Academy Foundation November Calendar

The Academy of Motion Picture Arts and Sciences Foundation® Calendar of Events for November (and part of December) is now online. Let's face it, the Academy is now in the business of exhibition, but the programs are unique, and their prices can't be beat. Most screenings are $5.00, and some special events are free. It doesn't get better than that.

For November they have a special reunion event and screening for ET's 25th anniversary. Some cast members will attend. His honor, director Steven Spielberg may, too. This year is also the 30th anniversary of SATURDAY NIGHT FEVER. No. Say it isn't so. Well, it is, and there is a special screening for it, too.

Events usually take place at one of four Academy locations: The Linwood Dunn Theater, Samuel Goldwyn Theater, Academy's Grand Lobby Gallery, or Academy Theater at Lighthouse International. The first three are in Los Angeles, and the last one in New York. All the information, plus exact locations, contact phone numbers, and methods for ordering tickets in advance are in the calendar.

So, go! There is much, much, more than mentioned here. Click the link in the title to this post and you shall fly there without having to peddle a bicycle past the moon, or shake your booty on a dance floor.

Animated Feature Deadline 1 November

The deadline to submit entry forms and supporting materials to the Academy of Motion Picture Arts and Sciences®, Wilshire Boulevard, Beverly Hills, is Thursday, 1 November, in order to qualify in the 2007 Animated Feature Movie category for the 80th Academy Awards®, 24 February 2008. The deadline to submit accompanying film prints is Friday, 16 November. Complete 80th Academy Award rules.

Watch my Awards Page for the Annie Awards given by the International Animated Film Society (ASIFA - Hollywood) this coming February. They almost always honor the winning animated movie just prior to the Academy Awards. However, they missed last year. They picked CARS, as did I, but the dancing penguins took the Oscar®.

Here are two current animated standout features:

France has submitted its official entry, Marjane Satrapi and Vincent Paronnaud’s PERSEPOLIS (France, 2007), featuring the voice talents of Catherine Deneuve, Chiara Mastroianni, among others. It won a Jury Prize at the 2007 Cannes Film Festival, plus some other festival awards. It is a coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution. Languages spoken are: French, English, Persian, German.

The favorite could be Dreamworks' animated BEE MOVIE (2007, USA) the brainchild of Jerry Seinfeld, one of the producers and writers, and featuring the voice talents of Hollywood hometown favorites: Jerry Seinfeld, Renée Zellweger, Matthew Broderick, John Goodman, Chris Rock, Kathy Bates, Larry King, Ray Liotta, Sting, Oprah Winfrey, Megan Mullally, etc., etc., etc. BEE MOVIE opens 2 November.

Then, there are some more heavyweights such as: BEOWULF, ENCHANTED, RATATOUILLE, and two long shots MEET THE ROBINSONS, and SURF'S UP. It will be interesting to see which of these possibilities make the short list for nomination.

HAPPY HALLOWEEN!

Foreign Language Movies Submitted for Oscar®

A record 63 countries*, including new entrants Azerbaijan and Ireland, submitted films for consideration in the Foreign Language Film category for the 80th Academy Awards®, Academy President Sid Ganis announced 17 October 2007. In June, the Academy sent submission information inviting 93 countries to submit motion pictures.

The 2007 submissions, with directors, are:

