CANNES - A WRAP

Austrian director Michael Haneke's AMOUR (Love), in French, was awarded the top prize, the Golden Palm (Palme d'Or), for Best Motion Picture Feature at the 65th Cannes International Film Festival, Sunday. He received a Palme d'Or in 2009 for THE WHITE RIBBON in German and Italian. He is only the seventh director to take the top prize twice.

Riva in AMOUR

AMOUR was filmed entirely in Paris, and stars beloved French actors Jean-Louis Trintignant, 81, and Emmanuelle Riva, 85, as an elderly couple still very much in love, and Isabelle Huppert. It is 180 degrees from most of Haneke's movies, as he stated, ". . . a film’s style should match its subject matter, not its director, and 'this film is about love.'"

Saturday, we posted on our "Mimi at the Movies" Facebook page: "We choose Michael Haneke's AMOUR (Love), to capture the Palme d'Or at Cannes tomorrow."  So far, we are two for two this year, the Best Motion Picture Oscar (The Artist) and the Cannes winner!

CHILDREN OF SARAJEVO

THE CANNES UN CERTAIN REGARD 2012 section presented 20 films directed by 26 directors hailing from 17 different countries. Four of the works were first films.

Presided over by Tim ROTH (actor, director), the Jury was comprised of Leïla BEKHTI (actress), Sylvie PRAS (head of cinema - Centre Pompidou Paris, artistic director - La Rochelle Festival), Tonie MARSHALL (director, producer) and Luciano MONTEAGUDO (critic - Pagina/12 - Buenos Aires). According to Roth, “This was an extraordinarily strong group of films and our deliberations were passionate. The film makers never once failed us! Incredible!”

TOP PRIZE OF UN CERTAIN REGARD
AFTER LUCIA (original title, DESPUÉS DE LUCIA0) by Michel FRANCO, a Mexican/French co-production in Spanish. It is about teenage bullying in Mexico.

SPECIAL JURY PRIZE
LE GRAND SOIR (The Great Evening) by Benoît DELÉPINE and Gustave KERVERN. A French production in French.

SPECIAL DISTINCTION OF THE JURY
CHILDREN OF SARAJEVO (original title, DJECA) written and directed by  Bosnian--Herzegovinian filmmaker Aida BEGIC, telling the story of two orphaned siblings struggling to survive during the Bosnian War. Congratulations to Aida, Kevin Spacey and all the gang at the upcoming Sarajevo Film Festival! I will be following.

Writer/Director/Producer Aida Begic

 

AWARD FOR BEST ACTRESS (Shared)
Suzanne CLÉMENT for her performance in LAURENCE ANYWAYS directed by Xavier DOLAN, and Emilie DEQUENNE for her performance in À PERDRE LA RAISON (Reason to Lose) directed by Joachim LAFOSSE.

AWARD FOR BEST ACTOR
Mads MIKKELSEN in JAGTEN (The Hunt) directed by Thomas VINTERBERG.

GRAND PRIX
REALITY directed by Matteo GARRONE.

BEST DIRECTOR
Carlos REYGADAS for POST TENEBRAS LUX (title means “light after the darkness”).

BEST SCREENPLAY
Cristian MUNGIU for DUPÃ DEALURI (Beyond The Hills).

JURY PRIZE: THE ANGELS' SHARE directed by Ken LOACH.

Caméra d'Or for Best First Film -  BEASTS OF THE SOUTHERN WILD directed by Benh ZEITLIN.

SHORT FILMS
Palme d'Or - SESSIZ-BE DENG (Silent) directed by L. Rezan YESILBAS.

OTHER AWARDS:  NO, starring Gael García Bernal, a Chilean production in Spanish, took Top Prize at the Directors' Fortnight; FIPRESCI Prizes (Critics Awards) went to BEASTS OF THE SOUTHERN WILD (USA) filmed in New Orleans, and IN THE FOG, a Latvian production in Russian.

It must be noted that, despite a stronger showing of American movies at Cannes this year, U.S. films were shut out when it came to the awards, except for BEASTS OF THE SOUTHERN WILD, which won two awards.

