114 ORIGINAL MUSIC SCORES IN 2013 OSCAR® RACE

Here is the list of 114 music scores from eligible feature-length motion pictures released in 2013, and they are in contention for nominations in the Original Score category for the 86th Oscars®, the Academy of Motion Picture Arts and Sciences announced yesterday.

The eligible scores along with their composers are listed below, in alphabetical order by film title:

"Admission," Stephen Trask;
"Ain't Them Bodies Saints," Daniel Hart;
"All Is Lost," Alex Ebert;
"Alone Yet Not Alone," William Ross;
"The Armstrong Lie," David Kahne;
"Arthur Newman," Nick Urata;
"Austenland," Ilan Eshkeri;
"Before Midnight," Graham Reynolds;
"The Best Man Holiday," Stanley Clarke;
"The Book Thief," John Williams;
"The Butterfly's Dream," Rahman Altin;
"The Call," John Debney;
"Captain Phillips," Henry Jackman;
"Closed Circuit," Joby Talbot;
 "The Company You Keep," Cliff Martinez;
 "The Conjuring," Joseph Bishara;
 "Copperhead," Laurent Eyquem;
 "The Counselor," Daniel Pemberton;
 "The Croods," Alan Silvestri;
 "Despicable Me 2," Heitor Pereira;
 "Elysium," Ryan Amon;
 "Ender's Game," Steve Jablonsky;
 "Enough Said," Marcelo Zarvos;
 "Epic," Danny Elfman;
 "Ernest & Celestine," Vincent Courtois;
 "Escape from Planet Earth," Aaron Zigman;
"Escape from Tomorrow," Abel Korzeniowski;
"Evil Dead," Roque Baños;
"47 Ronin," Ilan Eshkeri;
"42," Mark Isham;
"Free Birds," Dominic Lewis;
"Free China: The Courage to Believe," Tony Chen;
"Fruitvale Station," Ludwig Goransson;
"G.I. Joe: Retaliation," Henry Jackman;
"Gangster Squad," Steve Jablonsky;
"Gravity," Steven Price;
"The Great Gatsby," Craig Armstrong;
"The Hangover Part III," Christophe Beck;
"Hansel & Gretel Witch Hunters," Atli Örvarsson;
"Haute Cuisine," Gabriel Yared;
"Her," William Butler and Owen Pallett;
"The Hobbit: The Desolation of Smaug," Howard Shore;
"Hollywood Seagull," Evgeny Shchukin;
"Hours," Benjamin Wallfisch;
"How Sweet It Is," Matt Dahan;
"The Hunger Games: Catching Fire," James Newton Howard;
"Identity Thief," Christopher Lennertz;
"The Incredible Burt Wonderstone," Lyle Workman;
"Insidious: Chapter 2," Joseph Bishara;
"Instructions Not Included," Carlo Siliotto;
"The Internship," Christophe Beck;
"The Invisible Woman," Ilan Eshkeri;
 "Iron Man 3," Brian Tyler;
 "Jack the Giant Slayer," John Ottman;
 "Jobs," John Debney;
 "Kamasutra 3D," Sreejith Edavana and Saachin Raj Chelory;
 "Labor Day," Rolfe Kent;
 "Lee Daniels' The Butler," Rodrigo Leão;
 "Live at the Foxes Den," Jack Holmes;
 "Love Is All You Need," Johan Söderqvist;
 "Mama," Fernando Velázquez, composer
 "Man of Steel," Hans Zimmer, composer
 "Mandela: Long Walk to Freedom," Alex Heffes;
 "The Missing Picture," Marc Marder;
 "Monsters University," Randy Newman;
 "The Mortal Instruments: City of Bones," Atli Örvarsson;
 "Mud," David Wingo;
 "Murph: The Protector," Chris Irwin and Jeff Widenhofer;
 "Now You See Me," Brian Tylerr;
 "Oblivion," Anthony Gonzalez and Joseph Trapanese;
 "Oldboy," Roque Baños;
 "Olympus Has Fallen," Trevor Morris;
 "Oz The Great and Powerful," Danny Elfman;
 "Pacific Rim," Ramin Djawadi;
 "Pain & Gain," Steve Jablonsky;
 "Percy Jackson: Sea of Monsters," Andrew Lockington;
 "Philomena," Alexandre Desplat;
 "The Place beyond the Pines," Mike Patton;
"Planes," Mark Mancina;
"Prisoners," Jóhann Jóhannsson;
"R.I.P.D.," Christophe Beck;
"Reaching for the Moon," Marcelo Zarvos;
"Romeo & Juliet," Abel Korzeniowski;
"Runner Runner," Christophe Beck;
"Rush," Hans Zimmer;
"Safe Haven," Deborah Lurie;
"Salinger," Lorne Balfe;
 "Saving Mr. Banks," Thomas Newman;
 "The Secret Life of Walter Mitty," Theodore Shapiro;
 "Short Term 12," Joel P. West;
 "Side Effects," Thomas Newman;
 "The Smurfs 2," Heitor Pereira;
 "The Spectacular Now," Rob Simonsen;
 "Star Trek Into Darkness," Michael Giacchino;
 "Stoker," Clint Mansell;
 "Thor: The Dark World," Brian Tyler;
 "Tim's Vermeer," Conrad Pope;
 "Trance," Rick Smith;
 "Turbo," Henry Jackman;
 "12 Years a Slave," Hans Zimmer;
 "2 Guns," Clinton Shorter;
 "The Ultimate Life," Mark McKenzie;
 "Unfinished Song," Laura Rossi;
 "Wadjda," Max Richter;
 "Walking with Dinosaurs," Paul Leonard-Morgan;
 "Warm Bodies," Marco Beltrami and Buck Sanders;
 "We Steal Secrets: The Story of WikiLeaks," Will Bates;
 "We're the Millers," Theodore Shapiro and Ludwig Goransson;
 "What Maisie Knew," Nick Urata;
 "Why We Ride," Steven Gutheinz;
 "The Wind Rises," Joe Hisaishi;
 "Winnie Mandela," Laurent Eyquem;
 "The Wolverine," Marco Beltrami.

A Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements.  The five achievements receiving the highest number of votes will become the nominations for final voting for the award.

To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer.  Scores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.

The 86th Academy Awards® nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center®, and televised live on the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

 Y'all come back now, you hear?

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ACADEMY EXTENDS OSCAR® NOMINATIONS VOTING

  HOURS AND DATES CHANGED

 The Academy of Motion Picture Arts and Sciences (AMPAS) has extended the deadline for members to vote for Oscar nominations by one day to Friday, January 4, 2013, 5:00 p.m. PT.  Members may vote online or submit a paper ballot.  Any votes received after the deadline will not be counted.

 “By extending the voting deadline we are providing every opportunity available to make the transition to online balloting as smooth as possible,” said Ric Robertson, Academy COO.  “We’re grateful to our global membership for joining us in this process.”