Argentina, XXY, Lucia Puenzo;
Australia, THE HOUSE SONG STORIES, Tony Ayres;
Austria, THE COUNTERFIETERS, Stefan Ruzowitzky;
Azerbaijan, CAUCASIA, Farid Gumbatov;
Bangladesh, ON THE WINGS OF DREAMS Golam Rabbany Biplob;
Belgium, BEN X, Nic Balthazar;
Bosnia and Herzegovina, IT'S HARD TO BE NICE Srdan Vuletic;
Brazil, THE YEAR MY PARENTS WENT ON VACATION, Cao Hamburger;
Bulgaria, WARDEN OF THE DEAD, Ilian Simeonov;
Canada, DAYS OF DARKNESS, Denys Arcand;
Chile, PADRE NUESTRO, Rodrigo Sepulveda;
China, THE KNOT, Yin Li;
Colombia, SANTANAS, Andi Baizr;
Croatia, ARMIN, Ognjen Svilicic;
Cuba, THE SILLY AGE, Pavel Giroud;
Czech Republic, I SERVED THE KING OF ENGLAND, Jiri Menzel;
Denmark, THE ART OF CRYING, Peter Schonau Fog;
Egypt, IN THE HELIOPOLIS FLAT, Mohamed Khan;
Estonia, THE CLASS, Ilmar Raag;
Finland, A MAN'S JOB, Aleksi Salmenpera;
France, PERSEPOLIS, Marjane Satrapi, Vincent Paronnaud;
Georgia, THE RUSSIAN TRIANGLE, Aleko Tsabadze;
Germany, THE EDGE OF HEAVEN, Fatih Akin;
Greece, EDUART, Angeliki Antoniou;
Hong Kong, EXILED, Johnnie To;
Hungary, TAXIDERMIA, Gyorgy Palfi;
Iceland, JAR CITY, Baltasar Kormakur;
India, EKLAVYA -- THE ROYAL GUARD, Vidhu Vinod Chopra;
Indonesia, DENIAS, SINGING ON THE CLOUD, John De Rantau;
Iran, M FOR MOTHER, Rasoul Mollagholipour;
Iraq, JANI GAL, Jamil Rostami;
Ireland, KINGS, Tom Collins;
Israel, BEAUFORT, Joseph Cedar;
Italy, THE UNKNOWN, Giuseppe Tornatore;
Japan, I JUST DIDN'T DO IT, Masayuki Suo;
Kazakhstan, MONGOL, Sergei Bodrov;
Korea, SECRET SUNSHINE, Chang-dong Lee;
Lebanon, CARAMEL, Nadine Labaki;
Luxembourg, LITTLE SECRETS, Pol Cruchten;
Macedonia, SHADOWS, Milcho Manchevski;
Mexico, SILENT LIGHT, Carlos Reygadas;
The Netherlands, DUSKA, Jos Stelling;
Norway, GONE WITH THE WOMAN, Petter Naess;
Peru, CROSSING THE SHADOW, Augusto Tamayo;
Philippines, DONSOL, Adolfo Alix, Jr.;
Poland, KATYN, Andrzej Wajda;
Portugal, BELLE TOUJOURS, Manoel de Oliveira;
Puerto Rico, LOVE SICKNESS, Carlitos Ruiz, Mariem Perez;
Romania, 4 MONTHS, 3 WEEKS, AND 2 DAYS, Cristian Mungiu;
Russia, 12, Nikita Mikhalkov;
Serbia, THE TRAP, Srdan Golubovic;
Singapore, 881, Royston Tan;
Slovakia, RETURN OF THE STORKS, Martin Repka;
Slovenia, SHORT CIRCUITS, Janez Lapajne;
Spain, THE ORPHANAGE, J.A. (Juan Antonio) Bayona;
Sweden, YOU, THE LIVING, Roy Andersson;
Switzerland, Late bloomers, Bettina Oberli;
Taiwan, ISLAND ETUDE, Chen Huai-En;
Thailand, KING OF FIRE, Chatrichalerm Yukol;
Turkey, A MAN'S FEAR OF GOD, Ozer Kiziltan;
Uruguay, THE POPE'S TOLET, Enrique Fernandez, & Cesar Charlone;
Venezuela, POSTCARDS FROM LENINGRAD, Mariana Rondon;
Vietnam, THE WHITE SILK DRESS, Luu Huynh.

*Last year, 2006, 62 countries submitted motion pictures. Findland's was withdrawn after the list was announced.

For your convenience, you will find a link on the right sidebar of this blog to this list, "Foreign Films Submitted for 80th AAs," and it will remain there, with updates, for the next year. You will find addtional information by clicking "Mimi's Film Festival Page," link. After opening, use your Browser's "edit, find" feature on the top menu bar to quickly find the movie, or country in which you are interested.

Nominations for the 80th Academy Awards will be announced on Tuesday, 22 January 2008, at 5:30 a.m. PT (8:30 a.m. ET) in the Academy’s Samuel Goldwyn Theater, Beverly Hills.

