67th CANNES FESTIVAL de CINÉMA

PRESENTING, the 2014th, OFFICIAL JURY of The 67th CANNES FESTIVAL de Cinéma

MAY 14 - 25, 2014

The New Zealand director, producer and screenwriter Jane Campion, winner of the Palme d’or for The Piano, will be the President of the Jury of the 67^th Festival de Cannes, wich has always sought to adopt a universal and inter-national approach. In tune
with this tradition, Campion will be surrounded by eight luminaries of  world cinema from China, Korea,  Denmark, Iran, the United States, France and Mexico.

As in 2009, the Jury will include five women and four men. Their task will be to decide between the 18 films in Competition in order to select the winners – to be announced on stage at the ceremony Saturday 24^th May. The winner of the Palme d’or will be screened during the Festival’s closing evening on Sunday 25^th of May, in the presence of the Jury and the entire team of the winning motion picture.

THE JURY
Jane CAMPION – President
(Director, Screenwriter, Producer – New Zealand)
Carole BOUQUET (Actress – France)
Sofia COPPOLA (Director, Screenwriter, Producer – United States)
Leila HATAMI (Actress – Iran)
JEON Do-yeon (Actress – South Korea)
Willem DAFOE (Actor – United States)
Gael GARCIA BERNAL (Actor, Director, Producer – Mexico)
JIA Zhangke (Director, Screenwriter, Producer – China)
Nicolas Winding REFN (Director, Screenwriter, Producer – Denmark)

Position in picture and Copyrights:

1. Jane Campion © Lisa Tomasetti
2. Jia Zhangke © RR
3. Willem Dafoe © RR
4. Leila Hatami © Saba Siahpoush
5. Carole Bouquet © Paul Schmidt
6. Gael Garcia Bernal © Floria Gonzalez
7. Jia Do-yeon © RR
8. Nicolas Winding Refn © Jonas Bie
9. Sofia Coppola © Andrew Durham
 
Carole Bouquet, Actress (France) After her film debut in 1977 with Luis Buñuel in That Obscure Object of Desire, Bouquet alternated between arthouse and blockbuster productions. A Bond Girl in 1981 in For Your Eyes Only, she worked with Bertrand Blier on Buffet Froid (1979) and Too Beautiful For You (1989) for which she won the César for Best Actress. She appeared in Le jour des idiots by Werner Schroeter, Michel Blanc’s Dead Tired and Embrassez qui vous voudrez, Lucie Aubrac by Claude Berri, L’Enfer by Danis Tanovic, Nordeste by Juan Diego Solanas (Festival de Cannes 2005) and Unforgivable by André Téchiné.

Sofia Coppola, Director and screenwriter (United States)
Coppola’s first feature film, The Virgin Suicides (1999) was selected for the Directors’ Fortnight at Cannes, where it met with international critical acclaim. Four years later, after several Oscar nominations for Lost in Translation, including Best Director, she walked off with the Best Screenplay award. Her third film, Marie-Antoinette was selected in Competition at Cannes in 2006. After picking up a Golden Lion in Venice for Somewhere (2010), Sofia Coppola opened Un Certain Regard with her last film The Bling Ring at the Festival de Cannes in 2013.

Leila Hatami, Actress (Iran) Born in Tehran into a family of filmmakers, she started out acting in films directed by her father, Ali Hatami, before starring in Dariush Mehrjui’s Leila (1998) which brought her to national attention. It was Asghar Farhadi who established her on the world stage with A Separation (Golden Bear at the 2011 Berlin Festival). She picked up the Best Actress award in Karlovy Vary for her role in Ali Mosaffa’s Last Step in 2012.

Jeon Do-yeon, Actress (South Korea) The first Korean actress to receive the Best Actress award at the Festival de Cannes for her role in Secret Sunshine by Lee Chang-dong (2007), Jeon Do-yeon started out as a television actress before turning exclusively to cinema. Her major films include I Wish I Had a Wife by Ryoo Seung, My Mother, The Mermaid by Park Jin-pyo and The Housemaid by Im Sang-soo, presented at Cannes in 2010. A massive celebrity in her country, she has just finished shooting Memories of the Sword by Park Heung-sik.

Willem Dafoe, Actor (United States) Twice nominated for an Oscar, for Oliver Stone’s Platoon and Shadow of the Vampire, Dafoe has appeared in 80 films including Grand Budapest Hotel by Wes Anderson, Light Sleeper by Paul Schrader, The Last Temptation of Christ by Martin Scorsese, Antichrist by Lars von Trier and The English Patient by Anthony Minghella. He will soon be appearing in A Most Wanted Man by Anton Corbijn and Pasolini by Abel Ferrara. A co-founder of the Wooster Group – an experimental theatre collective – he is currently on tour with Bob Wilson’s play The Old Woman.

Gael García Bernal, Actor, director and producer (Mexico)
Bernal first came to public attention in Iñárritu’s Amorres Perros, soon followed by Y Tu Mamá También by Alfonso Cuarón. He then featured in films directed by some of the greats of international cinema, such as The Motorcycle Diaries by Walter Salles, Pedro Almodóvar’s Bad Education, The Science of Sleep by Michel Gondry, Babel by Gonzalez Iñárritu, and The Limits of Control by Jim Jarmusch. In 2005, he founded his Canana production company with Diego Luna and in 2010, after a few short films, directed his first feature film, Deficit, selected at La Semaine de la Critique at Cannes.

Nicolas Winding Refn, Director, screenwriter and producer (Denmark) His first film, Pusher (1996), written and directed at the age of 24, immediately became a cult movie and he shot to fame throughout the world. He then directed Bleeder (1999), Fear X (2003), Pusher II & III (2004 & 2005), Bronson (2008) and Valhalla Rising (2009), all characteristic of the style that came to be dubbed "Refn-esque". In 2011, Drive was presented at the Festival de Cannes and won the Best Direction prize, awarded by the Jury presided by Robert De Niro. His last film, Only God Forgives, featured in Competition at Cannes in 2013.

