Some News About International Animation

FROZEN from Walt Disney Studios

The movie-going public in the USA fell in love with this
animated feature like hardly any other, "Frozen" (2013). It not only won the Oscar for Best Animated Feature, but almost anyone who is a child or has a child in the family knows the featured song by memory, almost if not totally. It received the Oscar for Best Song, same as the title. It was written by the husband-and-wife songwriting team of Robert and Kristen Lopez, who wrote all the songs for the movie.

There is no doubt in the minds of the American movie-going public that the U.S. leads the animation parade in quality, but there is high quality animation in other countries as well. Unfortunately, the language barrier is keeping those quality works from being distributed in English-speaking countries. There is no law against it. Americans, in general, do not like to read subtitles and any motion picture requiring them for the movie-going public immediatly raises a red flag for U.S. distributors. It is more profitable to saturate America with animation from Disney or Pixar and rake in the quick dough. Both are a sure bet.

Here's the trailer for "The Tale of Princess Kaguya" ('Kaguya-hime no Monogatari', 2013), the latest from Isao Takahata, also director of "Grave of the Fireflies" ('Hotaru no Haka', 1988). Language is not a problem with most of the products coming from Studio Ghibli. One can enjoy them by simply viewing them as a silent movie while enjoying a music soundtrack.


Interestingly, the films from the two founders of the legendary animation Studio Ghibli premiered in 2013 and 14. This one by Takahata and the other from the "master," Hayao Miyazaki , "The Wind Rises" ('Kaze Tachinu', 2013). Miyazaki announced it was his farewell as a director of animation. Takahata's last film before "The Tale of Princess Kaguya," was "My Neighbors the Yamadas, 1999) but he seems not to have any intention of retiring officially.

The script, for "The Tale of Princess Kaguya," which Takahata did not write, is  based on an anonymous ninth-century folk tale with the title "The Tale of the Bamboo Cutter." It is the story of an elderly farming couple, who find a tiny newborn baby girl inside a bamboo plant, and decide to adopt her as their daughter. She grows more quickly than normal and many men desire her, even the emperor.

Hayao Miyazaki

 A Few Words About Japanese animator Hayao Miyazaki, the other founder of Studio Ghibli.This is what I wrote before I had a chance to see "The Wind Rises". I did see it and loved it as I have all of his other works: 

 http://mimiatthemovies.blogspot.com/2013/11/a-few-words-about-japanese-animator.html 

THE WIND RISES

"The Wind Rises," Official Trailer. A look at the life of Jiro Horikoshi, the man who designed Japanese fighter planes, called Zeros, during World War II. Popular song in USA was, "Johnny Got A Zero". This movie written and Directed by Hayao Miyazaki, and he wrote it is his last motion picture.

THE LATINO CONNECTION

Ale Abreu’s "The Boy and the World" (O menino e o mundo),  premièred at the Rio Film Festival, Brazil 2014, in the New Trends category. In June, "The Boy and the World" took the top prizes at the most recent prestigious international 38th Annecy International Animated Film Festival. The Brazilian feature, for which Ale Abreu drew all the frames, earned the top honors from both the jury and the audience. The film won both the festival’s Cristal Award as well as the audience award for favorite film during the 38th festival. This is the second year in a row that a Brazilian feature has won the top prize. In 2013 the Cristal Award went to Luiz Bolognesie’s "A Story of Love and Fury" ("Uma história de amor e fúria"). Sorry, no trailer available for "The Boy and the World" or "A Story of Love and Fury."

Animated Features Submitted for Oscar®

This year, 19 features will compete for consideration in the Animated Feature Film category for the 86th Academy Awards®, and are listed here in alphabetical order:

“Cloudy with a Chance of Meatballs 2”

“The Croods”
“Despicable Me 2”
“Epic”
“Ernest and Celestine”
“The Fake”
“Free Birds“
“Frozen”
“Khumba”
“The Legend of Sarila”
“A Letter to Momo”
“Monsters University”
“O Apóstolo”
“Planes”
“Puella Magi Madoka Magica the Movie – Rebellion”
“Rio: 2096 A Story of Love and Fury”
“The Smurfs 2”
“Turbo”
“The Wind Rises”

Several of the films have not yet had their required Los Angeles qualifying runs. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. At least eight eligible animated features must be theatrically released in Los Angeles County within this calendar year for this category to be activated.