  In order to accommodate the extension and maintain security, the online voting system will be closed for two hours only (5:00 p.m. to 7:00 p.m. PT) on Thursday, January 3. The system will re-open at 7 p.m. PT, on January 3 and remain available to members until 5:00 p.m. PT January 4.

 This is the first year the Academy is providing its membership the opportunity to vote online. Several voting resources are available to members, including assisted voting stations in Los Angeles, New York and London, and a 24-hour support call center. 

 The nominations and final Awards ballots will be tabulated and verified by PricewaterhouseCoopers (PwC) to ensure that all aspects of the balloting process are accurate and secure. In the majority of the categories, PwC will tabulate the ballots using the preferential voting system.

 The 85th Academy Awards® nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT, in the Academy's Samuel Goldwyn Theater.

 Academy Awards for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood  & Highland Center®, and televised live on the ABC Television Network. Seth McFarlane will host. The Oscar presentation also will be televised live in more than 225 countries worldwide. 

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Hollywood Street

 

New Rules for Oscars and Academy Issues Invitations

RULES APPROVED FOR 85TH ACADEMY AWARDS®

The Board of Governors of the Academy of Motion Picture Arts and Sciences has approved the rules for the upcoming 85th Academy Awards. The most significant changes affect the Music, Foreign Language Film, Makeup and Visual Effects categories.

In the Music (Original Song) category, the Executive Committee may recommend that a fourth songwriter for an individual song be considered in rare and extraordinary circumstances. This amends the rule that has been in effect since 2005, whereby up to two songwriters could be eligible per song, although a third songwriter could be added if he or she were found to be an essentially equal contributor.

In the Foreign Language Film category, films must be submitted to the Academy in 35mm or DCP*, but are no longer required to be exhibited in those formats in their countries of origin.

The award given in the Makeup category will now be known as the Makeup and Hairstyling Award. Additionally, during the nominations process, all branch members who have seen the seven shortlisted titles will receive ballots to list their top three choices.

In the Visual Effects category, nominees will be selected from a pool of ten films chosen by the Branch Executive Committee by secret ballot. Previously, the committee could put forward as many as ten productions or as few as seven.

Other adjustments to the rules include standard date changes and other "housekeeping" adjustments.

Rules are reviewed annually by individual branch and category committees. The Awards Rules Committee then reviews all proposed changes before presenting its recommendations to the Academy's Board of Governors for approval.

Academy Awards for outstanding film achievements of 2012 will be presented on Sunday, February 24, 2013, in the Dolby Theatre® at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar® presentation also will be televised live in more than 225 countries worldwide.

*A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams.

Dujardin and Uggie

 ACADEMY INVITES 176 TO MEMBERSHIP

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 176 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2012 to the Academy’s roster of members.

"These film professionals represent some of the most talented, most passionate contributors to our industry,” said Academy President Tom Sherak. “I’m glad to recognize that by calling each of them a fellow Academy member."

Voting membership in the organization has now held steady at just under 6,000 members since 2003. Some of the 2012 actor invitees are:

Simon Baker – Margin Call, L.A. Confidential;

Bérénice Bejo – The Artist, OSS 117: Cairo, Nest of Spies;

Jessica Chastain – The Help, The Tree of Life;

Jean Dujardin – Les infidèls, The Artist;

Jonah Hill – Moneyball, Superbad;

Ken Howard – J. Edgar, In Her Shoes;

Diego Luna – Milk, Y Tu Mamá También (And Your Mother, Too);

Melissa McCarthy – Bridesmaids, The Back-Up Plan;

Matthew McConaughey – The Lincoln Lawyer, A Time to Kill;

Janet McTeer – Albert Nobbs, Tumbleweeds;

Andy Serkis – The Prestige, The Lord of the Rings: The Return of the King;

Octavia Spencer – The Help, The Soloist;

Michelle Yeoh – The Lady, Crouching Tiger, Hidden Dragon.

See list of all new invitees.

But, where is Uggie's name? Fans of Uggie in the silent movie The Artist and Water for Elephants, were outraged when the Jack Russell Terrier didn't get an Oscar nomination last January. Now Uggie's owner tells a magazine that movie was Uggie's last. He is 10 now, and is officially retired. Uggie did win the Palm Chien Prix (Palm Dog Prize) after last year’s Cannes Film Festival.

‘The Artist’ tops 69th Golden Globe Nominations

The Golden Globe nominations were announced the middle of last week. In the race for best motion picture The Artist, a silent black-and-white movie about an actor at the time of the transition to talkies, led the pack with six Golden Globe nominations. It is nominated for best picture in the musical or comedy category.

 

George Clooney's two movies each received a nod for best picture, drama. The Descendants seems to be favored over The Ides of March. The former received five nominations, including best feature movie in the drama category, and a best actor nomination for Clooney.

But Ides of March was not slighted by the HFPA. Clooney, Heslov, and Beau Willimon are nominated for best screenplay and Clooney has a best director nomination.

Not nominated? The Tree of Life. Not enough "T and A" in the movie, perhaps, or was the Cannes winner's Transcendental premise over their heads? There is more about the actual nominations but, first, a digression.

I caution you, dear reader, to be aware where the Oscar race is concerned that the Golden Globe Awards are sponsored and the recipients chosen by the Hollywood Foreign Press Association (HFPA). That is the association of credentialed reporters, etc., from outside the USA, who follow and report on the American entertainment industry. Some live here, some don't. The Globes give awards to both the movie and television industries.

The Academy of Motion Picture Arts and Sciences is the sponsor of the Academy Awards (Oscars). The membership of the Academy (AMPAS) consists of people who work in the movie industry, and who are card caring members of an industry guild. Every member must be invited to join. Only members of the Academy can nominate and vote, and awards are only given to the motion picture industry.

I know some people still call these awards, and festivals, "film," but it is a misnomer now because movies are not photographed on film and projectors don't project film, they are all digital in the USA. So, now we should call them the best picture, best motion picture, best movie, best feature, best short motion picture, etc. Technically there is no longer a best film in any category.

Besides, when I was in cinema school, I was taught that film is the medium whereby motion pictures, sometimes called by their shortened slang name, movies, are made. Motion Pictures are the products, one product medium that comprises The Media. Get the picture? If so, enjoy the motion picture festivals and watch lots of movies at your local picture show, as they were originall called. Of course today they are shown in a movie theater, or cinema!

But, quick, amend that. We don't even need to go out to see a movie anymore. We can get it on demand from a provider server There's TV, cable, satellite, or watch it on our computer. On demand, when we want it. Wow! The method of delivering  movies has come a long way, indeed.

Many critics and writers will indicate that the Globe winners predict the Oscars. They do not. What they do is bring the movies before the general public, and probably do cause some Academy members to consider, or reconsider, some movie they have either previously overlooked or dismissed.

For instance, The Hollywood Foreign Press Association and the Academy of Motion Picture Arts and Sciences last chose the same best picture in 2009, when director Danny Boyle’s Slumdog Millionaire won both.  I picked that movie for best picture in October when it won best picture at the Toronto Festival. After I saw it, I knew I had made the best choice.