SOME FEATURE MOTION PICTURES THAT RECEIVED FAVORABLE ATTENTION AT THE FESTIVAL:

1. Leos Carax's HOLY MOTORS, labeled bizarre by some. Carax is French. From IMDb Trivia: His professional name, Leos Carax, is an anagram of his first and middle names, "Alex Oscar."

2. A big standing ovation and favorable buzz at Cannes following David Cronberg's COSMOPOLIS premiere with Robert Pattinson and Cronenberg in attendance. At this festival, Pattenson was praised for his acting. The movie features French actress Juliette Binoche, who rose to movie stardom after appearing in Philip Kaufman's  critically acclaimed, THE UNBEARABLE LIGHTNESS  OF BEING.

3. Kaufman's latest, HEMINGWAY AND GELLHORN, received some words of warmth at the festival as well. It is an HBO movie, starring Nicole Kidman and Clive Owen. The drama is centered on the romance between Ernest Hemingway and WWII correspondent Martha Gellhorn, Hemingway's inspiration for, For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer. This one is definitely on my "must see" list.

Kidman and Owen as Gellhorn and Hemingway

LINKS:

  Cannes Festival Home in English

  Movie reviews plus video

Here Comes Cannes 2012

The first edition of the Cannes International Film Festival (CIFF) was originally set to be held in Cannes in 1939 under the presidency of Louis Lumière. However, it was not until over a year after World War II ended that it finally took place, September 20, 1946. It was subsequently held every September – except in 1948 and 1950 – and then every May from 1952 onwards.

This year is the 65th Cannes IFF Anniversary Edition. It will run from May 16 through May 27th. Among those who mainly are associated with American motion pictures and who are expected to walk the red carpet are: Brad Pitt, Reese Witherspoon, Robert Pattinson, Nicole Kidman, Sean Penn and Matthew McConaughey.

The full line-up for the Festival's Jury, who will judge the 22 motion pictures in competition is: French actress Emmanuelle Devos; German actress Diane Kruger; French designer Jean Paul Gaultier; British actor Ewan McGregor; American director, scriptwriter and producer Alexander Payne; and Haitian director, scriptwriter and producer Raoul Peck.

The Competition Jury will be presided over by Italian director, actor and producer, Nanni Moretti. The task of selecting the best new filmmaker falls to Brazilian filmmaker Carlos Diegues, head of the jury for the Camera d'Or.

President Gilles Jacob, and artistic director Thierry Fremaux, announced the official selection of films in competition, which will include a stronger showing from the U.S. this year than last. Some of the films in competition are from: David Cronenberg (Crash, 1996), Lee Daniels (Precious, 2009), Ken Loach (The Wind That Shakes the Barley, 2006) and Michael Haneke (The White Ribbon, 2009).

Veteran French filmmaker Alain Resnais, who is approaching 90, will bring a new film, You Haven’t Seen Anything Yet (Vous N’avez encore rien vu), an adaptation of Jean Anouilh’s Eurydice from Greek mythology, starring Marion Cotillard and Cannes veteran Mathieu Amalric. Resnais won his fourth Palm d'Or in 2009 for Wild Grass.

 LIST OF FILMS IN COMPETITION

MOONRISE KINGDOM

Two-time Oscar nominated director Wes Anderson's Moonrise Kingdom will open the 65th Anniversary Edition Wednesday, May 16, the opening night of competition. Anderson's previous films include: The Royal Tenenbaums, Fantastic Mr. Fox and Rushmore. The Moonrise Kingdom cast includes Kara Hayward, Jared Gilman, Bruce Willis, Edward Norton, Tilda Swinton, Bill Murray, Frances McDormand, Jason Schwartzman, Harvey Keitel and Bob Balaban. Music by Alexandre Desplat, who was nominated for an Oscar for The King's Speech, Fantastic Mr. Fox, The Curious Case of Benjamin Button and The Queen.

Focus Features has acquired the world wide rights to Moonrise Kingdom.  It opens in the U. S. in select theaters May 25th.