Films submitted in the Animated Feature Film category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

The 86th Academy Awards nominations will be announced live on Thursday, January 16, 2014 at 5:30 a.m. PT, in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network. The presentation also will be televised live in more than 225 countries and territories worldwide.

UP Wins Annie Award

Actor William Shatner hosted the 37th Annual Annie Awards on Saturday, 6 February 2010, at UCLA's Royce Hall in Los Angeles, CA. The awards are sponsored by the International Animated Film Society, ASIFA - Hollywood, and this year they honored the best in animation in 2009. With only two exceptions, the Annie winner for Best Animated Feature has also won the Best Animated Motion Picture Oscar® for the same year.

Last year and 2007 were exceptions. Last year, the Society went with a sweep for KUNG FU PANDA, but WALL-E was the member-favorite of AMPAS® and it took home the Oscar. In 2007, the Annie went to CARS, but AMPAS members preferred HAPPY FEET.

 Last night, UP won the top two awards, Best Animated Feature and Best Director for Pete Docter, another feather in the cap of Pixar Animation Studios and, perhaps, a portend of an Oscar win in both categories. Laika's CORALINE and Disney's THE PRINCESS AND THE FROG each won three awards. Disney also won three for its television series, PREP AND LANDING. The Annie Awards ceremony will also be Webcast on www.annieawards.org beginning Tuesday, 9 February.

The list of awards not only includes movies, but television and some specialized technical awards. I'm taking a shortcut here sticking with motion pictures. If you do not see the category that interests you, click the title of this post to go to their Official Website to see the entire list.

Here are the nominees for selected categories with winners in red:

Best Animated Feature Film
Cloudy With a Chance of Meatballs - Sony Pictures Animation
Coraline - Laika
Fantastic Mr. Fox - 20th Century Fox
The Princess and the Frog - Walt Disney Animation Studios
The Secret of Kells - Cartoon Saloon
Up - Pixar Animation Studios

Directing in a Feature Production
Wes Anderson "Fantastic Mr. Fox" - 20th Century Fox
Pete Docter "Up" - Pixar Animation Studios
Christopher Miller, Phil Lord "Cloudy With a Chance of Meatballs" - Sony Pictures Animation
Hayao Miyazaki "Ponyo" - Studio Ghibli
Henry Selick "Coraline" - Laika

Character Design in a Feature Production
Daniel Lopez Munoz "Up" - Pixar Animation Studios
Shane Prigmore "Coraline" - Laika
Shannon Tindle "Coraline" - Laika

Character Animation in a Feature Production
Andreas Deja "The Princess and the Frog" - Walt Disney Animation Studios
Eric Goldberg "The Princess and the Frog" - Walt Disney Animation Studios
Travis Knight "Coraline" - Laika
Daniel Nguyen "Up" - Pixar Animation Studios
Bruce Smith "The Princess and the Frog" - Walt Disney Animation Studios

Music in a Feature Production
Bruno Coulais "Coraline" - Laika
Michael Giacchino "Up" - Pixar Animation Studios
Joe Hisaishi "Ponyo" - Studio Ghibli
John Powell "Ice Age: Dawn of the Dinosaurs" - Blue Sky Studios

Production Design in a Feature Production
Christopher Appelhans "Coraline" - Laika
Ian Gooding "The Princess and the Frog" - Walt Disney Animation Studios
Tadahiro Uesugi "Coraline" - Laika
Christophe Vacher "9" - 9 L.L.C.