Jia Zhangke, Director, screenwriter and producer (China)
After first studying art Jia Zhangke, born in 1970, attended the Beijing Film Academy in the 1990s. After the success of his first film, Xao Wu (1998), he directed Platform (Zhantai, 2000) and Unknown Pleasures (Ren xiao yao, 2002) selected for Venice and Cannes respectively. Still Life picked up the Golden Lion in Venice in 2006. He also presented 24 City at the Festival de Cannes, in Competition in 2008 and I Wish I Knew for Un Certain Regard in 2010. Last year, A Touch of Sin garnered the Best Screenplay prize awarded by the Jury, Steven Spielberg, presiding.

SEE ALSO ...

• 
  Pablo Trapero, President of the Jury for Un Certain Regard 2014
• 
  The 2014 Cinéfondation and Short Films Jury
• 
  Nicole Garcia Jury President for Caméra d’or Award
  
  
   

Movie News from Spain

Spanish actress Maribel Verdú

Málaga Film Festival's Focus is Movies Made in Spain

Isabel Coixet’s 'Tomorrow never ends' (Ayer no termina nunca), starring Javier Cámara and Candela Peña, will open the 16th edition of the Málaga Film Festival, which began yesterday, Saturday 20, 2013, and runs until April 27. The movie, about a couple who reunite in 2017 Barcelona after five difficult years apart, is one of 12 competing for the Golden Cactus Barrel (Biznaga de Oro) awarded to the best film prize this year.

Others in the running at the festival, which focuses on Spanish film, include Daniel Calparsoro’s 'Combustión' (Combustion), which narrates the complications arising from a love triangle formed by Adriana Ugarte, Álex González and Alberto Ammann, the feature debut of TV director Miguel Alcantud, dealing with the reality shock of imported young African soccer talent.

José Coronado will receive this year’s Málaga Prize, and Alex de la Iglesia will be honored with the 2013 Retrospective Prize. Mario Casas and María Valverde star in Civil War drama, 'The Mule' (La mula), which arrives without a credited director after Michael Radford disassociated himself from the troubled project. Gracia Querejeta offers up '15 Years and a Day' (15 años y un día),  in which Maribel Verdú plays the mother of a troubled teenager. Querejeta is the daughter of producer Elías Querejeta.

Read full article in English: http://tinyurl.com/cm4cmof

 

Alta Films Wrapping Permanently?

It appears the Spanish distributor of movies directed by Woody Allen, Danny Boyle, Michael Haneke, Mike Leigh, Michael Moore, Roman Polanski, Steven Soderbergh and others, is calling it quits, according to an article in El País. A few weeks ago, I read an article in a Spanish newspaper that the movie theaters in Madrid, especially on the Gran Via, are being bought, mainly with foreign money, and turned into retail stores, some big box.

Enrique González Macho, the current president of the Spanish Cinema Academy, has admitted that many Spaniards have stopped going to the cinema, the DVD retail business is a disaster because of Internet downloads and TV stations, especially since the public network no longer supports Spanish cinema or art films.

It appears Spanish Cinema could survive Francisco Franco's censorship, but not the rout by Spaniards hurting from the slide of the economy, which has had a huge impact on the Spanish Box Office. Macho is now trying to decide where he will "cut the fat," what to close, and what is worth a continuing fight to keep open.

Read the full article in English: http://tinyurl.com/bqmpphh

March Film Festival Winners

SERIES: Major Film Festivals

First, a special award announcement.

The 24th American Cinematheque Award was presented to actor Matt Damon at the Beverly Hilton Hotel, Beverly Hills, CA, Saturday, 27 March. He was not only honored for his acting and humanitarian efforts, he was roasted by some of his friends.

There were no awards at the Environmental Film Festival in Washington, D.C., as the festival is mainly for education. If you would like to know more, go here.

The most prominent film festival this month was 17th SXSW (South by Southwest), which included a music festival and an interactive conference, held in Austin, Texas. The festivities began 12 March and ran through the 21st.

There was the film conference and festival, the music conference and festival, and the interactive media conference. Here, we only follow the film festival.

As I write every year, the film awards have been presented at SWSW, not that you may hear about any of the winners this year. In case you really want to see, click the title of this post for the list.

MIAMI INTERNATIONAL FILM FESTIVAL, 5-14 March 2010, Miami, Florida

On awards night, Saturday, 13 March, at the Gusman Center for the Performing Arts, the festival was forced to turn away more than 250 film lovers clamoring for tickets to the sold-out, post-awards-ceremony screening of surprise Oscar® winner THE SECRET IN THEIR EYES (El secreto de sus ojos, Argentina). You can read about that night and view the complete list of winners on the "Daily Wrap" blog by clicking here.

Some of the major awards were:

WORLD COMPETITION

Grand Jury Prize:
LOLA, directed by Brillante Mendoza (France/Philippines, 2009)
(A $25,000 USD cash prize awarded by the John S. and James L. Knight Foundation)

Special Jury Mention 1:
MEDAL OF HONOR (Medalia de Onoare), directed by Calin Peter Netzer (Germany/Romania, 2009)

Special Jury Mention 2, and Audience Award:
NO ONE KNOWS ABOUT PERSIAN CATS (Kasi az gorbehaye irani khabar nadareh), directed by Bahman Ghobadi (Iran, 2009)

IBERO-AMERICAN COMPETITION

Grand Jury Prize:
TO THE SEA (Alamar), directed by Pedro González-Rubio (Mexico, 2009)
(A $25,000 USD cash prize awarded by the John S. and James L. Knight Foundation)

Audience Award:
UNDERTOW (Contracorriente) by Javier Fuentes-León (Peru/ Colombia/ France/ Germany, 2009)

THE CINEUROPA PRIZE FOR BEST EUROPEAN FILM

ORDINARY PEOPLE, directed by Vladimir Perisic (France/ Switzerland/ Serbia/ Netherlands, 2009)

Special Mention:
MEDAL OF HONOR (Medalia de Onoare), directed by Calin Peter Netzer (Germany/Romania, 2009)

25th Guadalajara International Film Festival, 12-19 March 2010, Guadalajara, Mexico

The festival folks had taken down the English portion of the Website even before I could get there. Therefore, you can access the Spanish-only site here and use Google Translate (comes ready-to-use with the Mozilla Firefox Browser).