Not only do the Globes honor television shows and actors, but they have two categories for best picture: musical or comedy, and drama, as well as the same two categories for best and supporting actors and actresses. The Academy makes the same distinction for actors and actresses, but there is only one best picture, and comedy usually gets the short piece of the wishbone when it comes to the Academy Awards.

The 69th annual Golden Globe Awards ceremony will be held Sunday, January 15th, at the Beverly Hilton Hotel, Beverly Hills, and broadcast live on NBC. Ricky Gervaise will host them again this year.

The Oscar nominations will be announced January 24th at the Samuel Goldwyn Theater in the Academy of Motion Picture Arts and Sciences,  Beverly Hills.The 84th Academy Awards gala will be broadcast by ABC February 26th, and Billy Crystal will host.

NOMINATIONS FOR BEST MOTION PICTURE - DRAMA

The Descendants, starring George Clooney.
The Ides of March - George Clooney wrote, directed and stars in the Ides of March. To me, it is basically Clooney's take on politics. Of course, it is a liberal-progressive one, so I like that. Tagline: An idealistic staffer for a newbie presidential candidate gets a crash course on dirty politics during his stint on the campaign trail.

 The Help, received nine nominations. Three actresses in the movie were nominated, but not Emma Stone who played Skeeter. These were: Viola Davis (Aibileen) for best actress, Jessica Chastain (Celia) and Octavia Spencer (Minny) for an actress in a supporting role. 


Hugo (Paramount), Martin Scorsese's animated movie is not nominated in the animation category, but for best motion picture. The other Paramount animated movie, Rango, is nominated in the animation category.

 Moneyball, an excellent baseball movie starring Brad Pitt, and costarring Jonah Hill, is for those who love the allure of baseball statistics, and a baseball movie that is all heart, at the same time. Pitt received a best actor nomination for his role as real-life manager Billy Beane, but Jonah Hill did not receive a best-supporting nod.

 War Horse, the latest horse opera. This one is set in World War One, and is directed by Steven Spielberg. Take Kleenex.

Click the title of this post to see the full list of nominations, and much more, on the HFPA's Official Site. Please come back here after the first of the year for some more unique takes on the Golden Globes and the Academy Awards.

BAFTA Orange Nominees Announced

SERIES: Hollywood Guild Awards and Oscars®

The British Academy of Film and Television Arts (BAFTA®), announced the nominations for their BAFTA Orange Awards recently, honoring the best of 2009 in the UK film industry. Yes, BAFTA is their equivalent of the U.S. Academy of Motion Picture Arts and Sciences (AMPAS®), and an Orange Award is equivalent to an Oscar®.

The Los Angeles branch, BAFTA/LA, will host an annual Awards Brunch on Sunday, 21 February 2010. The Buffet Brunch will be followed by the live satellite broadcast from London of the BAFTA gala. You may ask, "What does the British Film and Television Academy (BAFTA) have to do with the U.S. Academy of Motion Picture Arts and Sciences (AMPAS) Academy Awards®?"

The answer to the best of my ability is as follows: 1. Unless you have been living under a box for the last 70 years, or so, you know that the UK is the same as Britain or British, but it is more politically and geographically correct to refer to the area now as the United Kingdom of Great Britian, "UK" for short, combining all countries in the area, including Wales and Ireland. However, the Academy was named long before the area became known as the UK.

The British Academy of Film and Television Arts (BAFTA®), announced the nominations for their BAFTA Orange Awards recently, honoring the best of 2009 in the UK film industry. Yes, BAFTA is their equivalent of the U.S. Academy of Motion Picture Arts and Sciences (AMPAS®), and an Orange Award is equivalent to an Oscar®.

The Los Angeles branch, BAFTA/LA, will host an annual Awards Brunch on Sunday, 21 February 2010. The Buffet Brunch will be followed by the live satellite broadcast from London of the BAFTA gala. You may ask, "What does the British Film and Television Academy (BAFTA) have to do with the U.S. Academy of Motion Picture Arts and Sciences (AMPAS) Academy Awards®?"

Answer to the best of my ability is as follows: 1. Unless you have been living under a box for the last 70 years, or so, you know that the UK is the same as Britain or British, but it is more politically and geographically correct to refer to the area now as the United Kingdom of Great Britian, "UK" for short, combining all countries in the area, including Wales and Ireland. However, the Academy was named long before the area became known as the UK.

2. Citizens in the UK countries working in the movie industry are most likely to be dual citizens in the USA, and working in the industry in the U.S. Not only that, they are probably voting members of AMPAS, or some Hollywood guild, as well as BAFTA.

3. There is now a Los Angeles Chapter of the BAFTA (BAFTA/LA), and they vote for the BAFTA Awards held in London. Therefore, the bestowal of a BAFTA award, as with a Hollywood guild award, gives us an indication of how the members of those guilds and academies will vote in the Oscar® race. I keep repeating the importance of these guild awards. Are you getting it yet?


BAFTA ORANGE FILM NOMINEES:

Feature Film:
AVATAR
AN EDUCATION
THE HURT LOCKER
PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE
UP IN THE AIR

Outstanding British Film:
AN EDUCATION
FISH TANK
IN THE LOOP
MOON
NOWHERE BOY

Outstanding Debut by a British Writer, Director or Producer:
Lucy Bailey, Andrew Thompson, Elizabeth Morgan Hemlock, David Pearson, Directors/Producers – MUGABE and the WHITE AFRICAN
Eran Creevy, Writer/Director – SHIFTY
Stuart Hazeldine, Writer/Director – EXAM
Duncan Jones, Director – Moon
Sam Taylor-Wood, Director – Nowhere Boy

Director:
AVATAR - James Cameron
DISTRICT 9 - Neill Blomkamp
AN EDUCATION - Lone Scherfig
THE HURT LOCKER - Kathryn Bigelow
INGLOURIOUS BASTERDS - Quentin Tarantino

Original Screenplay:
THE HANGOVER - Jon Lucas, Scott Moore
THE HURT LOCKER - Mark Boal
INGLOURIOUS BASTERDS - Quentin Tarantino
A SERIOUS MAN - Joel Coen, Ethan Coen
UP - Bob Peterson, Pete Docter

Adapted Screenplay:
DISTRICT 9 - Neill Blomkamp, Terri Tatchell
AN EDUCATION - Nick Hornby
IN THE LOOP - Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE - Geoffrey Fletcher
UP IN THE AIR - Jason Reitman, Sheldon Turner

Film Not in the English Language:
BROKEN EMBRACES - Agust'n Almodóvar, Pedro Almodóvar
COCO BEFORE CHANEL - Carole Scotta, Caroline Benjo, Philippe Carcassonne, Anne Fontaine
LET THE RIGHT ONE IN - Carl Molinder, John Nordling, Tomas Alfredson
A PROPHET - Pascale Caucheteux, Marco Chergui, Alix Raynaud, Jacques Audiard
THE WHITE RIBBON - Stefan Arndt, Veit Heiduschka, Margaret Menegoz, Michael Haneke

