the broadcast, and the satellite businesses that generate money for that broadcast, propel the Academy Awards. The Guilds mostly influence the actual nominations and cast the most votes within the Academy. The Guilds honor their own. The Academy is only the conduit, which has turned the Academy Award broadcast into a big, brash, glittery financially rewarding circus.

As a former part-time member of the USC faculty of Cinema, and a sometime writer and producer, I know very well what craft people do and their importance to the industry. I was not slighting them, only suggesting some logistical changes.

And, yes, I know that star power is fading, but actors are still very relevant to movies and are paid well for what they do. I still think most people see a movie, either at a theater, on DVD, Internet streaming, etc., based on three things: who is in it, who directed it, and what is it about?

Also, I constantly promote independent films here. I picked 'Hurt Locker' as an Academy Award winner and Kathryn Bigelow to win best director as soon as the movie was released. I know first hand the discrimination women have experienced in both the movie and television industries for so many years, and Bigelow's win made history.

I promoted 'Slumdog Millionair' and 'The Kite Runner,' when few had heard of them, and the same for this year's 'Winter's Bone'. I also championed 'Hustle and Flow' and the song from that movie for best song, "It's Hard Out Here for a Pimp," and the song won. Of course, I am a little partial as I have long-standing ties with Memphis. Over the years, there have been many others I have picked to showcase here.

The big films do not need any help. They soar or crash on their own merit, but the small films suffer for lack of financial support, good publicity and distribution.

When I wanted to study the technical aspects of television in undergraduate school, a professor said, "Oh, don't bother. They will never let a woman touch the equipment in a TV studio."

A few years later, I got the FCC license required at the time, and became a broadcast engineer. In that position, I worked at the transmitter site for a small station in Corpus Christi, TX, until it went remote. Then, I ran the entire studio single handily on Sunday mornings. So, I learned, and I touched the equipment. That laid the ground work for my association with the movie industry and as a teacher of cinema.

So, what I was basically trying to say in the previous posts is, if the Academy is going to do a TV show, then do a TV show. If they want to honor their own and have a major television show, they need to stop, re-evaluate their mission statements and adopt some newer approaches.

I really think the biggest problem is that The Academy-Award industry, and it is a huge industry, has grown so large it is impossible to successfully reach their mission statement for both offering an evening of spectacular entertainment (show), and generating revue (business), while honoring their own in a dignified way all at the same time.

It is not pleasing or dignified for everything during the show to be executed in a rush, rush, manner, clip, clip, hurry, hurry. It stresses the people involved, and it stresses the viewers to watch their favorites being forced off mike by music with ever increasing in volume. It is not dignified. They may as well get a stick with a hook on the end.

This year's broadcast was full of hurry, hurry, and awkward moments. The pace of the broadcast should be varied and the show progresses, ebbing and flowing, not jerking, racing at one moment and dragging the next.

There may be a way to increase ratings, revenue, and offer the viewers a more relaxed, pleasant and entertaining broadcast. Well, not only one broadcast. Perhaps, the Academy should consider three or four. Why not? The Emmy Awards have already done that, and successfully. I can't see why ABC would not like that approach. Again, think logistics, which is the hot current business buzzword.

Also, I agree that to watch the broadcast on Sunday is really an imposition on those working during the week. I once attended when I was working, and I feel your pain. What is wrong with a Saturday night?

Thank you all for your comments and I welcome more.

Firsts at 80th Academy Award Awards®

Day-Lewis, Swinton, Cotillard, and Bardém

All four acting categories at the Academy Awards® Sunday night were won by actors who have residences outside the U.S. I haven't had time to check this out thoroughly, but I have followed the Oscars® for longer than I am willing to admit on this blog, and I'm almost certain that has never happened before in the history of the Awards. So, that would be the first, first.

UPDATE 9 MARCH to original post of 26 February: It is not a first. All four acting awards going to foreigners at this year's Oscars was NOT a first. That happened first in 1965. Russia's Lila Kedrova received the statuette for ZORBA THE GREEK for best supporting actress, while Julie Andrews took best actress for MARY POPPINS. Best actor and supporting actor went to Rex Harrison, MY FAIR LADY and Peter Ustinov for TOPKAPI, respectively. The last three were Brits. Now, we know. (Source: Entertainment Weekly Magazine, 7 March 2008, Issue #981, p. 42.)

Briton Daniel Day-Lewis won best actor for his role in THERE WILL BE BLOOD; Scotland's Tilda Swinton was named best supporting actress for her role in MICHAEL CLAYTON; and French star Marion Cotillard won best actress for her portrayal of the late real-life French chanteuse, Edith Piaf, in LA VIE EN ROSE. Cotillard was the first French woman to win the award since Simone Signoret in 1960, thus, the second, first. Signoret won for her role in ROOM AT THE TOP.

Spanish actor Javier Bardém, whose Bardém family in Spain is often compared to the U.S. theatrical family dynasty, the Barrymore family, garnered his first personal Oscar® for his role as the maniacal Chigurh in NO COUNTRY FOR OLD MEN, which won Best Picture. Bardém also won the Golden Globe and the SAG award, plus many other awards, for this performance. He now holds the forever distinction of being the first Spanish actor to win an Oscar. So, that's the third, first.

There was some pre-Oscar buzz about whether, or not, Bardém would escort Penélope Cruz to the Awards. He took his mother, Pilar Bardém, sister of the late great Spanish director Juan Antonio Bardém. Pilar is an award-winning Spanish actress,. She gave her son a big kiss when he was announced as winner. Read more about Bardém, his family and foreign movies on my Foreign Movie Page, and there is also a permanent link on the right sidebar. However, taking one's mother to the Oscars is not a first. I do not know to whom that honor goes.

The fourth, first: The winner of the Best Foreign Language Film, THE COUNTERFEITERS (Die Fälscher, Austria), directed by Stefan Ruzowitzky, is the first-ever win in this category for Austria.

It wasn't only actors residing in other countries who "cleaned up" at the Oscars. The music categories did too. The best original score was awarded to Italian Dario Marianelli for ATONEMENT. Also, Irishman Glen Hansard and Czechoslovakian Marketa Irglova performed their award-winning song, "Falling Slowly" from the very low-budget movie ONCE (Ireland).

The fifth-first happened after Miss Irglova was "played" off the stage before she got a chance to say a word after receiving the Oscar. When the commercial break was over, host Jon Stewart apologized, and she returned to the stage to make an elegant and respectively short, "Thank you" speech. No one cut-off by the show's director has ever been invited back before. It was a wonderful spontaneous moment, one that may join Oscar-clip history.

The sixth first, of which I am aware, is that this was the lowest rated Academy Awards show in history. According to AP, Nielsen Media Research says preliminary ratings for the 80th annual Academy Awards telecast are 14 percent lower than the least-watched ceremony ever, which was in 2003 when CHICAGO won, and there were 33 million viewers. This year's show had a 21.9 rating and 32 million viewers.

This year's ratings are 21 percent lower than last year when THE DEPARTED was named best picture, and Scorsese finally won for best director. That show attracted 41 million. The movie critics, professors and pundits will have a field day postulating as to why almost 10 million U.S. viewers were lost, if these were the correct figures.

And, now, the final first considered here, number seven. The Oscars have made a cautious venture onto the Internet. You can see their first efforts right now on YouTube. Next year, the Oscars may be streaming live on YouTube, or from the Academy's own Web site. That's roughly 362 days and counting. How can one wait that long?