Voice Acting in a Feature Production
Jen Cody - Voice of Charlotte - "The Princess and the Frog" - Walt Disney Animation Studios
Dawn French - Voice of Miss Forcible - "Coraline" - Laika
Hugh Laurie - Voice of Dr. Cockroach Ph.D. - "Monsters vs. Aliens" - DreamWorks Animation
John Leguizamo - Voice of Sid - "Ice Age: Dawn of the Dinosaurs" - Blue Sky Studios
Jenifer Lewis - Voice of Mama Odie - "The Princess and the Frog" - Walt Disney Animation Studios

Writing in a Feature Production
Wes Anderson and Noah Baumbach - "Fantastic Mr. Fox" - 20th Century Fox
Pete Docter, Bob Peterson, Tom McCarthy - "Up" - Pixar Animation Studios
Timothy Hyde Harris and David Bowers - "Astro Boy" - Imagi Studios
Christopher Miller and Phil Lord - "Cloudy With a Chance of Meatballs" - Sony Pictures Animation

Animated Effects
Scott Cegielski "Monsters vs. Aliens" - DreamWorks Animation
Alexander Feigin "9" - 9 L.L.C.
Eric Froemling "Up" - Pixar Animation Studios
Tom Kluyskens "Cloudy With a Chance of Meatballs" - Sony Pictures Animation
James Mansfield "The Princess and the Frog" - Walt Disney Animation Studios

ASIFA is a non-profit organization, founded by a group of animators in 1957, and chartered by UNESCO in 1960. ASIFA encourages the art of animation and furthers international understanding and goodwill through the medium. Today, there are about thirty chapters of ASIFA all over the globe. ASIFA is a French acronym,  "Association Internationale du Film D'Animation".

ASIFA Announces Annie Nominations

The International Animated Film Society, ASIFA-Hollywood, announced the 37th Annual Annie Award nominees last week. Animation award recipients will claim their trophies at the 37th Annual Annie Awards scheduled for Saturday, 6 February 2010 at UCLA's Royce Hall in Los Angeles, California. The 2009 recipients of the Winsor McCay Award were also announced. They are: Tim Burton, Bruce Timm and Jeffrey Katzenberg. They, too, will claim their awards 6 February.

In the interest of full disclosure, before I comment, I must disclose that the producer of CORALINE, Bill Mechanic, and actor Ed Asner (UP) are long-time acquaintances of mine.

Annie Award winners do exceptionally well in the Oscar® race for Best Animated Feature, with the Annie winner usually winning the Oscar, but not always. Here are highlights of the Annie nominations:

Best Animated Feature:
Cloudy With a Chance of Meatballs - Sony
Coraline - Laika
Fantastic Mr. Fox - 20th Century Fox
The Princess and the Frog - Walt Disney
The Secret of Kells - Cartoon Saloon
Up - Pixar

Directing in a Feature Production:
Wes Anderson for Fantastic Mr. Fox - 20th Century Fox
Pete Docter for Up - Pixar
Christopher Miller, Phil Lord for Cloudy With a Chance of Meatballs - Sony
Hayao Miyazaki, for Ponyo - Studio Ghibli
Henry Selick for Coraline - Laika

Writing in a Feature Production:
Wes Anderson and Noah Baumbach for Fantastic Mr. Fox - 20th Century Fox
Pete Docter, Bob Peterson, Tom McCarthy for Up - Pixar
Timothy Hyde Harris and David Bowers for Astro Boy - Imagi
Christopher Miller and Phil Lord for Cloudy With a Chance of Meatballs - Sony

Voice Acting in a Feature Production
Jen Cody - Voice of Charlotte in The Princess and the Frog - Walt Disney
Dawn French - Voice of Miss Forcible in Coraline - Laika
Hugh Laurie - Voice of Dr. Cockroach Ph.D. in Monsters vs. Aliens - DreamWorks Animation
John Leguizamo - Voice of Sid in Ice Age: Dawn of the Dinosaur — Blue Sky
Jenifer Lewis - Voice of Mama Odie in The Princess and the Frog - Walt Disney