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. Jon Stewart will host.

Oscar® Short Docs Nomination Shortlist

The Academy of Motion Picture Arts and Sciences® announced last Thursday that the Documentary Short Subject entries for the 80th Academy Awards® has now narrowed to eight films. Three to five on this list will earn Oscar® nominations for the 2008 Academy Award.

Voters from the Academy’s Documentary Branch viewed this year’s 23 eligible contenders and submitted their ballots to PricewaterhouseCoopers.

The eight lucky films are listed below in alphabetical order:

BODY & SOUL: DIANA & KATHY
OCHBERG'S ORPHANS
FREEHELD
IF IT HAPPENS
LA CORONA (The Crown)
OCHBERG'S ORPHANS
PORTRAITS OF A LADY
SALIM BABA
SARI'S MOTHER

Here is more information about some of the above docs for which I could find viable links:

FREEHELD (2007, UK), directed by Cynthia Wade, and has won 7 awards so far. The full title is, FREEHELD: THE LAUREL HESTER STORY.

OCHBERG'S ORPHANS (2007, 39 min, UK), directed by Jon Blair. Not to be confused with the feature documentary of the same name, directed by Kim Hogg. UPDATE 10/20: I received a comment (see below) from the writer / director, Jon Blair, informing me that the other short I referenced, directed by Kim Hogg and produced by Rainmaker Films, was an unrealized project. Thank you, sir! I'm posting this in case anyone else might be as confused as I was. See my comment.

SALIM BABA (2006, 14 min, India / USA, in Bengali with English subtitles), directed by Tim Sternberg. Made its debut at the Tribeca Film Festival this past April.

SARI'S MOTHER (2006, 21 min, Iraq / USA). directed by James Longley. Excised from last years Academy Award-nominated film IRAQ IN FRAGMENTS, this doc headlines a collection of short films from Iraq. The title film documents the plight of a mother of a 10-year-old boy with HIV as she navigates the Iraqi health care system, fragmented by the American invasion, in an attempt to find treatment for her son. It won the Golden Gate Award at the San Francisco Film Festival this past May, but was first shown at the 2006 Toronto Film Festival. Available now on DVD.

The 80th Academy Awards nominations will be announced on Tuesday, 22 January 2008, at 5:30 a.m. PT, in the Academy’s Samuel Goldwyn Theater. The awards gala is 24 February.

THE KITE RUNNER at Mill Valley Festival

THE KITE RUNNER (directed by Marc Forster), screened last night as scheduled before a sold-out house at the Mill Valley Film Festival near San Francisco, CA, despite the controversy about the movie's rape scene. The crowd on closing night was so large the Festival had to add another screening. Khaled Hosseini, who wrote the novel, and screenwriter David Benioff attended.

Hosseini is a Bay Area resident, and the MVFF is only the third film festival in North America to screen the film, following showings at the Toronto International Film Festival and the Nashville Film Festival. San Francisco's ABC, KGO 7 broadcast an excellent story about the movie. WATCH THE VIDEO . Also, see the recent post (Monday, 8 October) on this blog for more information about what is already one of the most talked about movies of 2007.

Proposed Rule Change for Foreign Movies

I wish to make a proposal to change the names of the Best Motion Picture and the Best Foreign Language Film (BFLF) categories effective for the 2009 81st Academy Awards®. A change is long overdue. Read on to see why it may make some sense.

In June, the Academy of Motion Picture Arts and Sciences® (AMPAS®) mailed rules and entry forms to 95 Countries inviting them to submit a feature motion picture for the Best Foreign Language Film of 2007 Oscar® category. The 80th Academy Awards will be this coming February.

The rules for the Best Foreign Language Film (BFLF) this year are contained in Rule 14. The old language rule for the BFLF read that the film must be in the official language of the submitting country. Last year, the Academy designated that, "A foreign language film is defined as a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track." The members made no changes in this rule for 2007. See link on right sidebar under Archives for July 2006 for more on the rule changes last year.

Apparently, the two-phase committee screening process instituted last year is still in place, since the previous nominating process has not been rescinded. Five motion pictures will be nominated from the committee(s). The final voting for the BFLF Award still will be restricted to active and life Academy members who have attended Academy screenings, or other exhibitions, and have been certified as to having seen all five motion pictures nominated for the award.