Animated Film:
CORALINE - Henry Selick
FANTASTIC MR FOX - Wes Anderson
UP - Pete Docter

Leading Actor:
Jeff Bridges - CRAZY HEART
George Clooney - UP in the AIR
Colin Firth - A SINGLE MAN
Jeremy Renner - THE HURT LOCKER
Andy Serkis - SEX & DRUGS & ROCK & ROLL

Leading Actress:
Carey Mulligan - AN EDUCATION
Saoirse Ronan - THE LOVELY BONES
Gabourey Sidibe - PRECIOUS: Based on the Novel Push by Sapphire
Meryl Streep - JULIE & JULIA
Audrey Tautou - COCO BEFORE CHANEL

Supporting Actor:
ALEC BALDWIN It’s Complicated
CHRISTIAN McKAY Me and Orson Welles
ALFRED MOLINA An Education
STANLEY TUCCI The Lovely Bones
CHRISTOPH WALTZ Inglourious Basterds

Supporting Actress:
ANNE-MARIE DUFF Nowhere Boy
VERA FARMIGA Up in the Air
Anna Kendrick - UP IN THE AIR
Mo'Nique - PRECIOUS: Based on the Novel Push by Sapphire
Kristin Scott Thomas - Nowhere Boy

Music:
AVATAR - James Horner
CRAZY HEART - T-Bone Burnett, Stephen Bruton
FANTASTIC MR FOX - Alexandre Desplat
SEX & DRUGS & ROCK & ROLL - Chaz Jankel
UP - Michael Giacchino

Cinematography:
AVATAR - Mauro Fiore
DISTRICT 9 - Trent Opaloch
THE HURT LOCKER - Barry Ackroyd
INGLOURIOUS BASTERDS - Robert Richardson
THE ROAD - Javier Aguirresarobe

Editing:
AVATAR - Stephen Rivkin, John Refoua, James Cameron
DISTRICT 9 - Julian Clarke
THE HURT LOCKER - Bob Murawski, Chris Innis
INGLOURIOUS BASTERDS - Sally Menke
UP IN THE AIR - Dana E. Glauberman

Production Design:
AVATAR - Rick Carter, Robert Stromberg, Kim Sinclair
DISTRICT 9 - Philip Ivey, Guy Poltgieter
HARRY POTTER AND THE HALF-BLOOD PRINCE - Stuart Craig, Stephenie McMillan
THE IMAGINARIUM OF DOCTOR PARNASSUS - Nominees TBC
INGLOURIOUS BASTERDS - David Wasco, Sandy Reynolds Wasco

Costume Design:
BRIGHT STAR - Janet Patterson
COCO BEFORE CHANEL - Catherine Leterrier
AN EDUCATION - Odile Dicks-Mireaux
A SINGLE MAN - Arianne Phillips
THE YOUNG VICTORIA - Sandy Powell

Sound:
AVATAR
DISTRICT 9
THE HURT LOCKER
STAR TREK
UP

Special Visual Effects:
AVATAR
DISTRICT 9
HARRY POTTER AND THE HALF-BLOOD PRINCE
THE HURT LOCKER
STAR TREK

Make Up & Hair:
COCO BEFORE CHANEL
AN EDUCATION
THE IMAGINARIUM OF DOCTOR PARNASSUS
NINE
THE YOUNG VICTORIA

For more on BAFTA and/or the Orange Awards, click the title of this post.

Oscar® Nominees Announced Tomorrow

Nominations for the 82nd Academy Awards® will be announced tomorrow, Tuesday, 2 February, by Academy of Motion Picture Arts and Sciences President Tom Sherak, and Oscar-nominated actress and Academy member Anne Hathaway.

Sherak and Hathaway will unveil the AMPAS® Oscar® nominations in 10 of the 24 categories at a 5:30 a.m. news conference in the Academy’s Samuel Goldwyn Theater, Beverly Hills. Hundreds of media representatives from around the world will be gathered there. Nominations information for all categories will be distributed simultaneously to news media in attendance and via the Internet on the official Academy Awards Web site. Click title of this post to link to the site.

Last year, Hathaway received her first Oscar nomination for her leading role in RACHEL GETTING MARRIED. She first came to national attention in the 2006 sleeper hit, THE DEVIL WEARS PRADA, opposite Meryl Streep. Her other film credits include BRIDE WARS, GET SMART, PASSENGERS, BECOMING JANE, BROKEBACK MOUNTAIN, and THE PRINCESS DIARIES. She can be seen now in VALENTINE'S DAY, and in the role of the White Queen in Tim Burton’s remake of ALICE in WONDERLAND and, soon in LOVE AND OTHER DRUGS opposite Jake Gyllenhaal.

Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, 7 March, in the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

AMPAS® moves 82nd Oscar® Gala to early March!

Hugh Jackman, second from right, host of 81st awards.


Sid Ganis, president of the Academy of Motion Pictures Arts and Sciences, announced yesterday that the 82nd Annual Academy Awards® (Oscars®) presentation gala will be held Sunday, 7 March 2010. Hooray!

As those of you who follow this blog know, I have posted that one of the contributing factors to the steep decline in ratings for the Oscar telecast over the past three years has been the early date. I maintained that March gives more time for the Academy to publicize the event.

Well, this past February, the rating for the 81st Oscar broadcast (2009) on the Walt Disney company's ABC network, was 12.1 in the key demographic group of adults 18-49, and the broadcast attracted 36.3 million viewers overall, up 4.3 million from last year. There was a gain of 13% in that demographic group from last year, which was the lowest since 1992. Last year, a combination of factors, including the writers strike, impacted the ratings.

No doubt the writers strike wounded a number of shows in 2008, and was one cause of the lowest Academy Award gala in at least a decade. The telecast drew about 33% of people watching television, a steep decline from 2007's 42%. For more 81st Oscar ratings analysis, click title of this post.

The ceremony will again take place at the Kodak Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.

Key dates currently scheduled are:

Tuesday, December 1, 2009: Official Screen Credits forms due.
Monday, December 28, 2009: Nominations ballots mailed.
Saturday, January 23, 2010: Nominations polls close 5 p.m., PT.
Tuesday, February 2, 2010: Nominations announced 5:30 a.m., PT, Samuel Goldwyn Theater.
Wednesday, February 10, 2010: Final ballots mailed.
Monday, February 15, 2010: Nominees Luncheon.
Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation.
Tuesday, March 2, 2010: Final polls close 5 p.m., PT.
Sunday, March 7, 2010: 82nd Annual Academy Awards Presentation.

Will the telecast ratings go up again this year? If so, how much? Sorry. I'm not going out on a limb to answer either question, except to say, "We shall see."

Academy's Nicholl Screenwriting Competition Opens

The Academy of Motion Picture Arts and Sciences (AMPAS®) is now accepting entries for the 2009 Don and Gee Nicholl Fellowships in Screenwriting competition. As many as five $30,000 fellowships will be awarded through the program later this year.