Best Animated Short Subject:
Pups of Liberty - Picnic Pictures
Robot Chicken: Star Wars 2.5 - ShadowMachine
Santa, The Fascist Years - Plymptoons
The Rooster, The Crocodile and The Night Sky - Barley Films
The Story of Walls - Badmash Animation

Best Animated Television Production for Children:
Mickey Mouse Clubhouse - Disney
SpongeBob SquarePants - Nickelodeon
The Marvelous Misadventures of Flapjack - Cartoon Network
The Mighty B! - Nickelodeon/Polka Dot Pictures/Paper Kite Productions
The Penguins of Madagascar - Nickelodeon and DreamWorks Animation

There is a monkey wrench of sorts in the Annie nominations for Best Animated Feature. THE SECRET OF KELLS, an English-language, Irish movie, will not be released in the U.S. until March, and it is not nominated for an Annie in any other category. Somehow, it seems rather unjust that PONYO (Ponyo on a Cliff, Gake no ue no Ponyo) from awarding-winning Japanese director Hayao Miyazaki's Studio Ghibli, Japan, is not nominated in this category. He has won more than one Annie Award for his writing and directing, and his SPIRITED AWAY (Sen to Chihiro no kamikakushi) won an Annie and the Academy Award® for Best Animated Feature in 2001. PONYO was released months ago in the U.S., and Hayao Miyazaki is nominated in the directing category.

Miyazaki is not nominated in the writing category. ASTRO BOY is nominated in the writing and storyboarding categories. This type of split-nominating always muddies the waters when it comes to choosing the winners.

I cannot comment on the actual animation quality of THE SECRET OF KELLS as I have seen nothing of, or about, the movie. I have seen the others, or seen trailers and/or a number of clips, and I definitely concur to every nomination for the other five, as well as the nominations they received in other categories. I am, however, disappointed that no voice actor from UP received a nomination, and that PONYO was not nominated in the top category.

The winners of the Annie Awards will not be announced until 6 February. The 82nd Academy Awards nominations will be announced prior to that on 2 February. The final Oscar voting polls close 2 March. Thus, the Annie winner will not influence the Oscar nominations for animation, but could influence the Oscar winner in the Best Animated Feature category because the Annie winner will be announced well in advance of 2 March. Interesting to ponder.

For the full list of Annie nominees, click the title of this post. For bios of Burton, Timm and Katzenberg click here.

AMPAS® Announces Student Academy Awards®

Students from eight colleges and universities have been named winners of the Academy of Motions Pictures Arts and Sciences' 35th Annual Student Academy Awards®. Eleven students attending college in the U.S., and one film student from the Academy of Media Arts, Cologne, Germany, who has been selected to receive the honorary foreign film award, will receive their awards in a ceremony 7 June at the Academy's Samuel Goldwyn Theater in Beverly Hills. Tickets are now available and are free.

The U.S. students first competed in one of three regional competitions. Each of those regions was permitted to send as many as three finalist films in each of four award categories. Academy members then screened the finalists’ films and voted to select the winners.

Winner's placement – Gold, Silver or Bronze – will not be revealed until the ceremony 7 June. In addition to a trophy, Gold Medal winners receive $5,000, Silver Medal winners receive $3,000, Bronze Medal winners receive $2,000, and the Honorary Foreign Film winner receives $1,000.

Winners are (listed alphabetically within each category by University):

Alternative:
San Francisco State University - Phoebe Tooke, CIRCLES OF CONFUSION.
University of Southern California (USC, Los Angeles) - Shih-Ting Hung, VIOLA: THE TRAVELING ROOMS OF A LITTLE GIANT.

Animation:
California Institute of the Arts (CalArts, Valencia, CA)- Nicole Mitchell, ZOOLOGIC.
The Ringling College of Arts and Design (Sarasota, FL) - Evan Mayfield, THE VISIONARY.
The School of Visual Arts (NYC) - Tatchapon Lertwirojkul, SIMULACRA.

Documentary:
American University (Washington, D.C.) - Laura Waters Hinson, AS WE FORGIVE.
Columbia University (NYC) - J.J. Adler, UNATTACHED.
USC - Brian David, IF A BODY MEET A BODY.