It is the producer of a motion picture who accepts the golden statuette for a Best Motion Picture at the Academy. However, in most countries, it is the director who accepts awards for Best Picture (Film). Therefore, in regards to the BFLF, the Academy this year determined that, "The Academy statuette (Oscar®) will be awarded to the picture and accepted by the director on behalf of the film's creative talents." Finally!

Someone took issue about my statement that Géraldine Chaplin might be nominated for her role as Aurora in THE ORPHANAGE (the official selection from Spain submitted for the BFLF category), which I wrote in a previous post. I wish to point out that the Academy rule is specific. The rule states, "Films submitted for BFLF Award consideration may also qualify for the 80th Annual Academy Awards in other categories, provided they meet the requirements of the special rules governing those categories." In this case, any special rules governing the acting categories.

Actually, Rule One, Paragraph 3, states that, "Awards of Merit in the form of gold statuette trophies of the Academy (Oscar®) shall be conferred annually for the following achievements: . . . " and the major awards are outlined.

Rule Two, Paragraph 8, states, "Motion pictures from all countries shall be eligible for the annual awards listed in Rule One [sic] Paragraph 3, as long as they satisfy the requirements of the other applicable rules, and contain English subtitles if released in a foreign language."

In other words, the spoken language in the movie is not a problem in any category other than the BFLF, yet the Academy specifically requires that motion pictures from other countries adhere to the non-English rule. Clint Eastwood's movie LETTERS FROM IWO JIMA, filmed in Japanese, was nominated with the American movies for Best Motion Picture of 2006, under the current rules. Mel Gibson made a movie in a language other than English, too, APOCALYPTO, 2006. Both were domestically produced, but they are non-English movies. BABEL, Best Motion Picture of 2006 is a multi-language movie. Spoken English is only a small portion of the dialogue.

One of the hottest movies this year will be THE KITE RUNNER, directed by Marc Forster (FINDING NEVERLAND, 2002), whom I've been told chose to film KITE RUNNER (USA) in English, Dari, Pashtu, Urdu and Russian, much like last year's Oscar winner BABEL At any rate, there will be more multi-language movies made by American companies and foreign countries in coming years.

Besides spoken words, motion pictures have visual, rythmic, technical languages that are far more important than the ethnic dialogue attached to them. I have a proposal for a change in the rules for Best Motion Picture, and Best Foreign Language Film categories - - both categories need renaming. Either remove the word "Language" from the BFLF category, or the two categories should read: Best Motion Picture in English and Best Motion Picture in a Language other than English.

My questions are, "If American directors can make movies in any language and submit their movie to the Academy, why are directors outside America required to use a language other than English? Why can't a Japanese director make a movie solely in English for his country to submit as their official representative foreign motion picture for the Oscars, if an American director can make a motion picture solely in Japanese and it is eligible for an Oscar, no language restrictions applied?"

The answer is: Because of the way the current rules are written and the categories are named. By insisting upon a language qualifier, the Academy keeps the foreign producers and directors at a disadvantage at the U.S. box office. The rules as written are now discriminatory, but I certainly advocate including foreign motion pictures at the Oscars.

Also, why is the top category "Best Motion Picture" while the foreign category is "Best Foreign Language Film?" Both are feature-length movies made through the same process and qualify within the same length restrictions. Therefore, I suggest the categories be designated as: Best (Domestic, American, U.S, etc.) Motion Picture of 20_ _, and Best Foreign Motion Picture of 20_ _.

At the very least, the designation should be motion picture, and not film for the foreign category. It has become customary to use film with the other categories along with their other qualifiers (feature, short, live, documentary, animated, etc.), but they are all motion pictures.

I once had a film professor at Southern Cal (USC) who clarified it this way, "A motion picture is a filmed or taped series of pictures that move, which is viewed by some mechanical or electronic means." On the other hand, "Film is one material (tape or film) and/or process that allows the motion picture to be made and viewed." I like those definitions.

Of course, all of this will be a mute point in less than ten years when everything will be digital, and new students will ask, "Tape? Film? What are those?"