All prizes were awarded during the closing ceremony held at the Auditorio Telmex (Telmex Auditorium). The Colombian film PORTRAITS OF A SEA OF LIES, directed by Carlos Gaviria, and the Mexican film PERPETUUM MOBILE, directed by Nicolas Pereda, received the award for Best Feature Latin American Fiction Film and Best Fiction Feature Film, respectively.

The Rigobeto Mora Award for Best Mexican Documentary Animation went to MOON (Luna), directed by Raul and Rafael Cardenas. This was the first year for the award.

Also, the Latinofusión Prize for Distribution was given for the first time this year. The prizewinners were, PORTRAITS OF A SEA OF LIES in the Latin American category, and in the Mexican category, GOOD HERBS, directed by Maria Novaro.

Four of the Major Film Festivals in April are: Florida FF, Orlando, FL; Tribeca FF, NYC; On Location Memphis IFF, TN, and the San Francisco Film Festival. There will be information on Cannes in this series and in stand-alone posts beginning soon. Cannes opens 12 May and runs through the 23rd.

Major Film Festivals in March

SERIES: Major Film Festivals

MIAMI INTERNATIONAL FILM FESTIVAL
(Presented by Miami Film Society and Miami Dade College)
5 - 14 March 2010.
Miami, Florida

This festival showcases foreign film, especially Latin American, and other Spanish-language films. It also tips its hat to local and independent filmmakers.

Opening Film, LOOKING FOR ERIC, directed by Ken Loach, Guzman Center, 7:00 p.m., followed by Opening Night Party at Miami Dade College's Freedom Tower.

I apologize for the scant information, but their Website is not fully operational, and I had to re-activate my e-mail contacts. Tickets are available now at the Regal Cinema, South Beach. More information will be posted on the blog as I receive it.

18th Annual Environmental Film Festival

Special Launch Party 10 March
Festival: March 16-28, 2010
Washington, D.C

This year, the D.C. festival has 56 venues, showing 155 films and expects 25,000+ filmgoers. The number of Environmental Film Festivals are growing as well as documentaries being made about the subject and feature films incorporating environmental issues into their storylines.

For general inquiries, please e-mail: info@envirofilmfest.org, or visit the Official Web Site by clicking the title of this festival.

SXSW

17th South by Southwest Film Festival
SXSW Week 2010: March 12-21
Interactive Media Conference: March 12-16
Film Conference and Festival: March 12-20
Music Conference and Festival: March 17-21
Austin Convention Center, Austin, Texas

Aaron Johnson in KICK-ASS

This festival started as a regional to showcase independent films, but has morphed into a well-attended festival that the world press also covers. Its reputation and attendance is almost in the same class as "the big boys" now.

Austin has chosen to pair the film festival with the annual music festival, and various other attractive venues, including interactive media. Founded in 1993 by alternative weekly Austin Chronicle editor Louis Black, publisher Nick Barbaro and music promoter Roland Swenson, who also created the gigantic annual March SXSW Music Conference in 1987, the SXSW Festival has developed its own identity by luring quality independent films and filmmakers.

Opening Night film is the World Premiere of KICK-ASS at the Paramount Theater, 7:00 p.m., followed by the opening night party at Buffalo Billiards at 10:00. The movie was directed by Matthew Vaughn, UK, and the cast includes Nicholas Cage.

Closing Night film is the North American premiere of directors Matt Harlock and Paul Thomas' AMERICAN: The Bill Hicks Story, screening 20 March at the Paramount Theater, North American premiere, 9:30 p.m. The true life story of the outlaw comic who tried to save the world. Three years in the making, using a stunning new animation technique, the movie brings the amazing tale of one of modern culture’s most iconic heroes to the big screen.

WINTER'S BONE the winner of both the Grand Jury Prize and the Waldo Salt Screenwriting awards at the 2010 Sundance Film Festival will be showcased. WINTER'S BONE, directed by Debra Granik, is based on the novel by Missouri-based author, Daniel Woodrell. The movie, set in Southwest Missouri, also will be in competition at the Florida Film Festival, Orlando, 9 - 18 April.

And these three films aren't 1/4th of the new movies that will be making the circuit this year, many of them will be major award winners. See the full film lineup by clicking title of this post.

SXSW's YouTube site showcases films and musical performers.

25th Guadalajara International Film Festival
12 - 19 March 2010, Guadalajara, Mexico

This year, the Festival's guest country is France. Agnès Varda, French filmmaker, photographer, editor, composer, occasional actress and producer will receive a homage and be awarded the Silver Mayahuel. She plans to attend the festival.

Varda studied at the Sorbonne and the Louvre School. The first motion picture she directed was the 1954, LA POINTE COURTE. Her late husband was the French filmmaker Jacques Demy.


Of course, the main emphasis of the Festival is to showcase Mexican and other Spanish-language films. It will showcase over 250 films as part of its program in sections in and out of competition. The official sections in competition include feature fiction films and documentaries as well as short films. All the competition is reserved for films produced in Mexico and other Hispanic countries.

If you are looking for the Puerto Vallarta Festival, usually held at this time, it has moved to mid December to attract more "snowbirds."

Three of the Film Festivals in April: Florida FF, Orlando, FL; Tribeca FF, NYC; On Location Memphis IFF, TN. Use your American Express and you can order advance passes and tickets for Tribeca beginning 8 March.

Berlin Film Festival Winners 2010

SERIES: Major Film Festivals

60th Berlin International Film Festival (Berlinale) awards their Bears at annual gala.

The second major international film festival of 2010, the 60th Anniversary edition of the Berlin International Film Festival (BIFF) closed last night with the presentation of their Gold and Silver Bears, and other awards. The Berlinale, as it is known in Europe, begins the annual official 2010 award season for Europe, as did last month's Sundance (SFF) in the U.S.

Berlin, held in what was known as West Germany, was originally known for screening films that otherwise would not have been shown anywhere outside of the former West and East Germany, the USSR, Yugoslavia, etc. They hold to their basic tradition today in the united Germany, primarily showing German film, but also showing films from Russia and other Eastern Europe countries.