Narrative:
Florida State University - Z. Eric Yang, THE STATE OF SUNSHINE.
USC - Melanie McGraw, PITSTOP.
USC - Rajeev Dassani, A DAY'S WORK.

Honorary Foreign Film:
Academy of Media Arts, Cologne, Germany - Reto Caffi, ON THE LINE (Auf der Strecke). Caffi was selected from a pool of 43 entries.

Information about tickets, etc.:
The Academy’s Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 5 p.m. All seating is unreserved. The Gold Medal-winning films and the Honorary Foreign Film will be screened in their entirety. A maximum of four free tickets may be requested online (click title of this post), in person at the Academy box office, by calling the Student Academy Awards department at (310) 247-3000, ext. 130, or by mail: Academy of Motion Picture Arts and Sciences; 8949 Wilshire Boulevard; Beverly Hills CA 90211-1972.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level. Past Student Academy Award winners have gone on to receive 35 Oscar® nominations and have won, or shared, six Academy Awards. Two former Student Academy Award winners were nominated in the Documentary Short Subject category at the 80th Academy Awards held earlier this year. James Longley was nominated for SARI'S MOTHER, and Amanda Micheli for LA CORONA (The Crown). The winner was Josh Raskin's I MET THE WALRUS.

Mimi's Oscar® Picks for 80th Awards

Host Jon Stewart opening television gala in 2006, and he returns tonight.

Trying to choose the winners of the Academy Award® Oscar® is no picnic. Never has been, but every year I try, and every year I miss some.

All year long, I track the winners of film festivals and the various awards. Not all. That's impossible. I try to track the ones I think might influence voters of the Academy of Motion Pictures Arts and Sciences (AMPAS®).

The cold facts are these: AMPAS is composed of voting members that come from the guilds, i.e. unions, who work in the movie industry. The largest voting block is the Screen Actors Guild (SAG), followed in a random order by the Writers Guild (WGA), Directors Guild (DGA), and Producers Guild (PGA), etc.

Then there are the so-called "technical guilds," e.g., cinematographers, film editors, sound mixers, lighting designers, etc., and all of these have a cadre of technicians. Next come the "artistic guilds," and they are the folks who design, decorate, and execute sets, costumes, hair, makeup, etc. Plus, there is a plethora animators, running the gamut of everything necessary from enhancing major motion pictures to bringing those cute little critters who populate animated movies to life.

Of course, these members are subject to influence by their guilds and others such as film critics and film festival juries, but it basically comes down to how the AMPAS members vote when faced with that annual final ballot. However, I am going with the data I have collected, and these are my conclusions (not including some of the tech stuff and short films):

Best original score: Dario Marianelli, ATONEMENT, because I REALLY like the last name!
Best song: "Falling Slowly," ONCE, written by Glen Hansard and Marketa Irglova .
Best cinematography: THERE WILL BE BLOOD.
Best supporting actress: Amy Ryan for GONE BABY GONE. *
Best supporting actor: Javier Bardem for NO COUNTRY FOR OLD MEN.
Best actress: Julie Christie for AWAY FROM HER.
Best actor: Daniel Day-Lewis for THERE WILL BE BLOOD.
Best animated feature: RATAEOUILLE, paws down.
Best documentary: SICKO, Michael Moore. * *
Best foreign-language feature: THE COUNTERFEITERS, Austria. * * *
Best original screenplay: JUNO, by Diablo Cody.
Best adapted screenplay: NO COUNTRY FOR OLD MEN, by Ethan & Joel Coen.
Best director(s): Ethan & Joel Coen, NO COUNTRY FOR OLD MEN.
Best motion picture feature (best picture) - NO COUNTRY FOR OLD MEN.