Application forms may be downloaded from the Academy’s Web site and mailed with the other required materials, or they may be completed and submitted online. Rules and details are available at www.oscars.org/nicholl, or click title of this post.

The Nicholl Fellowships competition is open to any individual who has not earned more than $5,000 from the sale or option of a screenplay or teleplay, or received a fellowship or prize of more than $5,000 that includes a “first look” clause, an option, or any other quid pro quo involving the writer’s work. To enter, writers must submit a completed application form, one copy of their original screenplay in English, and an entry fee of $30. Entries must be postmarked, or submitted online, no later than the first of May 2009, or 30 April to be safe.

Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during the fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

Last year’s competition drew more than 5,000 entries. Since the program’s inception in 1985, 108 fellowships have been awarded.

The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events.

In addition, the Academy provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

AMPAS® Announces Student Academy Awards®

Students from eight colleges and universities have been named winners of the Academy of Motions Pictures Arts and Sciences' 35th Annual Student Academy Awards®. Eleven students attending college in the U.S., and one film student from the Academy of Media Arts, Cologne, Germany, who has been selected to receive the honorary foreign film award, will receive their awards in a ceremony 7 June at the Academy's Samuel Goldwyn Theater in Beverly Hills. Tickets are now available and are free.

The U.S. students first competed in one of three regional competitions. Each of those regions was permitted to send as many as three finalist films in each of four award categories. Academy members then screened the finalists’ films and voted to select the winners.

Winner's placement – Gold, Silver or Bronze – will not be revealed until the ceremony 7 June. In addition to a trophy, Gold Medal winners receive $5,000, Silver Medal winners receive $3,000, Bronze Medal winners receive $2,000, and the Honorary Foreign Film winner receives $1,000.

Winners are (listed alphabetically within each category by University):

Alternative:
San Francisco State University - Phoebe Tooke, CIRCLES OF CONFUSION.
University of Southern California (USC, Los Angeles) - Shih-Ting Hung, VIOLA: THE TRAVELING ROOMS OF A LITTLE GIANT.

Animation:
California Institute of the Arts (CalArts, Valencia, CA)- Nicole Mitchell, ZOOLOGIC.
The Ringling College of Arts and Design (Sarasota, FL) - Evan Mayfield, THE VISIONARY.
The School of Visual Arts (NYC) - Tatchapon Lertwirojkul, SIMULACRA.

Documentary:
American University (Washington, D.C.) - Laura Waters Hinson, AS WE FORGIVE.
Columbia University (NYC) - J.J. Adler, UNATTACHED.
USC - Brian David, IF A BODY MEET A BODY.

Narrative:
Florida State University - Z. Eric Yang, THE STATE OF SUNSHINE.
USC - Melanie McGraw, PITSTOP.
USC - Rajeev Dassani, A DAY'S WORK.

Honorary Foreign Film:
Academy of Media Arts, Cologne, Germany - Reto Caffi, ON THE LINE (Auf der Strecke). Caffi was selected from a pool of 43 entries.

Information about tickets, etc.:
The Academy’s Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 5 p.m. All seating is unreserved. The Gold Medal-winning films and the Honorary Foreign Film will be screened in their entirety. A maximum of four free tickets may be requested online (click title of this post), in person at the Academy box office, by calling the Student Academy Awards department at (310) 247-3000, ext. 130, or by mail: Academy of Motion Picture Arts and Sciences; 8949 Wilshire Boulevard; Beverly Hills CA 90211-1972.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level. Past Student Academy Award winners have gone on to receive 35 Oscar® nominations and have won, or shared, six Academy Awards. Two former Student Academy Award winners were nominated in the Documentary Short Subject category at the 80th Academy Awards held earlier this year. James Longley was nominated for SARI'S MOTHER, and Amanda Micheli for LA CORONA (The Crown). The winner was Josh Raskin's I MET THE WALRUS.

Mimi's Oscar® Picks for 80th Awards

Host Jon Stewart opening television gala in 2006, and he returns tonight.

Trying to choose the winners of the Academy Award® Oscar® is no picnic. Never has been, but every year I try, and every year I miss some.

All year long, I track the winners of film festivals and the various awards. Not all. That's impossible. I try to track the ones I think might influence voters of the Academy of Motion Pictures Arts and Sciences (AMPAS®).

The cold facts are these: AMPAS is composed of voting members that come from the guilds, i.e. unions, who work in the movie industry. The largest voting block is the Screen Actors Guild (SAG), followed in a random order by the Writers Guild (WGA), Directors Guild (DGA), and Producers Guild (PGA), etc.

Then there are the so-called "technical guilds," e.g., cinematographers, film editors, sound mixers, lighting designers, etc., and all of these have a cadre of technicians. Next come the "artistic guilds," and they are the folks who design, decorate, and execute sets, costumes, hair, makeup, etc. Plus, there is a plethora animators, running the gamut of everything necessary from enhancing major motion pictures to bringing those cute little critters who populate animated movies to life.

Of course, these members are subject to influence by their guilds and others such as film critics and film festival juries, but it basically comes down to how the AMPAS members vote when faced with that annual final ballot. However, I am going with the data I have collected, and these are my conclusions (not including some of the tech stuff and short films):

Best original score: Dario Marianelli, ATONEMENT, because I REALLY like the last name!
Best song: "Falling Slowly," ONCE, written by Glen Hansard and Marketa Irglova .
Best cinematography: THERE WILL BE BLOOD.
Best supporting actress: Amy Ryan for GONE BABY GONE. *
Best supporting actor: Javier Bardem for NO COUNTRY FOR OLD MEN.
Best actress: Julie Christie for AWAY FROM HER.
Best actor: Daniel Day-Lewis for THERE WILL BE BLOOD.
Best animated feature: RATAEOUILLE, paws down.
Best documentary: SICKO, Michael Moore. * *
Best foreign-language feature: THE COUNTERFEITERS, Austria. * * *
Best original screenplay: JUNO, by Diablo Cody.
Best adapted screenplay: NO COUNTRY FOR OLD MEN, by Ethan & Joel Coen.
Best director(s): Ethan & Joel Coen, NO COUNTRY FOR OLD MEN.
Best motion picture feature (best picture) - NO COUNTRY FOR OLD MEN.

My rationale? NO COUNTRY FOR OLD MEN has won more major guild and critical awards than any other nominee, including the DGA, PGA, SAG, and WGA. I think it is finally the year the Coen brothers reap their rewards. However, one interesting note, JUNO has garnered more box office than any of the other "best picture" nominees, and has been dubbed, "The little movie that could".
__________________
* - - NOTE - Ruby Dee (MICHAEL CLAYTON) has won only one major award in the best supporting actress category, but it is the SAG award, and she is a sentimental favorite of AMPAS (as was her late husband Ossie Davis). However, the actress who has won most awards in this category, including influential critics awards such as the National Board of Review, plus the BFCA, L.A., N.Y., S.F., and Boston critics' awards is Ryan. Therefore, I'm going with Ryan with a possible Dee.