Honorary Golden Bears for lifetime achievement in cinema went to actress Hanna Schygulla and the screenwriter and director Wolfgang Kohlhaase. Schygulla’s name is inseparably connected with the late West German director Rainer Werner Fassbinder’s films. Wolfgang Kohlhaase adopted a course that was new for DEFA (the publicly-owned film studio in the German Democratic Republic, the former East Germany). Motion pictures in which Schygulla or Kohlhaase had a part were shown in separate programs during the festival. For German cinema, finally a meeting of West and East.

I have had the privilege of seeing many of the films from DEFA and UFA made before unification. For anyone interested in German films made at DEFA, the DEFA Film Library is now at the University of Massachusetts Amherst. It is the only archive and study center outside Europe devoted to the study of a broad spectrum of films by East German filmmakers or related to East Germany from 1946 to the present. Here's the UMASS link.

But, you came here to see the winners. Roman Polanski won the Silver Bear for Best Director for his latest film, THE GHOST WRITER. He did not attend. The major movie winners are, HONEY; IF I WANT TO WHISTLE, I WHISTLE; HOW I ENDED THIS SUMMER; and APART TOGETHER. Here are the major winners by award, name of film, and director (where appropriate):

GOLDEN BEAR FOR THE BEST FILM - HONEY (Bal, Turkey) directed by Semih Kaplanoglu;

JURY GRAND PRIX SILVER BEAR - IF I WANT TO WHISTLE, I WHISTLE (Eu cand vreau sa fluier, fluier, Romania) by Florin Serban;

SILVER BEAR FOR BEST DIRECTOR - Roman Polanski for THE GHOST WRITER (France, Germany, UK), based on the novel The Ghost by Robert Harris, who adapted the screenplay;

SILVER BEAR FOR BEST ACTRESS Shinobu Terajima in CATEPILLAR (Kyatapirâ, Japan) by Koji Wakamatsu;

SILVER BEAR FOR BEST ACTOR - Sergei Puskepalis for HOW I ENDED THIS SUMMER (Kak ya provel etim letom, Russia) by Alexei Popogrebsky;

SILVER BEAR FOR AN OUTSTANDING ARTISTIC ACHIEVEMENT IN THE CATEGORY CAMERA - Pavel Kostomarov for the camera in HOW I ENDED THIS SUMMER by Alexei Popogrebsky;

SILVER BEAR FOR THE BEST SCRIPT - Wang Quan'an and Na Jin for APART TOGETHER (Tuan Yuan, China) by Wang Quan'an;

ALFRED BAUER PRIZE, awarded in memory of the Festival founder, for a work of particular innovation - IF I WANT TO WHISTLE, I WHISTLE by Florin Serban.

For all awards, download the .pdf file here. Click the title of this post to link to the Official Festival Site. To find out more about individual films at a glance, visit the IMDb.

Feature Films and Original Songs Eligible for Oscar® Race

(1) Michael B. Seligman has been named supervising producer of the 82nd Academy Awards telecast, marking his 33rd year of association with the Oscar® show, telecast producers Adam Shankman and Bill Mechanic announced.

(2) Adam Shankman, also a judge on the So You Think You Can Dance (SUTYCD) TV show, announced that the top male and top female winners on the show, Russell Ferguson and Kathryn McCormick, will perform on the Oscar telecast.

Nomination Process for Best Feature Film:

Two hundred seventy-four feature films are eligible for the Academy Award® for Best Picture of 2009, the Academy of Motion Picture Arts and Sciences announced today. Sixty-three songs from eligible feature-length motion pictures are contending for nominations in the Original Song category.

To be eligible for 82nd Academy Awards® consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days. The complete list if films will not be made available until all certifications of minimum run compliance have been received.

Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format. Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category.

Nomination Process for Best Original Song:

The nomination process for Best Original Song is as follows: On Tuesday, January 12, the Academy will screen clips featuring each song, in random order, for voting members of the Music Branch in Los Angeles. Following the screenings, members will determine the nominees by an averaged point system vote. A song must receive an average score of 8.25 or more. Up the five songs may be nominated in the category.

A DVD copy of the song clips will be made available to those branch members who are unable to attend the screening and who request it for home viewing. A mail-in ballot will be provided.

A maximum of two songs may be nominated from any one film. If more than two songs from a film are in contention, the two songs with the most votes will be the nominees.

To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.

The list of songs may be viewed by clicking the link "Original Songs Nominated for 82nd AA" on the right sidebar of this blog, and the page will remain throughout the nomination process.

The 82nd Academy Awards nominations will be announced on Tuesday, 2 February, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater. Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, 7 March, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Golden Globe Nominations for Film

                                                                      

The nominations for the second annual biggest party in the media electronic Universe, the Golden Globes®, were announced early this morning. The Globes are sponsored by the Hollywood Foreign Press Association (HFPA), and honor the press association's choices for both film and television professionals at the same gala. This year, the 67th Golden Globe Awards will be Sunday, 17 January 2010, Beverly Hilton Hotel, Beverly Hills, and broadcast live on NBC at 8:00 p.m., EST. Here is the list of nominees in film.

One advantage of the Globe broadcast is that it is leaner, cleaner, tighter and not as long as the top awards show, the Academy Awards®, a.k.a., The Oscars®. One thing I really like about the Globes is that they have two categories for the Best Picture, one in drama and one in comedy and / or musical comedy. That seems more fair, and I with that AMPAS® would do likewise as comedies and musicals often do not get the recognition they deserve. In the Oscar race, drama is everything.

The Globes are all about glitz and glam, attractive actors and actresses. The honorees are the movies the members of the foreign press liked in the current year. HFPA is mostly composed of the male gender and they tend to vote for their favorite "eye candy," both male and female, not necessarily a nominee's professional achievements and skills. Most often, beauty trumps ability.

Also, their choices are influenced upon the feedback the members get from residents of their native countries, who are their viewers, listeners, and/or readers. After all, each person associated with the press wants as many of their fellow country persons to watch the Globe gala as possible.

Unlike the Academy Awards, the voters aren't members of the industry, per sea. They are journalists and lovers of the industry. One night each year they get to show that love at the Golden Globe Gala. The Globes are no longer an event touted as something to see because they are predictors of the upcoming Oscars. The Globes now shine in their own firmament of splendor and fun.

