67th CANNES FESTIVAL de CINÉMA

PRESENTING, the 2014th, OFFICIAL JURY of The 67th CANNES FESTIVAL de Cinéma

MAY 14 - 25, 2014

The New Zealand director, producer and screenwriter Jane Campion, winner of the Palme d’or for The Piano, will be the President of the Jury of the 67^th Festival de Cannes, wich has always sought to adopt a universal and inter-national approach. In tune
with this tradition, Campion will be surrounded by eight luminaries of  world cinema from China, Korea,  Denmark, Iran, the United States, France and Mexico.

As in 2009, the Jury will include five women and four men. Their task will be to decide between the 18 films in Competition in order to select the winners – to be announced on stage at the ceremony Saturday 24^th May. The winner of the Palme d’or will be screened during the Festival’s closing evening on Sunday 25^th of May, in the presence of the Jury and the entire team of the winning motion picture.

THE JURY
Jane CAMPION – President
(Director, Screenwriter, Producer – New Zealand)
Carole BOUQUET (Actress – France)
Sofia COPPOLA (Director, Screenwriter, Producer – United States)
Leila HATAMI (Actress – Iran)
JEON Do-yeon (Actress – South Korea)
Willem DAFOE (Actor – United States)
Gael GARCIA BERNAL (Actor, Director, Producer – Mexico)
JIA Zhangke (Director, Screenwriter, Producer – China)
Nicolas Winding REFN (Director, Screenwriter, Producer – Denmark)

Position in picture and Copyrights:

1. Jane Campion © Lisa Tomasetti
2. Jia Zhangke © RR
3. Willem Dafoe © RR
4. Leila Hatami © Saba Siahpoush
5. Carole Bouquet © Paul Schmidt
6. Gael Garcia Bernal © Floria Gonzalez
7. Jia Do-yeon © RR
8. Nicolas Winding Refn © Jonas Bie
9. Sofia Coppola © Andrew Durham
 
Carole Bouquet, Actress (France) After her film debut in 1977 with Luis Buñuel in That Obscure Object of Desire, Bouquet alternated between arthouse and blockbuster productions. A Bond Girl in 1981 in For Your Eyes Only, she worked with Bertrand Blier on Buffet Froid (1979) and Too Beautiful For You (1989) for which she won the César for Best Actress. She appeared in Le jour des idiots by Werner Schroeter, Michel Blanc’s Dead Tired and Embrassez qui vous voudrez, Lucie Aubrac by Claude Berri, L’Enfer by Danis Tanovic, Nordeste by Juan Diego Solanas (Festival de Cannes 2005) and Unforgivable by André Téchiné.

Sofia Coppola, Director and screenwriter (United States)
Coppola’s first feature film, The Virgin Suicides (1999) was selected for the Directors’ Fortnight at Cannes, where it met with international critical acclaim. Four years later, after several Oscar nominations for Lost in Translation, including Best Director, she walked off with the Best Screenplay award. Her third film, Marie-Antoinette was selected in Competition at Cannes in 2006. After picking up a Golden Lion in Venice for Somewhere (2010), Sofia Coppola opened Un Certain Regard with her last film The Bling Ring at the Festival de Cannes in 2013.

Leila Hatami, Actress (Iran) Born in Tehran into a family of filmmakers, she started out acting in films directed by her father, Ali Hatami, before starring in Dariush Mehrjui’s Leila (1998) which brought her to national attention. It was Asghar Farhadi who established her on the world stage with A Separation (Golden Bear at the 2011 Berlin Festival). She picked up the Best Actress award in Karlovy Vary for her role in Ali Mosaffa’s Last Step in 2012.

Jeon Do-yeon, Actress (South Korea) The first Korean actress to receive the Best Actress award at the Festival de Cannes for her role in Secret Sunshine by Lee Chang-dong (2007), Jeon Do-yeon started out as a television actress before turning exclusively to cinema. Her major films include I Wish I Had a Wife by Ryoo Seung, My Mother, The Mermaid by Park Jin-pyo and The Housemaid by Im Sang-soo, presented at Cannes in 2010. A massive celebrity in her country, she has just finished shooting Memories of the Sword by Park Heung-sik.