* * - - NOTE - The best documentary feature category is a tough one, but I'm going with Michael Moore's SICKO, because it has won more awards in this category, with NO END IN SIGHT running strong. Then, there is TAXI TO THE DARK SIDE that got out of the gate late. Who knows? Only the envelope does.

* * * - - NOTE - This year, the BFLF category is a disaster. Many respected critics agree. Unfortunately, AMPAS made it so. AMPAS either fixes the mechanism by which foreign movies are selected before the awards next year, or the category will become a mockery. See my previous blog post for much more on this year's BFLF nominees.

Download and print an Oscar ballot from IMDb's "Road to the Oscars".

LINKS RELEVANT: Mimi's Movie Awards Page / Mimi's Film Festival Page07 / Mimi's Foreign Movie Page (also on right sidebar).

Disappointing Foreign Film Oscar®

This is the first year since the best foreign-language film category (BFLF) was established for the 29th Academy Awards® in 1956, that this category thoroughly disappoints me. It is disappointing because the foreign movies that have been judged best by film festivals and other legitimate awarding organizations were shut out of the competition by self-appointed committees, and stifling rules.

It is also disappointing because the Academy seems to have forgotten why the category was begun in the first place, loading the qualification rules with insufferable specifications, and providing ways to cut some submitted films off by their knees. When it first began, the films were to be in the native language of the submitting country, and be of exceptional acting and cinematic quality for a an outside-of-Hollywood movie. The goal being to find such films and filmmakers, and help provide their distribution so that they might obtain a wider audience through an Oscar nomination and /or win.

One of the most awarded foreign movies of 2007 is the Romanian movie, 4 MONTHS, 3 WEEKS AND 2 DAYS (4 runi, 3 saptamini SI si 2 zile), directed by Cristian Mungiu. It won the Golden Palm as Best Film at Cannes, the Best European Feature in the European Awards, plus many other awards. Naturally, Romania submitted it for the BFLF Oscar®, only to see it fail to meet the first cut by the first selection committee. The L. A. Weekly, and others, called it, ". . . the best foreign film of the year."

So, were the committees appointed to screen the 63 submitted movies and cut the list from which the nominees would be chosen down to only nine, totally unaware of the awards the Romanian movie had won, or was it because the movie is about abortion?

Then, there was the denial of Taiwanese director Ang Lee's LUST, CAUTION. The Academy ruled that not enough of the actors and production staff were actually from Taiwan. Or, was it because some were afraid adults might learn about the Karma Sutra?

Another controversial absence involved the disqualification of Israel's THE BAND'S VISIT, because more than 50 percent of the dialogue between an Egyptian band and Israeli villagers is in English, albeit mostly broken English. Again, it comes down to an archaic insistence on language as the ground rule in the 21st Century where filmmakers are making multi-lingual movies through multi-country co-productions.

Language caused the French Academy to misstep by submitting the animated feature PERSEPOLIS in the BFLF category, which did not even make the short-list but did get a nod in animation. The movie is entirely in French, but is based on a graphic novel by an Iranian, Marjane Satrapi, the co-writer and co-director is the same Iranian, and the subject is a coming-of-age of a young Iranian girl in Iran during the Iranian Islamic revolution. "Persepolis" is a Greek word meaning, The City of Persians for the city, Persian name Parsa, in ancient Iran. The ruins of Parsa are still in Iran. It is a UNESCO World Heritage Site.

By submitting PERSEPOLIS for the BFLF Oscar, the French shut out one of two wonderful French movies, either THE DIVING BELL AND THE BUTTERFLY, or La Môme (U.S. title = LA VIE EN ROSE), either of which could have won in the original system, but no one knows what would have happened under the current one.

Actress Marion Cotillard, who portrays the late, great French singer Edith Piaf in the latter, is nominated for best actress. Artist, and DIVING BELL director, Julian Schnabel received a best director nod.

The committee did provide a movie that contains two favored themes for the BFLF voters, World War Two and the Holocaust. THE COUNTERFEITERS is from Austria. Perfect.

From Israel comes BEAUFORT, a story of defeat. In 2001, the last Israeli soldiers must retreat from a famous fort captured by Israel in 1982. While abandoning the fort, the soldiers confront the futility of the mission to capture it in the first place. This in place of the delightful, THE BAND'S VISIT? An abomination.

From Poland comes the best known director in the competition, Andrzej Wajda, whose KATYN tells the true story of 15,000 Poles massacred by Soviet secret police in 1940, one of which was his own father. Wajda holds an honorary Oscar (2000) and many other awards. If this one had no made the list, I would have regurgitated.

Kazakhstan received its first Oscar nomination for MONGOL, in which Russian director Sergei Bodrov chronicles the early life and love of the warrior Genghis Kahn on the Mongolian steppe. Where is Kazakhstan? Does anyone really care? It must be right behind Siberia in my list of never-go-there places.

Another Russian director, Nikita Mikhalkov, whose 1994 picture BURNT BY THE SUN won the best foreign film Oscar for Russia, has made what is described as a "loose remake" of Sidney Lumet's classic court drama 12 ANGRY MEN (1957), which Mikhalkov calls, 12. Will this remake of the Hollywood classic put it in good standing for the Oscar? Is it a "remake" or plagiarism?

Variety film critic Robert Koehler is quoted as saying, "There is a consensus that this is an embarrassing selection and it exposed the category as by far the most problematic one the Academy has."

Bien dit! ¡Bien dicho! Bene disse! Gut sagte! Well said! Is that too much English?

Oh, in case you are wondering, that first BFLF Oscar went to LA STRADA (Italy, 1956), directed by Federico Fellini, produced by Dino De Laurentiis and Carlo Ponti, starring Fellini's wife, Giulietta Masina, and Anthony Quinn. Now, if any committee member does not know who these people were, they should never be on another BFLF committee! I would be happy to prepare a test to make sure the prospective committee members are thoroughly qualified in foreign film.

Reference my Foreign Movies Page.

Final 2007 Oscar® Ballots Mailed

Final ballots for the 80th Academy Awards® were mailed today (January 30) to the 5,829 voting members of the Academy of Motion Picture Arts and Sciences. Listed on the ballots are nominees in 19 of the Award categories.

Separate ballots for five categories will be distributed after verification of mandatory member-attendance at screenings. Those categories are: Documentary Feature, Documentary Short Subject, Foreign Language Film, Animated Short Film and Live Action Short Film.

Nominations were announced 22 January. You can see the list of all nominees on my post of that date here.

Completed ballots must be returned to PricewaterhouseCoopers by 5 p.m. Tuesday, 19 February. Ballots received after the deadline will not be counted. Following the tabulation of the votes, the winners’ names will be placed in sealed envelopes to be opened on Oscar Night®, Sunday, 24 February.

Academy Awards for outstanding film achievements of 2007 will be presented Sunday, 24 February 2008, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m., PT. The Oscar presentation will be televised live in more than 200 countries worldwide.