My rationale? NO COUNTRY FOR OLD MEN has won more major guild and critical awards than any other nominee, including the DGA, PGA, SAG, and WGA. I think it is finally the year the Coen brothers reap their rewards. However, one interesting note, JUNO has garnered more box office than any of the other "best picture" nominees, and has been dubbed, "The little movie that could".
__________________
* - - NOTE - Ruby Dee (MICHAEL CLAYTON) has won only one major award in the best supporting actress category, but it is the SAG award, and she is a sentimental favorite of AMPAS (as was her late husband Ossie Davis). However, the actress who has won most awards in this category, including influential critics awards such as the National Board of Review, plus the BFCA, L.A., N.Y., S.F., and Boston critics' awards is Ryan. Therefore, I'm going with Ryan with a possible Dee.

* * - - NOTE - The best documentary feature category is a tough one, but I'm going with Michael Moore's SICKO, because it has won more awards in this category, with NO END IN SIGHT running strong. Then, there is TAXI TO THE DARK SIDE that got out of the gate late. Who knows? Only the envelope does.

* * * - - NOTE - This year, the BFLF category is a disaster. Many respected critics agree. Unfortunately, AMPAS made it so. AMPAS either fixes the mechanism by which foreign movies are selected before the awards next year, or the category will become a mockery. See my previous blog post for much more on this year's BFLF nominees.

Download and print an Oscar ballot from IMDb's "Road to the Oscars".

LINKS RELEVANT: Mimi's Movie Awards Page / Mimi's Film Festival Page07 / Mimi's Foreign Movie Page (also on right sidebar).

Animators Decry Academy Rules

It seems as though there is more unrest about the rules concerning the Academy Awards® than I thought. I mentioned some issues, and suggested some possible considerations for changes regarding the Best Foreign Language Film (BFLF) category in my post on this blog, "Proposed Rule Change for Foreign Movies," Friday, 12 October 2007.

This month, some animators complained that the Academy of Motion Picture Arts and Sciences'® lack of a clear definition for animated movies, and not keeping pace with changing technology, causes problems. Some have asserted that lack of clarification in the rules muddle the Best Animated Feature category.

Over the years the Academy has tried to address the question, "What is animation?" The most recent revision to the rules pertaining to the Best Animated Feature (Rule Seven) states, "An animated feature film is defined as a motion picture of at least 70 minutes in running time, in which movement and characters’ performances are created using a frame-by-frame technique. In addition, a significant number of the major characters must be animated, and animation must figure in no less than 75 percent of the picture’s running time."

Techniques used to blend real actors on the screen with animated characters in Robert Zemeckis' 1988 pioneering WHO FRAMED ROGER RABBIT? have improved immensely as witnessed in this year's ENCHANTED. However that brings us to a statement in Rule Seven, ". . . animation must figure in no less than 75 percent of the picture’s running time."

Now, that is really splitting hairs. I'm with those who maintain that an animated feature should either be 100% animation, or it should not be considered an animated feature. There is a new category for hybrid automobiles. Perhaps, there should be a new category for mixed-media motion pictures. Just a thought as technology continues to expand in this century.

Most of the questions being raised involve the statement from the rule, ". . . in which movement and characters’ performances are created using a frame-by-frame technique." Years ago, stop-action claymation was included along with the stipulation of "drawn" frames. Then, animators were allowed to use computers to draw the blue prints for those drawings.

These changes lead to what is known today as a motion-capture process. Simplistically, actors act before a green screen and computers generate computer characters that can be further altered by computers to resemble anything the filmmaker wants. How much more vague can the Academy get than ". . . using a frame-by-frame technique?" All motion pictures use a frame-by-frame technique, but only animated pictures have previously produced each fame individually. No more.

This year, Robert Zemeckis' BEOWULF uses the motion-capture technique as did last year's nominees MONSTER HOUSE and HAPPY FEET, the category winner. Child actors supplied the action for the first, and Savion Glover supplied the penguin's smooth moves from which the computers generated the penguins. The filmmakers use special cameras and computers to capture, alter, edit and transfer the action into frames.

