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Showing posts with label competition. Show all posts
Showing posts with label competition. Show all posts

Sunday, August 23, 2009

San Sebastián IFF Sets Competition




The 57th San Sebastián International Film Festival (SIFF) film competition for the Golden Shell will open 18 September with Canadian director Atom Egoyan's CHLOE, starring Liam Neeson, Julianne Moore and Amanda Seyfried. This is first time Egoyan will have a film in competition at the SSIFF.

Columbian born writer and director Rodrigo García, son of Colombian writer Gabriel Garcia Márquez, will close the Festival with his North American film MOTHER and CHILD, starring Naomi Watts, Annette Bening and Samuel L. Jackson. One of Garcia's best known films is NINE LIVES, 2005, and he has extensive credits in television.

American Aaron Schneider, Academy Award winner for Best Short Film, TWO SOLDIERS, 2003, will bring his directorial feature debut, GET LOW, which stars the Donostia Award recipient Robert Duvall, alongside Bill Murray and Sissy Spacek. GET LOW will also compete for the Kutxa-New Directors Award along with 17 others.

From Turkey comes the winner of the SSIFF's Zabaltegi-New Directors in 2005.Turkish director Pelin Esmer, who won with her directorial feature debut OYUN (The Play), will compete for the first time in the Official Selection with 10 to 11 (11’e 10 kala), a co-production between Turkey, France and Germany.

Three of France’s most prestigious directors will enter the competition. Bruno Dumont, having bagged the Cannes Grand Jury Prize twice with L’Humanité (1999) and FLANDERS (2006), will bring HADEWIJCH. François Ozon will present REFUGE (Le refuge). Christophe Honoré returns to the Official Selection for the second consecutive year with MAKING PLANS FOR LENA, starring Chiara Mastroianni, Marie-Christine Barrault and Jean-Marc Barr.

German cinema will be represented by Matthias Glasner with THIS IS LOVE. From Argentina, Juan José Campanella adds THE SECRET OF YOUR EYES (El secreto de sus ojos).

Three Spanish films will participate in the competitive Official Selection: THE DAMNED (Los condenados), THE WOMAN WITHOUT A PIANO (La mujer sin piano), and ME, TOO (Yo, también). In additioin, Fernando Trueba will present THE DANCER AND THE THIEF (El baile de la Victoria) out of competition.

From Iran there is THE WHITE MEADOWS (Keshtzarhaye sepid) by Mohammad Rasoulof. Asia will be represented by South Korean Jeon Soo-il's I CAME FROM BUSAN, and Chinese director Lu Chuan's THE CITY OF LIFE AND DEATH. Lu Chuan is also known as Chuan Lu.

Zabaltegi-Pearls, the showcase for movies feted at the big international festivals but not yet released in Spain, with open with Quentin Tarantino's INGLOURIOUS BASTERDS (Tarantino's spelling). This film, winner of the Best Actor Award for Christoph Waltz at Cannes, will be screened on the first day of the 57th edition on Friday, 18 September.

Also in this showcase are new films by Woody Allen (WHATEVER WORKS), Ang Lee (TAKING WOODSTOCK), Jim Jarmusch (THE LIMITS OF CONTROL, filmed in Madrid), Bahman Ghobadi (NO ONE KNOWS ABOUT PERSIAN CATS), Bong Joon-ho (MOTHER) and Johnnie To (VENGEANCE).

PRECIOUS, the big hit at Sundance Festival, winner of the Special Jury Prize, Best Actress for Mo’Nique and Audience Award, will also be screened in Zabaltegi-Pearls. This movie, initially presented at Sundance and Cannes with the title of PUSH, directed by Lee Daniels, is based on the novel by Sapphire.

Overall, 18 films will compete in competition (Official Selection), 13 Latin American films will compete for the Horizons Award, 17 in the Kutxa-New Directors, plus other sections, and more are yet to be announced. See previous posts for previously announced events, etc. Click title of this post to go to Web site for much more info.



Monday, March 23, 2009

Academy's Nicholl Screenwriting Competition Opens



The Academy of Motion Picture Arts and Sciences (AMPAS®) is now accepting entries for the 2009 Don and Gee Nicholl Fellowships in Screenwriting competition. As many as five $30,000 fellowships will be awarded through the program later this year.

Application forms may be downloaded from the Academy’s Web site and mailed with the other required materials, or they may be completed and submitted online. Rules and details are available at www.oscars.org/nicholl, or click title of this post.

The Nicholl Fellowships competition is open to any individual who has not earned more than $5,000 from the sale or option of a screenplay or teleplay, or received a fellowship or prize of more than $5,000 that includes a “first look” clause, an option, or any other quid pro quo involving the writer’s work. To enter, writers must submit a completed application form, one copy of their original screenplay in English, and an entry fee of $30. Entries must be postmarked, or submitted online, no later than the first of May 2009, or 30 April to be safe.

Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during the fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

Last year’s competition drew more than 5,000 entries. Since the program’s inception in 1985, 108 fellowships have been awarded.

The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events.

In addition, the Academy provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.