Willem Dafoe, Actor (United States) Twice nominated for an Oscar, for Oliver Stone’s Platoon and Shadow of the Vampire, Dafoe has appeared in 80 films including Grand Budapest Hotel by Wes Anderson, Light Sleeper by Paul Schrader, The Last Temptation of Christ by Martin Scorsese, Antichrist by Lars von Trier and The English Patient by Anthony Minghella. He will soon be appearing in A Most Wanted Man by Anton Corbijn and Pasolini by Abel Ferrara. A co-founder of the Wooster Group – an experimental theatre collective – he is currently on tour with Bob Wilson’s play The Old Woman.

Gael García Bernal, Actor, director and producer (Mexico)
Bernal first came to public attention in Iñárritu’s Amorres Perros, soon followed by Y Tu Mamá También by Alfonso Cuarón. He then featured in films directed by some of the greats of international cinema, such as The Motorcycle Diaries by Walter Salles, Pedro Almodóvar’s Bad Education, The Science of Sleep by Michel Gondry, Babel by Gonzalez Iñárritu, and The Limits of Control by Jim Jarmusch. In 2005, he founded his Canana production company with Diego Luna and in 2010, after a few short films, directed his first feature film, Deficit, selected at La Semaine de la Critique at Cannes.

Nicolas Winding Refn, Director, screenwriter and producer (Denmark) His first film, Pusher (1996), written and directed at the age of 24, immediately became a cult movie and he shot to fame throughout the world. He then directed Bleeder (1999), Fear X (2003), Pusher II & III (2004 & 2005), Bronson (2008) and Valhalla Rising (2009), all characteristic of the style that came to be dubbed "Refn-esque". In 2011, Drive was presented at the Festival de Cannes and won the Best Direction prize, awarded by the Jury presided by Robert De Niro. His last film, Only God Forgives, featured in Competition at Cannes in 2013.

Jia Zhangke, Director, screenwriter and producer (China)
After first studying art Jia Zhangke, born in 1970, attended the Beijing Film Academy in the 1990s. After the success of his first film, Xao Wu (1998), he directed Platform (Zhantai, 2000) and Unknown Pleasures (Ren xiao yao, 2002) selected for Venice and Cannes respectively. Still Life picked up the Golden Lion in Venice in 2006. He also presented 24 City at the Festival de Cannes, in Competition in 2008 and I Wish I Knew for Un Certain Regard in 2010. Last year, A Touch of Sin garnered the Best Screenplay prize awarded by the Jury, Steven Spielberg, presiding.

SEE ALSO ...

• 
  Pablo Trapero, President of the Jury for Un Certain Regard 2014
• 
  The 2014 Cinéfondation and Short Films Jury
• 
  Nicole Garcia Jury President for Caméra d’or Award
  
  
   

Telluride Wraps, Toronto Opens

Abbie Cornish in the period drama BRIGHT STAR, directed by Jane Campion

One of America's most prestigious film festivals wrapped Labor Day in Colorado. That was, of course, the Telluride Festival (TFF). This year was the 36th and it did not disappoint. Telluride, like the New York Film Festival, is a non-competitive festival. No special awards are given. People go to enjoy restful and beautiful Telluride, to see, appreciate, and to talk, film.

As Oscar® looms, with Telluride under the belt, and Venice closing Saturday (12th), here are some of the films many have tapped as possibly being Oscar bound. First and foremost from Telluride is Jason Reitman's UP IN THE AIR. George Clooney's much-praised performance is considered by many to be a timely theme about an American culture hurting for connection and basic humanity. It now heads to Toronto with a Special Premiere.

Clooney stars in a second much talked about movie this year, THE MEN WHO STARE AT GOATS, and both will screen at Toronto. He squired Miss Elisabetta Canalis in Venice and Telluride and, most likely, will do it again in Toronto.