Some animators complain that animated movies now look and move more like video games than movies, while others have openly stated that motion-capture is NOT animation. There is a jab at motion capture at the end of director Brad Bird's RATATOUILLE, just released on DVD. At the end of the film credits on the DVD, a cartoon businessman is pictured smiling proudly as text proclaims the movie was made with "100 percent genuine animation" and "no motion capture or any other performance shortcuts."

Actually, the producers of BEOWULF do not call it an animated motion picture. Actor Ray Winstone (Beowulf) maintains he was definitely acting and has the bruises to prove it.

No animated feature has ever won overall Best Picture. In 1938, the Academy created a special Academy Award for Walt Disney to acknowledge his SNOW WHITE and the SEVEN DWARFS. The separate Oscar® animation category was created in 2001, supposedly to give animated features more of a fighting chance for recognition in the competition. Unfortunately, what it has done is segregate them even more. Thus, animators still feel as though they are second-class citizens in the movie community when it comes to recognition for their work.

Ultimately it will be up to audiences to decide whether BEOWULF and ENCHANTED are animated features. Even the members of the Academy will nominate according to what their eyes perceive. Neither may not receive a nomination in the animation category. Then, all this will have been a tempest in a teapot. For now.

In case you are interested, the standard FPS for movies is 24, for television 30, and for video games 75. Over 75 FPS, the eye cannot see the frames and perceives the screen as blank.

Animated Feature Deadline 1 November

The deadline to submit entry forms and supporting materials to the Academy of Motion Picture Arts and Sciences®, Wilshire Boulevard, Beverly Hills, is Thursday, 1 November, in order to qualify in the 2007 Animated Feature Movie category for the 80th Academy Awards®, 24 February 2008. The deadline to submit accompanying film prints is Friday, 16 November. Complete 80th Academy Award rules.

Watch my Awards Page for the Annie Awards given by the International Animated Film Society (ASIFA - Hollywood) this coming February. They almost always honor the winning animated movie just prior to the Academy Awards. However, they missed last year. They picked CARS, as did I, but the dancing penguins took the Oscar®.

Here are two current animated standout features:

France has submitted its official entry, Marjane Satrapi and Vincent Paronnaud’s PERSEPOLIS (France, 2007), featuring the voice talents of Catherine Deneuve, Chiara Mastroianni, among others. It won a Jury Prize at the 2007 Cannes Film Festival, plus some other festival awards. It is a coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution. Languages spoken are: French, English, Persian, German.

The favorite could be Dreamworks' animated BEE MOVIE (2007, USA) the brainchild of Jerry Seinfeld, one of the producers and writers, and featuring the voice talents of Hollywood hometown favorites: Jerry Seinfeld, Renée Zellweger, Matthew Broderick, John Goodman, Chris Rock, Kathy Bates, Larry King, Ray Liotta, Sting, Oprah Winfrey, Megan Mullally, etc., etc., etc. BEE MOVIE opens 2 November.

Then, there are some more heavyweights such as: BEOWULF, ENCHANTED, RATATOUILLE, and two long shots MEET THE ROBINSONS, and SURF'S UP. It will be interesting to see which of these possibilities make the short list for nomination.

HAPPY HALLOWEEN!

Animated and Doc Features in Oscar® Race

Animated Features -

I have seen two of the animated features nominated for an Oscar, CARS and MONSTER HOUSE. I was not impressed with MONSTER HOUSE, getting bored within the first half. If I had young children, I would not let them see it.

No offense to HAPPY FEET. I haven't seen it, so I can't judge it, but after seeing the American heart and soul contained in CARS, I think it will be the winner. It did win the Annie Award as best animated feature. At any rate, I would vote for it, and not having seen HAPPY FEET makes no difference.

Once I saw CARS, the deal was sealed. The setting is the small town of Radiator Springs on the famous old Route 66 after the Interstate has bypassed the town. As a consequence, the town sank into despair and depression. When a hot-shot race car named Lightning McQueen gets waylaid in Radiator Springs, the town cars, with McQueen's help, find a cause, which helps them gain back their self esteem through collective positive action, and they help McQueen find the true meaning of friendship and family. There's nothing more American than that!