Because the members represent the foreign press there is a much greater emphasis on who and what is "hot" at the very moment they fill out their nomination, or final ballots. However, they venerate older and more experienced actors, actresses, directors, cinematographers and writers, honoring them wherever they can.

This year, director Martin Scorsese will be honored with the Cecil B. DeMille Award for his "outstanding contribution to the entertainment field." He has received two Golden Globe Awards as "Best Director of a Motion Picture" for THE DEPARTED and GANGS OF NEW YORK.

The Globe galas go to places the Oscars dare not go. For instance, this year the host will be Emmy / Golden Globe winner, comedian / actor Ricky Gervais. The Brit is probably best know for his appearances in the TV shows 'Extra' and 'The Office'.

Mavis Spencer, age 18, daughter of Golden Globe winner Alfre Woodard and writer/producer Roderick Spencer is this year's "Miss Golden Globe".

The special will be produced by Dick Clark Productions in association with the Hollywood Foreign Press Association. Philip Berk is President of the Hollywood Foreign Press Association. Orly Adelson, president of Dick Clark Productions, and Barry Adelman will executive produce the special. Chris Donovan is the director and Dick Clark Productions’ Bob Bardo is the executive in charge of production.

Here is the complete list of nominees.

ASIFA Announces Annie Nominations

The International Animated Film Society, ASIFA-Hollywood, announced the 37th Annual Annie Award nominees last week. Animation award recipients will claim their trophies at the 37th Annual Annie Awards scheduled for Saturday, 6 February 2010 at UCLA's Royce Hall in Los Angeles, California. The 2009 recipients of the Winsor McCay Award were also announced. They are: Tim Burton, Bruce Timm and Jeffrey Katzenberg. They, too, will claim their awards 6 February.

In the interest of full disclosure, before I comment, I must disclose that the producer of CORALINE, Bill Mechanic, and actor Ed Asner (UP) are long-time acquaintances of mine.

Annie Award winners do exceptionally well in the Oscar® race for Best Animated Feature, with the Annie winner usually winning the Oscar, but not always. Here are highlights of the Annie nominations:

Best Animated Feature:
Cloudy With a Chance of Meatballs - Sony
Coraline - Laika
Fantastic Mr. Fox - 20th Century Fox
The Princess and the Frog - Walt Disney
The Secret of Kells - Cartoon Saloon
Up - Pixar

Directing in a Feature Production:
Wes Anderson for Fantastic Mr. Fox - 20th Century Fox
Pete Docter for Up - Pixar
Christopher Miller, Phil Lord for Cloudy With a Chance of Meatballs - Sony
Hayao Miyazaki, for Ponyo - Studio Ghibli
Henry Selick for Coraline - Laika

Writing in a Feature Production:
Wes Anderson and Noah Baumbach for Fantastic Mr. Fox - 20th Century Fox
Pete Docter, Bob Peterson, Tom McCarthy for Up - Pixar
Timothy Hyde Harris and David Bowers for Astro Boy - Imagi
Christopher Miller and Phil Lord for Cloudy With a Chance of Meatballs - Sony

Voice Acting in a Feature Production
Jen Cody - Voice of Charlotte in The Princess and the Frog - Walt Disney
Dawn French - Voice of Miss Forcible in Coraline - Laika
Hugh Laurie - Voice of Dr. Cockroach Ph.D. in Monsters vs. Aliens - DreamWorks Animation
John Leguizamo - Voice of Sid in Ice Age: Dawn of the Dinosaur — Blue Sky
Jenifer Lewis - Voice of Mama Odie in The Princess and the Frog - Walt Disney

Best Animated Short Subject:
Pups of Liberty - Picnic Pictures
Robot Chicken: Star Wars 2.5 - ShadowMachine
Santa, The Fascist Years - Plymptoons
The Rooster, The Crocodile and The Night Sky - Barley Films
The Story of Walls - Badmash Animation

Best Animated Television Production for Children:
Mickey Mouse Clubhouse - Disney
SpongeBob SquarePants - Nickelodeon
The Marvelous Misadventures of Flapjack - Cartoon Network
The Mighty B! - Nickelodeon/Polka Dot Pictures/Paper Kite Productions
The Penguins of Madagascar - Nickelodeon and DreamWorks Animation

There is a monkey wrench of sorts in the Annie nominations for Best Animated Feature. THE SECRET OF KELLS, an English-language, Irish movie, will not be released in the U.S. until March, and it is not nominated for an Annie in any other category. Somehow, it seems rather unjust that PONYO (Ponyo on a Cliff, Gake no ue no Ponyo) from awarding-winning Japanese director Hayao Miyazaki's Studio Ghibli, Japan, is not nominated in this category. He has won more than one Annie Award for his writing and directing, and his SPIRITED AWAY (Sen to Chihiro no kamikakushi) won an Annie and the Academy Award® for Best Animated Feature in 2001. PONYO was released months ago in the U.S., and Hayao Miyazaki is nominated in the directing category.

Miyazaki is not nominated in the writing category. ASTRO BOY is nominated in the writing and storyboarding categories. This type of split-nominating always muddies the waters when it comes to choosing the winners.

I cannot comment on the actual animation quality of THE SECRET OF KELLS as I have seen nothing of, or about, the movie. I have seen the others, or seen trailers and/or a number of clips, and I definitely concur to every nomination for the other five, as well as the nominations they received in other categories. I am, however, disappointed that no voice actor from UP received a nomination, and that PONYO was not nominated in the top category.

The winners of the Annie Awards will not be announced until 6 February. The 82nd Academy Awards nominations will be announced prior to that on 2 February. The final Oscar voting polls close 2 March. Thus, the Annie winner will not influence the Oscar nominations for animation, but could influence the Oscar winner in the Best Animated Feature category because the Annie winner will be announced well in advance of 2 March. Interesting to ponder.

For the full list of Annie nominees, click the title of this post. For bios of Burton, Timm and Katzenberg click here.

Oscars® - Feature Docs Short List & New TV Director

Documentary Features

The Academy of Motion Picture Arts and Sciences announced yesterday that 15 films in the Documentary Feature category will advance in the voting process for the 82nd Academy Awards®. Eighty-nine pictures originally qualified to vie for the Best Documentary Feature award.