French director Claude Miller

Thérèse Desqueyroux (a.k.a., Thérèse D ), a 2012 adaptation of the novel by François Mauriac, the final movie directed by the late French director Claude Miller (20 February 1942 – 4 April 2012), will close the festival Sunday, May 27th. A previous adaptation of the novel was filmed in 1962. No release date in the U.S. has been announced.

Miller, film producer, writer and director, was 70 when he died. His principal mentor was my late friend, French director François Truffaut. The movie features Audrey Tautou in the title role as well as Gilles Lellouche and Anaïs Demoustier. A release date in the U.S. has not been announced. READ MORE

 

Every year, the Cannes Film Festival invites prominent figures from the world of cinema to give “Masterclasses,” Chiefly focusing on directing. Previous directors have included Martin Scorsese, Quentin Tarantino, Wong Kar-wai, etc. from time to time, the Masterclasses explore other aspects of film-making other than directing.

Masterclasses for the 65th anniversary will be given by Philip Kaufman, Alexandre Desplat and Norman Lloyd (above). Each speak about their work at the Buñuel Theatre followed by a Q&A with the audience.

Sean Penn

The Festival de Cannes will present "Haiti: Carnival in Cannes," a benefit event presented by Giorgio Armani in support of Sean Penn’s J/P HRO, Paul Haggis’ Artists for Peace and Justice and Petra Nemcova’s Happy Heart’s Fund for their united and extraordinary fund raising work in Haiti.

That gala evening, presented by Giorgio Armani, will feature a dinner Friday, May 18th at the Festival Agora. The funds raised at the gala will benefit all three charities and help them to bring sustainable programs to the Haitian people quickly and effectively.

A Haitian show entitled “Carnival in Cannes” will present a concert of authentic RaRa and Racine music, created with the RAM band, Haiti's leading Racine group, brought in for the occasion from Haiti. The event will be co-sponsored by Chopard.

Festival Site in English

Do Film Festivals Matter Where Oscars Are Concerned?

When it comes to film festivals, the question on the street this year is, "Do film festivals really matter where the Oscars are concerned?" My answer is that some do, some don't, and some count more than others.

However, keep in mind that these are no longer "film" festivals. Oh, yes, film festivals is a great alliteration that trips off the tongue, but the title "film festivals" denoting a showcase for new motion pictures must go. Why? Because film is the material and process once used to make motion pictures and, except for a few third world countries, film is no longer used to make motion pictures, moving pictures, movies, cinema, cine, etc. Digital is the new medium of choice, and 3D is rising in popularity as digital techniques for it improve.

For instance, I attended and taught in the Film School at the University of Southern California (History and Criticism), but that school no longer exists. Don't panic, it is now known as the USC School of Cinematic Arts, and my field is now known as Cinematic Critical Studies. The School of Cinematic Arts at USC, now has it's own building, the George Lucas Building, SCA 108, which also contains the The Ray Stark Family Theatre, all at 900 W. 34th Street, Los Angeles, CA 90007.

So, the times have changed, and are constantly changing. Therefore, are film festivals still relevant in the Race for the Oscars in spite of the gigantic procreation of them in every town and hamlet, and their rapidly deteriorating event name?

That depends on the festival. Here are the top five that should be followed by everyone from the occasional movie goer to those studying, teaching, or writing about Cinematic Critical Studies:

1. Berlin International Film Festival, a.k.a., Berlinale, is the first festival out of the gate in Europe, held in February. In 2011, it had one big winner in its lineup, the foreign language film Oscar winner, A Separation (Iran), directed by Asghar Farhadi, won the festival's Golden Bear. At the 84th Academy Awards on February 26, three huge Oscars were awarded to Berlinale films and guests.

 A Separation's Oscar win, plus actress Meryl Streep's, Honorary Golden Bear for Lifetime Achievement at the Berlinale 2012, and her Oscar win for best performance by an Actress in a Leading Role for The Iron Lady, directed by Phyllida Loyd, gave the Berlinale big bragging rights.

It was Streep’s 17th nomination and third Oscar. In addition, the Oscar for makeup went to her long-time make up artists, Mark Coulier and J. Roy Helland for their work in The Iron Lady, which was presented in the Berlinale Special 2012.