Also, unlike the characters in MONSTER HOUSE, the cars are downright loveable. In the viewer's mind they grow almost human during the course of the movie, each one keeping "his/her" individual behavior characteristics throughout.

Documentary Features -

I have seen three out of the five documentary features nominated for an Oscar, AN INCONVENIENT TRUTH, JESUS CAMP, and MY COUNTRY, MY COUNTRY. Therefore, I can only judge these three. They all deal with strong, often controversial subjects.

The first - the environment, effects of global warming, and Al Gore. Just remember, the threat is real and it is here today! When there is no Planet Earth, there will be nothing.

The second - indoctrination of innocent children by fundamentalist evangelical Christians (here, Pentecost). Their elders use fear and other abusive tactics to warp their young minds. Child abuse in the name of relgion.

The third - the negative impact upon one Iraqi family in Baghdad during the first election after the U.S. invaded, and the gradual demise of the Sunni father's idealism as he runs for a political office, facing life-threatening odds. Filmmaker Laura Poitras actually lived with an Iraqi family for over seven months, documenting the routine and the horror of their everyday lives.

DELIVER US FROM EVIL is about sexual abuse in the Roman Catholic Church. Sorry, seen several of these. It, too, addresses child abuse in the name of relgion.

IRAQ IN FRAGMENTS is about the situation in Iraq. I'm not sure of the time frame, or the actual subject matter, except that it contains stories from modern day Iraq as told by Iraqis living in a time of war, occupation and ethnic tension.

It behooves me as to why the Academy nominated two documentaries about Iraq. Why didn't they do as they did when confronted with two Spanish language features for the Best Foreign Movie, pick the one they thought was better? Well, it seems the Academy today is not a standout when logic is involved.

I am sure that the front runner here is AN INCONVENIENT TRUTH. I would vote for it. It is possible that those who are anti Al Gore will vote for one of the other four, but I think the Academy members on the whole support this documentary and that for which it stands. So, I think it will be the winner.

Click the movie titles to read more about these feature films.

Oscar's "Shorts" to Show in NYC

Prior to the 79th Academy Awards® show, New York moviegoers will have two opportunities to see all ten of this year’s Oscar®-nominated films in the Animated and Live Action Short Film categories on Saturday, 17 February.

The Academy of Motion Picture Arts and Sciences annual “Shorts!” program will be presented 12 p.m. and 4 p.m. at the Academy Theater in New York City.

Robert Osborne, Hollywood Reporter columnist, host of Turner Classic Movies, and official biographer of the Academy Awards, will host. The 2006 Animated Short Film and Live Action Short Film nominees are:

Short Film (Animated) and director(s) - -
“The Danish Poet," Torill Kove, director;
“Lifted,” Gary Rydstrom, director;
“The Little Matchgirl,” Roger Allers, director;
“Maestro,” Geza M. Toth, director;
“No Time for Nuts,” Chris Renaud and Michael Thurmeier, directors.

Short Film (Live Action) and director - -
“Binta and the Great Idea,” Javier Fesser, director;
“Eramos Pocos,” Borja Cobeaga, director;
“Helmer & Son,” Soren Pilmark, director;
“The Saviour,” Peter Templeman, director;
“West Bank Story,” Ari Sandel, director.

Tickets for “Shorts!” are $5 for the general public, $3 for Academy members and students with a valid ID. All seating is unreserved. Reserve tickets by calling 1-888-778-7575. Depending on availability, tickets may be purchased the day of the screenings. Doors open at 11:30 a.m. The Academy Theater is located at 111 East 59th Street in New York City.

Academy Awards for outstanding film achievements of 2006 will be presented Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST (8 p.m. EST), beginning with a half-hour arrivals segment, “The Road to the Oscars.” Vogue editor-at-large André Leon Talley, and Allyson Waterman will co-host. Talley will be the voice of fashion, and Waterman the main interviewer for the Oscar® red carpet arrivals segment.