The Documentary Branch Screening Committee viewed all the eligible documentaries and they will now select the five nominees from among the 15 titles on this list.

The 15 films listed below in alphabetical order by title, with their director are:

THE BEACHES OF AGNES, Agnès Varda;
BURMA VJ, Anders Østergaard;
THE COVE, Louie Psihoyos;
EVERY LITTLE STEP, James D. Stern & Adam Del Deo;
FACING ALI, Pete McCormack;
FOOD, INC., Robert Kenner;
GARBAGE DREAMS, Mai Iskander;
LIVING IN EMERGENCY: Stories of Doctors Without Borders, Mark N. Hopkins;
THE MOST DANGEROUS MAN IN AMERICA: Daniel Ellsberg and the Pentagon Papers, Judith Ehrlich & Rick Goldsmith;
MUGABE AND THE WHITE AFRICAN, Andrew Thompson & Lucy Bailey;
SERGIO, Greg Barker;
SOUNDTRACK FOR A REVOLUTION, Bill Guttentag & Dan Sturman;
UNDER OUR SKIN, Andy Abrahams Wilson;
VALENTINO THE LAST EMPEROR, Matt Tyrnauer;
WHICH WAY HOME, Rebecca Cammisa.

The 82nd Academy Awards nominations will be announced on Tuesday, 2 February 2010, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, 7 March 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

New Oscar TV Gala Director

Almost simultaneously, the producers of the 82nd Academy Awards® telecast, Bill Mechanic and Adam Shankman, announced Hamish Hamilton will direct the 82nd Academy Awards® telecast. Who?

It will be Hamilton's first time directing the Oscar show. If you haven't heard of him before, you are far from alone. I learned he has directed such live shows as the “MTV Video Music Awards” and the “MTV Europe Music Awards.” He has also directed live concert performances by U2, Neil Diamond, Josh Groban, Stevie Wonder, Christina Aguilera and many others. He has been tapped to direct the upcoming Super Bowl XLIV half-time show in February.

Animated Feature Entries for 2009 Oscars® Due

Entry forms and supporting materials to qualify in the Animated Feature Film category for the 82nd Academy Awards® must arrive at the Academy of Motion Picture Arts and Sciences by 5 p.m., PT, today. The deadline to submit accompanying film prints is Friday, 13 November.

Complete 82nd Academy Awards rules. Additional information may be obtained by contacting Will Goldenberg via phone at (310) 247-3000, ext. 190, by fax at (310) 247-2600, or by e-mail wgoldenberg@oscars.org. Also, follow the Academy and all awards on Facebook and on YouTube.

The 82nd Academy Awards nominations will be announced on Tuesday, 2 February 2010, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, 7 March 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

Hollywood Film Festival Honors Announced

Bigelow directs HURT LOCKER

At the 13th annual Hollywood Film Festival (HFF), which will run 21 - 26 October 2009 in Hollywood, director Lee Daniels will receive the "Hollywood Breakthrough Director Award" at the gala Hollywood Awards 26 October. He is the director of what may turn out to be the year's "hottest" movie, PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE. Most recently, Daniels produced MONSTERS BALL and directed SHADOWBOXER. For more about PRECIOUS, see previous posts.

HFF founder and executive director Carlos de Abreu announced that two ladies of cinema, Kathryn Bigelow and Nora Ephron, will receive the Hollywood Director Award and the Hollywood Screenwriter Award, respectively. Bigelow's current directorial endeavor, THE HURT LOCKER, a war film with Iraq as the subject, is receiving critical acclaim. She has been tapped to receive an award at the 19th Annual Gotham Independent Film Awards 30 November in New York City. Her previous credits include POINT BREAK, STRANGE DAYS and BLUE STEEL.

Ephron most recently wrote JULIE & JULIA, and her previous works include HEARTBURN, YOU'VE GOT MAIL and BEWITCHED. She received Oscar® nominations for SILKWOOD, WHEN HARRY MET SALLY, and SLEEPLESS IN SEATTLE.

Pete Docter, the director of the Disney/Pixar release UP, which has earned more than $500m worldwide, will receive The Hollywood Animation Award. Visual Effects Supervisor Scott Farrar will take home the Hollywood Visual Effects Award for TRANSFORMERS: REVENGE OF THE FALLEN.

Docter's directorial debut was MONSTERS, INC., earning him an Academy Award® nomination right out of the gate. Then, he received another nomination as screenwriter of WALL-E. He also developed the story and characters for TOY STORY, and wrote the original story treatment for TOY STORY 2. Buena Vista is releasing both films in 3D for a two-week run to qualify them for the Academy Awards. For more about UP and Docter, see previous posts.

Farrar joined Industrial Light & Magic in 1981 as a camera operator on STAR TREK II: THE WRATH OF KHAN. and was visual effects supervisor on WHO FRAMED ROGER RABBIT. He won the Oscar in 1985 for his effects work on COCOON and since then has received nominations for THE CHRONICLES OF NARNIA, BACKDRAFT, A.I. ans TRANSFORMERS.

Academy's Nicholl Screenwriting Competition Opens

The Academy of Motion Picture Arts and Sciences (AMPAS®) is now accepting entries for the 2009 Don and Gee Nicholl Fellowships in Screenwriting competition. As many as five $30,000 fellowships will be awarded through the program later this year.

Application forms may be downloaded from the Academy’s Web site and mailed with the other required materials, or they may be completed and submitted online. Rules and details are available at www.oscars.org/nicholl, or click title of this post.

The Nicholl Fellowships competition is open to any individual who has not earned more than $5,000 from the sale or option of a screenplay or teleplay, or received a fellowship or prize of more than $5,000 that includes a “first look” clause, an option, or any other quid pro quo involving the writer’s work. To enter, writers must submit a completed application form, one copy of their original screenplay in English, and an entry fee of $30. Entries must be postmarked, or submitted online, no later than the first of May 2009, or 30 April to be safe.

Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during the fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

Last year’s competition drew more than 5,000 entries. Since the program’s inception in 1985, 108 fellowships have been awarded.

The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events.