Another high-profile movie, THE ROAD, which had screened to a good reception at the Venice International Film Festival, screened Sunday night at Telluride with an opening ovation. The fact that Viggo Mortensen stars, received a special fest tribute, and was on hand for questioning, helped to brighten this adaptation of Cormac McCarthy's bleak, Pulitzer Prize-winning novel. John Hillcoat directs and the movie will also receive a Special Premiere at Toronto.

Werner Herzog's BAD LIEUTENANT: PORT OF CALL NEW ORLEANS, reportedly pleased Telluride fest goers. Herzog, along with star Nicolas Cage, will now take their film North to Port of Call Toronto. Herzog will have another movie this year at Hollywood North, MY SON, MY SON, WHAT HAVE YE DONE? A USA - German co-production.

Other notable movies at Telluride will now go to test their metal at Toronto. Among them, Jane Campion's BRIGHT STAR, Jacques Audiard's A PROPHET, and Michael Haneke's THE WHITE RIBBON (Das Weisse Band) winner at Cannes this year.

The Toronto International Film Festival Group (TIFFG) is a charitable, not-for-profit, cultural organization, which is often dubbed Hollywood North, and ranks with Cannes, Sundance, Berlin and Venice as one of the world's most influential film festivals. I is considered the kick-off of the film awards season, which culminates with the Academy Awards® 7 March 2010.

The lineup of directors, producers, actors, and others for the 34th Toronto International Film Festival (TIFF), when compared to other film festivals this summer, is huge - - over 500 expected. The Festival opens this Thursday, the 10th and closes on the 19th.

Like many festivals this year, TIFF has expanded its Outdoor programs and free screenings. There are not just free films but also free concerts at the Live at Yonge and Dundas Square.

The winner of the Cadillac People's Choice Award will be announced on the afternoon of 19 September. The presentation that evening on the closing night of the festival is free. Last year, the People's Choice went to Danny Boyle's multiple Academy Award®-winning SLUMDOG MILLIONAIRE. It was then that I felt almost certain that the movie had "The It" to win the Academy Award, having also followed its reception at Telluride.

Opening Night - Live satellite feed from the Roy Thomson Hall red carpet for the Opening Night Gala Presentation of CREATION. TIFF YDS Spotlight: Opening Night concert by DJ Champion, hosted by Canadian soprano Measha Brueggergosman.

Closing Night - TIFF Live In Concert Film Series: world premiere of COPYRIGHT CRIMINALS. The Festival Wrap Party, presented in association with Future Projections and hosted by Chuck D, featuring the infectious improvised audiovisual "mashups" of Eclectic Method. With special guest Clyde Stubblefield, plus the presentation of the Cadillac People's Choice Award.

Full Screening List For Toronto

THE CANNES AFTERGLOW

The Cannes Film Festival (CFF) wrapped 23 May. Scroll down for my post of the top winners, 24 May. Since then, there have been further discussions about them.

The world-wide economic slowdown impacted Cannes this year. There were far fewer yachts, stars, press, and attendees. In the U.S., film critics are considered a luxury, and many newspapers have cut then from their staff. That is not true in Europe. For example, a newspaper in France, even though it may be experiencing a financial slowdown, will not ever think of cutting its film critic.

Biggest disappointment among the films in competition was Ang Lee's, TAKING WOODSTOCK. John Powers says the movie is “dinky”. Others made comments such as, “. . . highly anticipated, yet underwhelming.” Powers feels it is not very good cinematically, and probably should not have been in the Festival. He says it is fun to watch, and thinks Cannes accepted it because the Festival turned down BROKEBACK MOUNTAIN (2006). Judging by the Jury picks, this could have been the Festival for Lee’s LUST, CAUTION (2007).

The biggest surprise about a film that did not get an award at the Festival is Jane Campion's BRIGHT STAR. It received great reviews by critics viewing the film at the Festival. Apparently, it did not impress the Jury. Powers dubbed this years Cannes Festival, a Festival of Violence and Extremes.