However, a motion picuture will still be a series of pictures that move, but the new definition is likely to include holographic pictures that move. It is even possible within that same ten years the Academy will be obliged to adopt a new name for this century such as, American Academy of Cinematic Arts and Sciences. Think about it!

I suggest these changes because I believe they are needed due to this quickly evolving electronic and cultural age in which we live. I hope the Board of Governors will give these suggestions serious consideration.

KITE RUNNER Opening Delayed Due to Rape Scene

Ahmad Khan Mahmoodzada (Hassan, a Hazara servant's son, L) and Zekiria Ebrahimi (Amir, the Pashtun protagonist, R) portray lifelong
friends from rival Afghan ethnic groups in THE KITE RUNNER.

Yesterday, The New York Times reported that the U.S. opening of the movie THE KITE RUNNER, scheduled for the 2nd of November, will be postponed because of safety concerns for the three Afghan boys who star in the movie, as well as their families. One source said the movie's release would be delayed until 14 December, another reported no new opening date has been determined.

The controversy stems from a scene where Amir's friend Hassan is raped by a Parshtun bully. The scene is filmed impressionistically, not realistically, but even the suggestion of such an act in the Muslim culture has generated outcries and threats.

THE KITE RUNNER is based on the 2003 novel of the same title by Khaled Hosseini, an award-winning book that was at, or near, the top of the New York Times best-seller list for almost three years. Marc Forster (FINDING NEVERLAND, 2002) directed the film version, which he chose to film in English, Dari, Pashtu, Urdu, and Russian.

Author Hosseini is Afghani, and his novel covers three decades (1970 - 2000) of Afghan strife, from before the Soviet invasion through the rise of the Taliban. There has also been continuing strife between the Poshtun wealthy Sunni ruling class and the poorer Shi'ite serving class, the Hazara.

The protagonist is Amir, a wealthy Pashtun boy. The part of Amir as a boy is played in the movie by Zekiria Ebrahimi, and as a young man by Khalid Abdalla, who played the pilot / hijacker Ziad Jarrah in UNITED 93 (2006).

Amir's mother died giving birth. He was raised by his wealthy Pashtun father, whom he calls Baba, and his father's Hazara servant, Ali, who has a son, Hassan (Ahmad Khan Mahmoodzada), one year younger than Amir. Hassan's mother left his father when Hassan was a baby.

Life is good for Amir, except for a Pashtun Hitler-admiring bully, who later joins the Taliban. One evening, the bully rapes Hassan while Amir hides, doing nothing and saying nothing even after the incident. Because of Hassan's shame and Amir's guilt, the bond between Amir and Hassan is irreconcilably broken, leading to the distruction of the friendship between their two fathers.

When the Soviets invade Afghanistan, Amir and Baba are forced to escape, eventually finding asylum in the U.S. The story is told in three sections: Amir and Baba in Afghanistan prior to the Soviet invasion, their lives in America where Amir falls in love, and Amir's return to Afghanistan where he finds an unexpected gift.

Anyone who watches the evening news, or follows the news on the web, has little doubt that there is rising lawlessness in Afghanistan and especially in its capital, Kabul. Plus, the young actors in the movie and their relatives are now accusing the filmmakers of mistreatment and paying the boys much less than American actors would have been paid. As a result, the producers of the film, executives at the distributor Paramount Vantage, and even aide workers, have become more concerned about the safety of those in Afghanistan who are involved with the film project.

Apparently, this past Sunday steps were taken in the United Arab Emirates to begin the process of getting the boys and their families out of Afghanistan. A Middle East specialist at the consulting firm Kissinger McLarty Associates has been hired to arrange visas, housing and schooling for the young actors and jobs for their guardians. Bringing them to the United States is not an option because Afghans, like the majority of Iraqis, do not qualify for refugee status.

For much more information, note about the harassment of a young boy in the Indian movie KABUL EXPRESS, and to watch THE KITE RUNNER trailer, see the entire article (click title of this post, a link, or here).