ADDENDUM: All the above will come true if the Writers Guild Strike is resolved, or if the Guild grants waivers the Academy has requested. As this is posted, the Academy asserts that, come what may, there will be an awards show. Academy President Sid Ganis told Associated Press (AP) today that Academy personnel are planning two shows, "The show we would love to do and . . . a show that we would prefer not to do." There is no consideration of a postponement, either. The curtain will go up as scheduled. But, on what?

The good Lord willing, and the Creek don't rise, I shall post all the winners Oscar night as soon as the show is over.

In Praise of the SAG Awards

Spanish actor Javier Bardém accepts SAG award for best supporting actor for NO COUNTRY FOR OLD MEN. The award supposedly weighs 20 pounds.

Today's article in the television section of The New York Times, "Less Preening, More Fun and a Touch of Dignity at Awards Show," by Alessandra Stanley, contains nothing but praise for the Screen Actors Guild Awards' show last night, broadcast on TBS.

Recipients, one exception being Alec Baldwin, actually attended and accepted their awards. Since SAG is the guild of actors, and that guild is supporting the Writers Guild strike, the WGA granted a waiver and did not picket.

The evening also marked the 75th anniversary of SAG's founding, only five years after the founding of AMPAS®. SAG has the largest voting block in AMPAS, and SAG members will not attend the Oscars®, unless the WGA strike is settled before Oscar® night, 24 February. The writer of this blog also supports the strike, although not yet a member of the WGA.

According to the article, the SAG evening was "fast," without, "a preening master of ceremonies or any long production numbers," and "for the most part brisk and entertaining." There was, of course, less writing, and what writing done was probably done by those SAG members who are not also members of the WGA.

Note to Mr. Gil Cates, Producer, 80th Academy Awards®: Please read this article. The Oscar broadcast needs pruning and fine tuning, with less preening and long-winded buffoonery. Now!

But I digress. The winners were . . . . You will find them, plus more about the glitz and glam on my Awards Page, along with links and other info. This link will take you immediately to the exact spot on my page, and there is also a permanent link on the right sidebar of this blog.

AMPAS® Unveils Best Picture Poster

New Poster"80 Years of Best Motion Picture Oscar® Winners"

In celebration of the 80th anniversary of the Academy Awards®, the Academy of Motion Picture Arts and Sciences® unveiled the latest edition of its Best Picture poster this week. Currently only the 79 known Best Picture winners are shown in the poster. The 80th Best Picture winner will be added on Oscar Sunday, February 24, immediately following the Academy Awards presentation.

The 27 x 40-inch poster is printed on premium quality, Forest Stewardship Certified paper. The poster is available for purchase on the Academy’s Web site, publications, or by calling 1-800-993-4567. Posters will be shipped in March 2008. The official poster for the 80th Academy Awards is shipping now and may be ordered on the same page as the 80 Best Picture poster. See my post Thursday, 17 January about the posters.

Designed by Alex Swart, the poster features a spiraling gold ribbon containing the one-sheets for all the Best Picture winners, forming the shape of the Oscar statuette. Swart, head of SwartAd, a marketing design agency, designed the official posters of the 73rd and 75th Academy Awards as well as previous editions of the Best Picture poster.

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m., PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

80th Oscar® Nominations Announced

The President of the Academy of Motion Picture Arts and Sciences®, Sid Ganis, assisted by the Oscar-winning actress Kathy Bates (MISERY, 1990), announced the nominations for the 80th Academy Awards® early this morning, 22 January. They made the announcement at a press conference in the auditorium of the Samuel Goldwyn Theatre at the Academy's headquarters on Wilshire Boulevard, Los Angeles, at 5:30 a.m., PT, broadcast live on ABC-TV (list below).

There are, essentially, no surprises to those of us who have watched the 2007 film festivals and the 2008 awards season unfold. There are, however, disappointments, but more about that in future posts.

Academy members selected the nominees in their respective branches, with the exception of the Animated Feature Film and Foreign Language Film categories, in which nominations were selected by vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Ballots were mailed to the 5,829 voting members in late December and were returned directly to PricewaterhouseCoopers, the international accounting firm, for tabulation.

Official screenings of all pictures with one or more nominations will begin this weekend for members at the Academy's Samuel Goldwyn Theater. Screenings also will be held at the Academy's Linwood Dunn Theater in Hollywood and in London, New York and the Bay Area.

The Academy's entire active membership is now eligible to select the winners in all categories, although in five of them — Animated Short Film, Live Action Short Film, Documentary Feature, Documentary Short Subject, and Foreign Language Film — members can vote only after attesting they have seen all of the nominated films in those categories.

. . . . AND THE NOMINEES ARE:

Best motion picture of 2007, feature:
ATONEMENT (Focus Features)
JUNO (Fox Searchlight)
MICHAEL CLAYTON (Warner Bros.)
NO COUNTRY FOR OLD MEN (Miramax and Paramount Vantage)
THERE WILL BE BLOOD (Paramount Vantage and Miramax)

Best live action film of 2007, short:
AT NIGHT (Om natten, Denmark, 37 min) Christian E. Christiansen and Louise Vesth
THE SUBSTITUTE (Il Supplente, Italy), Andrea Jublin
THE MOZART OF PICKPOCKETS (Le Mozart des Pickpockets, France 31 min), Philippe Pollet - Villard
TANGOS ARGENTINIAN (Tanghi argentini, Belgium, 14 min),Guido Thys and Anja Daelemans
THE TONTO WOMAN (USA, based on the short story by Elmore Leonard), Daniel Barber and Matthew Brown

Achievement in directing in 2007:
Julian Schnabel, THE DIVING BELL AND THE BUTTERFLY
Jason Reitman, JUNO
Tony Gilroy, MICHAEL CLAYTON
Joel and Ethan Coen, NO COUNTRY FOR OLD MEN
Paul Thomas Anderson,THERE WILL BE BLOOD

Adapted screenplay 2007, based on material previously produced or published:
Christopher Hampton, ATONEMENT
Sarah Polley, AWAY FROM HER (Lionsgate)
Ronald Harwood, THE DIVING BELL AND THE BUTTERFLY
Joel and Ethan Coen, NO COUNTRY FOR OLD MEN
Paul Thomas Anderson, THERE WILL BE BLOOD

Original screenplay 2007:
Diablo Cody, JUNO
Nancy Oliver, LARS AND THE REAL GIRL (MGM)
Tony Gilroy, MICHAEL CLAYTON
Brad Bird, RATAOUILLE (Walt Disney)
Tamara Jenkins, THE SAVAGES (Fox Searchlight)

Performance by an actor in a leading role in 2007:
George Clooney, MICHAEL CLAYTON
Daniel Day-Lewis,THERE WILL BE BLOOD
Johnny Depp, SWEENEY TODD: The Demon Barber of Fleet Street (DreamWorks and Warner Bros. Distributed by DreamWorks / Paramount))
Tommy Lee Jones, IN THE VALLEY OF ELAH (Warner Independent)
Viggo Mortensen, EASTERN PROMISES (Focus Features)