In all, eight films that participated in the Berlinale 2011 and 2012 were nominated by the Academy of Motion Picture Arts and Sciences in eleven different categories. More on the Berlinale below.

2. The Cannes Film Festival's 2011 lineup had six wins, 19 nominations. It screened the big Oscar winner, The Artist, as well as: The Tree of life, Midnight in Paris, Drive and the Israeli documentary, Footnote.

3. New York Film Festival: Five wins, 13 nominations. A year after nabbing the world premiere of the phenomenal, The Social Network, it chose to premiere a motion picture that was not yet completed at the time of the festival, so it featured a work-in-progress special screening at the festival for the second biggest winner of 2011, Hugo directed by indomitable Martin Scorsese, as well as the movie that probably had the most photographs published last year, My Week With Marilyn.

People wouldn't have guessed it then, but Hugo would end up getting five Oscars from 11 nominations. My Week With Marilyn received two nominations.

I give the New York festival extra points because it had the guts to open with Roman Polanski's Carnage, plus the gala screenings featured David Cronenberg's A Dangerous Method, and Pedro Almodóvar's newest, The Skin I Live In. As for that last one, the Spanish Film Academy should have, but did not submit it for the Best Foreign Language Film Oscar. Talk about a snub. That was bigger than any of the so-called 2011 "Oscar snubs."

4. Telluride Film Festival: One win, 10 nominations. Telluride had The King's Speech and 127 Hours the year before, but only one debut at Telluride that had any real Oscar traction in 2011. That was Alexander Payne's The Descendants. It received five nominations but only a single win at the 2012 Oscars, for best adapted screenplay.

5. Toronto International Film Festival: One win, nine nominations. The Toronto Peoples Choice Award had been spot-on picking the best picture at the Oscars with The King's Speech, Precious and Slumdog Millionaire, but the crystal ball went dark in 2011 when they chose Nadine Labaki's Lebansese movie, Where Do We Go Now? It went on to win nothing. However, Moneyball, Beginners, Anonymous, and Paradise Lost 3 went on to be nominated, along with Brad Pitt and Christopher Plummer for their acting chops. Plummer won best supporting actor but Pitt won nothing.

Runner Up: SXSW Film Festival: One win, three nominations. This festival is not known for scoring Oscar nominations or winners but this year it got lucky with two winners, Bridesmaids and the documentary feature winner, Undefeated. So, a salute to one of my favorite U.S. festivals.

BERLIN: 62nd Berlinale 2012,  February 9 - 19.

PRIZES OF THE INTERNATIONAL JURY:

GOLDEN BEAR FOR THE BEST FILM - Caesar Must Die (Cesare deve morire) by Paolo & Vittorio Taviani;

Will this one be big in 2012?

Caesar Must Die

 JURY GRAND PRIX-SILVER BEAR - Just The Wind (Csak a szél) by Bence Fliegauf;

SILVER BEAR FOR BEST DIRECTOR - Christian Petzold for Barbara;

SILVER BEAR FOR BEST ACTRESS - Rachel Mwanza in War Witch (Rebelle) by Kim Nguyen;

SILVER BEAR FOR BEST ACTOR - Mikkel Boe Følsgaard in A Royal Afair (En Kongelig Affære) by Nikolaj Arcel;

SILVER BEAR FOR AN OUTSTANDING ARTISTIC CONTRIBUTION -

Lutz Reitemeier for the photography in White Deer Plain (Bai lu yuan)  by Wang Quan'an;

SILVER BEAR FOR THE BEST SCRIPT - Nikolaj Arcel, Rasmus Heisterberg for A Royal Affair (En Kongelig Affære) by Nikolaj Arcel;

ALFRED BAUER PRIZE, awarded in memory of the Festival founder, for a work of particular innovation - Tabu by Miguel Gomes;

SPECIAL AWARD-SILVER BEAR - Sister (L'enfant d'en haut) by Ursula Meier.

The members of the 2012 International Jury, Mike Leigh (President), Anton Corbijn, Asghar Farhadi, Charlotte Gainsbourg, Jake Gyllenhaal, François Ozon, Boualem Sansal and Barbara Sukowa.

 All Berlinale winners, 2012 Awards (PDF)