Spain Sends THE ORPHANAGE to Fetch BFLF Oscar®

It's official. THE ORPHANAGE (EL Orfanato, Spain, 2007) directed by J. A. (Juan Antonio) Bayona and produced by Guillermo del Toro (PAN'S LABYRINTH), will represent Spain in the contest for Best Foreign Language Film Oscar®. That's a movie in languages other than English, and countries may submit only one film in the BFLF category.

ORPHANAGE bypassed the top film festival in Spain, San Sebastián, for the Film Festival of Catalonia at Sitges, a festival for fantasy and the fantastic. It will have its Spain premiere in Sitges at the opening gala 4 October.

Meanwhile, the Picturehouse release is making its U.S. premiere at the New York Film Festival as I write this, and is in competition. The movie stars Belén Rueda (Laura), Fernando Cayo (Carlos) and Geraldine Chaplin (Aurora), and it is the last name on the list that is very interesting, I think.

You see, one of the reasons the movie may have bypassed San Sebastián could be because that festival was pulling out all the stops to honor Carlos Saura for 50 years of filmmaking. They honored him with a Golden Shell. Before Saura, only Spanish filmmaker Luis Buñuel, "the master," received one in 1981. Buñuel died in 1983.

If you don't know, Saura and Chaplin had a close relationship for many years in which she collaborated on the writing of the scripts, helped finance some of his projects, starred in a number of his movies and gave him his third son, Sean Saura Chaplin. Carlos was married with two sons. She was not. They never married, but were together shortly after she starred in DOCTOR ZHIVAGO (1965) until the filming of her last movie with Saura, MAMA TURNS 100 (1979). There's much more, but you must wait for my book.

FADOS ("a musical documentary," from Portugal/Spain) is Saura's latest. The movie's Spanish premiere was at San Sebastián 21 September. It was a gala event where Saura received the Golden Shell from former Festival director and movie critic Diego Galán. Not only that, there was a live production of fado singers with flamenco dancers.

FADOS will have its U.S. premiere at the New York Film Festival in NYC, screening as a special event on 13 October. No word as yet if the fado singers will perform. The world premiere was at Toronto, the Spain one at San Sebastián, and the Canadian one at Vancouver. ORPHANAGE didn't appear at any of those.

Here, the plot thickens. FADOS is a Portuguese/Spanish production and Portuguese is spoken. So, I can hardly wait to find out if Portugal is submitting FADOS to AMPAS® as their official submission.

Geraldine Chaplin on the set of EL ORFANATO, 2007
The story of ORPHANAGE is that Laura (Rueda) returns with her family to the orphanage in which she grew up with the intention of opening a residence for children with disabilities. The new environment wakes up her son's imagination, and he begins to take on more and more intense games of fantasy.

As the games intensify, Laura becomes increasingly disturbed until she reaches the point where she thinks there is something in the house that is threatening her and her family. The escalation of events lead her to take her son for psychological help.


Scandinavian actor Per Oscarsson and Géraldine Chaplin in LA MADRIGUERS (The Burrow, 1969)
Have you seen Saura's movie LA MADRIGUERS, 1969? Take your pick of English titles: Honeycomb, The Burrow, The Den. If you have seen this movie, the above synopsis should prick your ears, because there is definitely a psychological similarity between the synopses of the two movies. At any rate, from what I am hearing, Geraldine may receive an Oscar nomination for her performance in this movie, and the movie stands a good chance, too.

Will someone please go see these movies in New York and send me a report? I Will appreciate it. If you have a fast Internet connection, you can catch the trailer here.

First BFLF Oscar® Deadline Monday

Deadline for the Academy of Motion Pictures Arts and Sciences® to receive entries in Foreign Language Film, Live Action Short Film, and Animated Short Film for Oscar® consideration in the race for the 80th Academy Awards® is 5:00 p.m., Monday, 1 October.

In the short film categories, filmmakers must submit an entry form, one film print or copy in an approved digital format, and all other required materials by the deadline. In the Foreign Language Film category, filmmakers must submit entry forms, one English-subtitled film print and all other required materials by the deadline. Only one motion picture will be accepted from each country.

This past June, the Academy of Motion Picture Arts and Sciences mailed Foreign Language Film award entry forms to 95 countries, facilitating their submissions for the 80th Academy Awards. Read the complete, and newly revised rules.