In addition, the Academy provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

Mimi Picks Some Oscar® Favorites

(Order Poster)
First of all, I am sorry that my coverage of the Oscar race is a bust this year. The great ice storm of 2009 hit the last week of January and I was without electricity for three weeks, not to mention I had only minimum heat. Therefore, the best I can do now is to make this post, a rather long one at that. Again, sorry!

Harvey Weinstein (The Weinstein Company), has bet his farm and then some on THE READER. He has, by all accounts, pulled out all the stops for his entry this year. How effective was his campaign? According to what I have been reading and have heard, Harvey's kingmaker days in Hollywood may be over because of two young lovers from an Indian slum. Then, on the other hand . . . . .

Performance by an actor in a leading role:

Richard Jenkins in “The Visitor” (Overture Films);
Frank Langella in “Frost/Nixon” (Universal);
Sean Penn in “Milk” (Focus Features);
Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.);
Mickey Rourke in “The Wrestler” (Fox Searchlight).

MIMI PICKS: I think this is Sean Penn's best chance to win in the best actor category, but will the Academy members be more inclined to vote for the comeback of a loser (Mickey Rourke)?

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Performance by an actor in a supporting role

Josh Brolin in “Milk” (Focus Features);
Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount);
Philip Seymour Hoffman in “Doubt” (Miramax);
Heath Ledger in “The Dark Knight” (Warner Bros.);
Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage).

MIMI PICKS: Josh Brolin deserved the Oscar in this category last year for NO COUNTRY FOR OLD MEN, and the Academy has, on rare occasions, honored an actor or actress for a performance the previous year. It might work for Brolin, except this time he plays a guy who murdered a city supervisor who was gay and took out the mayor who supported gay initiatives. However, a real dead guy, Heath Ledger, who was first nominated for playing a gay guy (BROKEBACK MOUNTAIN), seems to have a lock on the category. The question is why? Will winning give Ledger a "bump" for his career?

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Performance by an actress in a leading role

Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics);
Angelina Jolie in “Changeling” (Universal);
Melissa Leo in “Frozen River” (Sony Pictures Classics);
Meryl Streep in “Doubt” (Miramax);
Kate Winslet in “The Reader” (The Weinstein Company).

MIMI PICKS: Hathaway is a first-time nominee and "Academy darling." This nomination is mainly to recognize her transition to adult actress, now she must prove it for another nomination. Streep is the Grand Dame in this category while Jolie is beautiful, but her movie basically tanked. So, that leaves Leo, a first time nominee, and Winslet a five-time nominee loser. Who would benefit most from the "bump"? My money is on Melissa Leo. In other words, and like it or not, I see the best actress and best supporting actor Oscars going to a dark horse and a dark knight in that order.

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Performance by an actress in a supporting role

Amy Adams in “Doubt” (Miramax);
Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)
Viola Davis in “Doubt” (Miramax);
Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.);Marisa Tomei in “The Wrestler” (Fox Searchlight).

MIMI PICKS: I love Penélope Cruz, but I fear she will once again be shut out, especially since the Weinstein Company, which has both VICKY CRISTINA BARCELONA and THE READER in their distribution stable is putting all their energy toward THE READER and Kate Winslet. Tomei was not as good as she could have been, and Adams gave a superb performance, but it was a low-key one. That leaves Viola Davis for DOUBT and Taraji P. Henson for BENJAMIN BUTTON. I mostly miss in this category, so I will simply say that it will either be Davis or Henson.

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Best animated feature film of the year

BOLT (Walt Disney);
KUNG FU PANDA (DreamWorks Animation, Distributed by Paramount);
WALL-E (Walt Disney).

MIMI PICKS: WALL-E! Enough said.

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Best documentary feature

THE BETRAYAL (Nerakhoon) (Cinema Guild);
ENCOUNTERS AT THE END OF THE WORLD (THINKFilm and Image Entertainment);
THE GARDEN (A Black Valley Films Production);
MAN ON WIRE (Magnolia Pictures).

MIMI PICKS: MAN ON WIRE. I was riveted, and it has won more awards than any film in this category.

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Best foreign language film of the year

THE BAADER MEINHOF COMPLEX (A Constantin Film Production), Germany;
THE CLASS (Sony Pictures Classics), France;
DEPARTURES (Regent Releasing),Japan;
REVANCHE (Revenge, Janus Films), Austria
WALTZ WITH BASHIR (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel.

MIMI PICKS: THE CLASS. Why? It won at Cannes, and it is a sentimental thing with me. This movie reminds me of the work of the late French director, François Truffaut, who was my friend. I miss him and his movies.

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Adapted screenplay

THE CURIOUS CASE OF BENJHAMIN BUTTON (Paramount and Warner Bros.), Screenplay by Eric Roth, Screen story by Eric Roth and Robin Swicord;
DOUBT (Miramax), Written by John Patrick Shanley;
FROST/NIXON (Universal), Screenplay by Peter Morgan;
THE READER (The Weinstein Company), Screenplay by David Hare;
SLUMDOG MILLIONAIRE (Fox Searchlight), Screenplay by Simon Beaufoy.

MIMI PICKS: All of these adaptations presented challenges, and all movies are nominated for best picture. Oh, dear. Oh, dear. I'm going with Simon Beufoy (THE FULL MONTY) for SLUMDOG.

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Original screenplay

FROZEN RIVER (Sony Pictures Classics), Written by Courtney Hunt;
HAPPY-GO-LUCKY (Miramax), Written by Mike Leigh;
IN BRUGES (Focus Features), Written by Martin McDonagh;
MILK (Focus Features), Written by Dustin Lance Black;
WALL-E (Walt Disney), Screenplay by Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter.

MIMI PICKS: MILK gets the nod here for being the sensitive subject and I think it would be a splendid pick in this category, but WALL-E blew me away with its intricacies and beautiful heart, and I'm going to say, WALL-E.

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MIMI PICKS: Achievement in music written for motion pictures (Original score) - SLUMDOG MILLIONAIRE (Fox Searchlight), A.R. Rahman.

Achievement in music written for motion pictures (Original song) - “Down to Earth” from WALL-E (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel.