The most deliberately provocative movie is Lars von Trier’s ANTICHRIST. Entertainment Weekly’s critic pulled no punches when he wrote, “Scenes of sexual mutilation in this gruesome story of a couple in [marital] hell elicited involuntary groans and then boos.” Most of the other critics left out “involuntary,” adding jeers, foot pounding, and many leaving the theater.

It has been widely reported that Trier suffered a bout of deep depression before embarking on this film. Despite the huge outcry against the film, Austrian Charlotte Gainsbourg won Best Actress for her role.

There was much buzz about Heath Ledger’s final performance in Terry Gilliam’s THE IMAGINARIUM OF DOCTOR PARNASSUS, which screened out of competition. As usual, the critics didn’t get the film at all. They seldom get a Gilliam movie, but many die-hard fans do. When Ledger died about halfway through the filming, the role was recast to have Johnny Depp, Jude Law, and Colin Farrell portray "physically transformed versions" of Tony.

No one else has speculated on this but I am going to. Could the Joker role followed by the mysterious stranger Tony in this “the Devil will have his due, if I don’t undo my mistakes” movie, coupled with Ledger’s recent divorce, and drug use, all have united to seal Ledger’s fate? It is the Doctor’s daughter, Valentina, who is in peril because of what her father has done, and Ledger had a young daughter. Just speculating.

Most critics were kind to Pedro Almodóvar’s latest with Penélope Cruz, BROKEN EMBRACES, praising her performance, but lukewarm to the movie. Poor Penélope had a bad cold, or flu, and missed most of the festivities.

Almodóvar and Lee are losing their mojo, according to the majority of the critics. Perhaps, both need to take a break to unwind and recharge.

On the other hand, critics and viewers generally praised Quentin Tarantino’s INGLOURIOUS BASTERDS, which is the name of a gang slaughtering Nazis. Powers calls it an amazing film because it takes us back to the 1960s WW II Nazi movies, with glimpses reminding one of the TV show, Hogan’s Heroes, but BASTERDS is 100 times more violent. Brad Pitt stars, but Australian Christopher Waltz as a "Jew hunter" in Nazi Germany, won Best Actor for the role, stealing Pitt’s thunder.


Michael Haneke ***** Christopher Waltz ***** Charlotte Gainsbourg

As to the winner, award-winning Austrian writer/director Michael Haneke's black and white drama, THE WHITE RIBBON (Das Weisse Band, Austria), basically little negative has been written about this stark film, which won both the FIPRESCI Prize and the Golden Palm. In an over-baring patriarchal society, strange and brutal things happen at a rural school in northern 1913 Germany just prior to WW I, which seem to be ritual punishments. How will this affect the school system, and will what happens at school and in the community sew the seeds for fascism?

Haneke's THE PIANO TEACHER (La pianiste, 2001) vaulted him onto the world cinema scene. That award-winner was followed by another critically acclaimed movie, HIDDEN (Caché, 2005), winning the FIPRESCI Prize, and a Best Director for Haneke.

At the Munich Film Festival on 3 July, Haneke will be honored by his peers with the CineMerit Award. Munich Festival kicks off on 26 June and runs until 4 July. I look for THE WHITE RIBBON to do extremely well in Munich, the beautiful city with a sinister past.

To help you wrap the afterglow of Cannes, here are some great links:
1. John Powers, "On the Ground at Cannes, " Part I - Fresh Air, PBS, Tuesday, 26 May.
2. John Powers, "On the Ground at Cannes, " Part II - Fresh Air, PBS, Wednesday, 27 May.
3. “Violence Reaps Rewards at Cannes Festival,” Manohla Dargis, The New York Times, 25 May.
4. ”The Ballyhooed, the Magical and All that Mutilation: Cannes ‘09 Winds Down,“ Eric Kohn, Indiwire, 24 May [The link is wrong, but works as 06].

I can hardly wait for next year.