Performance by an actor in a supporting role in 2007:
Casey Affleck, THE ASSASSINAION OF JESSE JAMES BY THE COWARD ROBERT FORT (Warner Bros.)
Javier Bardem, NO COUNTRY FOR OLD MEN
Philip Seymour Hoffman, CHARLIE WILSON'S WAR (Universal)
Hal Holbrook INTO THE WILD (Paramount Vantage and River Road Entertainment)
Tom Wilkinson, MICHAEL CLAYTON

Performance by an actress in a leading role in 2007:
Cate Blanchett, ELIZABETH: The Golden Age (Universal)
Julie Christie, AWAY FROM HER
Marion Cotillard, LA VIE EN ROSE (Picturehouse)
Laura Linney, THE SAVAGES
Ellen Page, JUNO

Performance by an actress in a supporting role in 2007:
Cate Blanchett, I'M NOT THERE (The Weinstein Company)
Ruby Dee, AMERICAN GANGSTER (Universal)
Saoirse Ronan, ATONEMENT
Amy Ryan, GONE BABY GONE (Miramax)
Tilda Swinton, MICHAEL CLAYTON

Best animated film of 2007, feature:
PERSEPOLIS (France, USA), directed by Marjane Satrapi and Vincent Paronnaud (Sony Pictures Classics)
RATATOUILLE, directed by Brad Bird(Walt Disney)
SURF'S UP, directed by Ash Brannon and Chris Buck (Sony Pictures Releasing)

Best animated film of 2007, short:
I MET THE WALRUS, Josh Raskin
MADAME TUTLI-PUTLI, Chris Lavis and Maciek Szczerbowski
EVEN PIGEONS GO TO HEAVEN, (Même Les Pigeons Vont au Paradis), Samuel Tourneux and Simon Vanesse
MY LOVE (Moya Lyubov, Russia), Alexander Petrov
PETER & THE WOLFE, Suzie Templeton and Hugh Welchman

Best foreign language film of 2007, feature:
BEAUFORT, Israel, directed by Joseph Cedar
THE COUNTERFEITERS (Die Fälscher), Austria, directed by Stefan Ruzowitzky
KATYN, Poland, directed by Andrzej Wajda
MONGOL, Kazakhstan, directed by Sergei Bodrov
12, Russia, directed by Nikita Mikhalkov

Best documentary film of 2007, feature:
NO END IN SIGHT, Charles Ferguson and Audrey Marrs (Magnolia Pictures) (Magnolia Pictures)
OPERATION HOMECOMING: Writing the Wartime Experience, Richard E. Robbins (The Documentary Group)
SICKO, Michael Moore and Meghan O’Hara (Lionsgate / The Weinstein Company)
TAXI TO THE DARK SIDE, Alex Gibney and Eva Orner (THINKFilm)
WAR / DANCE, Andrea Nix Fine and Sean Fine (THINKFilm)

Best documentary short subject of 2007:
FREEHELD, Cynthia Wade and Vanessa Roth
LA CORONA (The Crown), Amanda Micheli and Isabel Vega
SALIM BABA, Tim Sternberg and Francisco Bello
SARI'S MOTHER, James Longley

Achievement in film editing 2007:
Christopher Rouse, THE BOURNE ULTIMATUM
Juliette Welfling, THE DIVING BELL AND THE BUTTERFLY
Jay Cassidy, INTO THE WILD
Roderick Jaynes, NO COUNTRY FOR OLD MEN
Dylan Tichenor, THERE WILL BE BLOOD

Achievement in cinematography 2007:
Roger Deakins, THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD
Seamus McGarvey, ATONEMENT
Janusz Kaminski, THE DIVING BELL AND THE BUTTERFLY
Roger Deakins, NO COUNTRY FOR OLD MEN
Robert Elswit, THERE WILL BE BLOOD

Achievement in costume design, 2007:
Albert Wolsky, ACROSS THE UNIVERSE
Jacqueline Durran, ATONEMENTA
Alexandra Byrne, ELIZABETH: The Golden Age
Marit Allen, LA VIE EN ROSE
Colleen Atwood, SWEENEY TODD

Achievement in makeup, 2007:
Didier Lavergne and Jan Archibald, LA VIE EN ROSE
Rick Baker and Kazuhiro Tsuji, NORBIT
Ve Neill and Martin Samuel, PIRATES OF THE CARIBBEAN: At World’s End

Achievement in art direction, 2007:
AMRICAN GANGSTER, Art Direction: Arthur Max, Set Decoration: Beth A. Rubino;
ATONEMENT, Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer;
THE GOLDEN COMPASS, Art Direction: Dennis Gassner, Set Decoration: Anna Pinnock;
SWEENEY TODD, Art Direction: Dante Ferretti, Set Decoration: Francesca Lo Schiavo;
THERE WILL BE BLOOD, Art Direction: Jack Fisk, Set Decoration: Jim Erickson.

Achievement in sound editing, 2007:
THE BOURNE ULTIMATUM, Karen Baker Landers and Per Hallberg
NO COUNTRY FOR OLD MEN, Skip Lievsay
RATATOUILLE, Randy Thom and Michael Silvers
THERE WILL BE BLOOD, Matthew Wood
TRANSFORMERS, Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing, 2007:
THE BOURNE ULTIMATUM, Scott Millan, David Parker and Kirk Francis
NO COUNTRY FOR OLD MEN, Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
RATATOUILLE, Randy Thom, Michael Semanick and Doc Kane
3:10 TO YUMA, Paul Massey, David Giammarco and Jim Stuebe
TRANSFORMERS, Kevin O’Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects, 2007:
THE GOLDEN COMPAS, Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
PIRATES OF THE CARIBBEAN: At World’s End, John Knoll, Hal Hickel, Charles Gibson and John Frazier
TRANSFORMERS, Scott Farrar, Scott Benza, Russell Earl and John Frazier

Achievement in music written for motion pictures (Original score) 2007:
ATONEMENT, Dario Marianelli
THE KITE RUNNER, Alberto Iglesias
MICHAEL CLAYTON, James Newton Howard
RATATOUILLE, Michael Giacchino
3:10 TO YUMA, Marco Beltrami

Achievement in music written for motion pictures (Original song) 2007:
ONCE, "Falling Slowly,” Music and Lyric by Glen Hansard and Marketa Irglova
ENCHANTED, “Happy Working Song,” Music by Alan Menken
Lyric by Stephen Schwartz
AUGUST RUSH, “Raise It Up,” Nominees to be determined
ENCHANTED, “So Close,” Music by Alan Menken and Lyric by Stephen Schwartz
ENCHANTED, “That’s How You Know,” Music by Alan Menken and Lyric by Stephen Schwartz
_______

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

That's the hope at this point, but all eyes are on the possible settlement of the writer's strike!

LINKS RELEVANT:

There is a permanent link to this list on right sidebar of this blog. Links and other information will be added as made available, or find it here. There is a permanent link to AMPAS on right sidebar, or click title of this post.
Companion site for Oscars 2008
IMDb's ROAD TO THE OSCARS