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Achievement in directing

THE CURIOUS CASE OF BENJAMIN BUTTON (Paramount and Warner Bros.), David Fincher;
FROST/NIXON (Universal), Ron Howard;
MILK (Focus Features), Gus Van Sant;
THE READER (The Weinstein Company), Stephen Daldry;
SLUMDOG MILLIONAIRE (Fox Searchlight), Danny Boyle.

MIMI PICKS: First, I am delighted that the Academy members did not pick any director out of left field for this category as they did last year. This year they nominated directors of movies nominated for best picture. Well done! Who will win? I pick, Danny Boyle (TRAINSPOTTING, 1996 and SUNSHINE, 2007) for SLUMDOG.

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Best motion picture of the year

THE CURIOUS CASE OF BENJAMIN BUTTON (Paramount and Warner Bros.);
FROST/NIXON (Universal);
MILK (Focus Features);
THE READER (The Weinstein Company);
SLUMDOG MILLIONAIRE (Fox Searchlight).

MIMI PICKS: SLUMDOG MILLIONAIRE. I first learned of this film at the Toronto Film Festival where it won the 2008 Cadillac People's Choice Award this past September. After that, this U.K. production shot in Mumbai, and Maharashtra, India, has won award after award, after award, after . . . well, you get the picture.

Good luck, everyone and party hardy!

Nine Foreign Language Films Advance in Oscar® Race

Nine films on this shortlist will advance to the next round of voting in the Foreign Language Film category for the 81st Academy Awards®. Sixty-five films originally qualified in the category.

The films, listed in alphabetical order by country, are:
Austria, REVANCHE (Revenge), Gotz Spielmann, director;
Canada, THE NECESSITIES OF LIFE, Benoit Pilon, director;
France, THE CLASS, Laurent Cantet, director;
Germany, THE BAADER MEINHJOF COMPLEX, Uli Edel, director;
Israel, WAlTZ WITH BASHIR, Ari Folman, director;
Japan, DEPARTURES, Yojiro Takita, director;
Mexico, TEAR THIS HEART OUT, Roberto Sneider, director;
Sweden, EVERLASTING MOMENTS, Jan Troell, director;
Turkey, 3 MONKEYS, Nuri Bilge Ceylan, director.

Foreign Language Film nominations for 2008 are determined in two phases. The Phase I committee, consisting of several hundred Los Angeles-based members, screened the 65 eligible films between mid-October and January 10. That group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute this shortlist.

The provision for the Executive Committee to augment the first short list was added last year because certain films that were eligible, and had received a number of awards, were completely overlooked by the first committee. Main case in point was the Romania movie, 4 MONTHS, 3 WEEKS, AND 2 DAYS, directed by Cristian Mungiu. Among its many awards was best film at Cannes, 2007. I am happy to see that at least four in the above list are, indeed on this short list, especially THE CLASS from France, which won best film at Cannes last May.

The other three are THE BAADER MEINHOF COMPLEX, WALTZ WITH BASHIR (won Golden Globe this past week for BFLF), and 3 MONKEYS. In THE CLASS (Entre les murs), French teacher and novelist François Bégaudeau plays a version of himself teaching a year with a racially mixed class in a tough Parisian neighborhood.

MEINHOF COMPLEX concerns Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s. Based on Stefan Aust's best-selling nonfiction book. In BASHIR, a young man tells the film's director about being chased by 26 vicious dogs. A family with problems refuses to hear, see, or talk about them, so they are like the 3 MONKEYS (Üç maymun) in the well-known bric-a-brac.

In Phase Two of the nomination procedure for this category, specially selected committees in New York and Los Angeles will winnow this list to five eligible for nomination for the Best Foreign Language Film (BFLF). The number of originally qualified films allows for a maximum of five nominees in the BFLF category. The committee members will spend this Friday, Saturday and Sunday viewing three of the films each day

The 81st Academy Awards nominations will be announced on Thursday, 22 January 2009, at 5:30 a.m. PT, in the Academy’s Samuel Goldwyn Theater.The Academy Awards for outstanding film achievements of 2008 will be presented on Sunday, 22 February 2009, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

281 Feature Films Vie for 2008 Oscar® Nominations

The Academy of Motion Picture Arts and Sciences has certified 281 feature films eligible for the Academy Award® for Best Picture of 2008, and only five will be nominated to compete. Participants in these films are eligible for other Oscar nominations such as Best Director, Best Actress, Best Costumes, etc.

To be eligible for 81st Academy Awards® consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, 31 December and begin a minimum run of seven consecutive days. Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category.

Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format. See the full list (in .pdf) of 281 films, and read more about the rules, by clicking the title of this post.

The 81st Oscar nominations will be announced 5:30 a.m. PT, Thursday, 22 January 2009, at in the Academy’s Samuel Goldwyn Theater. Academy Awards for outstanding film achievements of 2008 will be presented on Sunday, 22 February 2009, in the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

15 Docs Continue in 2008 Oscar® Race

The Academy of Motion Picture Arts and Sciences announced that 15 films in the Documentary Feature category will advance in the voting process for the 81st Academy Awards®. A record 94 pictures originally qualified in the category. The Documentary Branch Screening Committee viewed all the eligible documentaries for the preliminary round of voting. Documentary Branch members will now select the five nominees from among the 15 titles on this shortlist.

The 15 films are listed below in alphabetical order:

AT THE DEATH HOUSE DOOR

THE BETRAYAL (Nerakhoon)

BLESSED IS THE MATCH: THE LIFE AND DEATH OF HANNAH SENESH

ENCOUNTERS AT THE END OF THE WORLD

FUEL

THE GARDEN

GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS

I.O.U.S.A.

IN A DREAM

MADE IN AMERICA

MAN ON WIRE

PRAY THE DEVIL BACK TO HELL

STANDARD OPERATING PROCEDURE (S.O.P.)

THEY KILLED SISTER DOROTHY

TROUBLE THE WATER

The 81st Academy Awards nominations will be announced on Thursday, 22 January 2009, at 5:30 a.m., PT, in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2008 will be presented on Sunday, 22 February 2009, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Here are the five I would like to see nominated: GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS, MADE IN AMERICA, MAN ON WIRE, PRAY THE DEVIL BACK TO HELL, and STANDARD OPERATING PROCEDURE. What are your picks?