The 2006 Best Foreign Language Film was THE LIVES OF OTHERS (Das Leben der Anderen), Germany, written and directed by Florian Henckel von Donnersmarck. The German spy drama, based on records from the now defunct East German (GDR/DDR) secret police, Stasi, is currently in preproduction as an English-language movie by former Miramax Films chiefs Bob and Harvey Weinstein, and filmmakers Sydney Pollack and Anthony Minghella. It is tentatively set to be released in 2010.

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. Click the schedule for the 80th Academy Awards on the right sidebar.

My Film Festival Page News

Counted today and found there is information and links for 34 film festivals so far this year on my Film Festival Page, including some that are difficult to find information about such as the Festival of New Latin American Cinema held each December in Havana, Cuba. Ten are upcoming, or going on now, with the rest already completed this year. Altogether, there's a wealth of info. Here is the list of the 34:

AFIFEST, Berlin, Boston, Times BFI London, Canadian Hot Docs, Cannes, Deauville, Edinburgh, Guadalajara, Huelva, Havana, Jackson Hole, Los Angeles Independents, Memphis, Miami, Montreal, New York, Palm Sprngs, Puerto Valarta, River Run, Rome, San Diego, San Sebatian, San Francisco, Santa Barbara, Sarajevo, Sitges, Sundance, SXSW, Telluride, Toronto, Tribeca, Vancouver, and Venice.

This weekend, I installed quick links to help you find the festivals in which you are interested. Just find the name of the festival you want, click, and you are there. Click the title of this post, which will take you to my Film Festival Page, and near the top you will find the links for the festivals going on now, or upcoming through December, including the one in Havana. There is a separate set of links for those already completed. Remember, there is always a link to my Film Festival Page on the right sidebar of this blog as well.

George Clooney and Jerry Weintraub at a recent Boston Film Festival gala.

Want to know what Sally Field Said at EMMYs?

Would you like to know what was deleted from Sally Field's acceptance speech at the Emmys®? Do you know what Al Gore has won an Emmy and two Oscars® for this year (different projects)? You will find answers to these questions on my 2008 Award's Page.

Want to find out some more happenings in "Hollywood North" at the Toronto International Film Festival? How about what is, and will be, happening at the Film Festival in San Sebastián, Spain, and many others?

You need to access my Film Festival and Award Pages. The Emmy Awards for Prime Time were presented last night (15 September), and I have posted on my Award's Page, incorporating some information from the Creative Emmy Awards presented 8 September. There are extra tidbits as well.

So far this year, I have written about 25 international film festivals since the first of January on my Film Festival Page. I am currently following one recently closed (Toronto), one currently going (Boston), and five upcoming (San Sebastián, Vancouver, New York (NYC), Sitges (Spain), BFI-London). All have links to the Official Web sites, plus other links of interest. More upcoming festivals will be added the last of this month.

Once the last major film festival ends for this year, usually in late November, the awards season, in anticipation of the ultimate awards the last of February, kicks off. Those ultimate awards for movies are the Academy Awards® to be presented Sunday, 24 February 2008. There are links to both my Film Festival and Award pages on the right sidebar of this blog. Come visit.

Win Red Carpet Seats For Oscars®

You could win red carpet seats for the 80th Oscars® this coming February. Beginning Monday, 17 September at noon PST, and continuing for only one week, fans may apply online to win seats on America’s most celebrated red carpet – the Academy Awards® red carpet.

There are 300 seats available along the 500-foot-long carpet that leads into the Kodak Theatre at the Hollywood & Highland Center®. In previous years, as many as 25,000 fans have applied online for the limited bleacher seats.

Applicants may register up to four persons; however, only one form will be accepted per person or group. Only those individuals who have been pre-approved by the Academy will have access to the bleachers. Those who wait overnight to attempt admittance will not be granted entry, and the Academy will NOT be responsible for securing travel and/or hotel accommodations for winners.

The lucky winners will get to watch and cheer the Oscar® nominees, presenters, and other ceremony guests as they arrive at the 80th Academy Awards on Sunday, 24 February, and following the red carpet arrivals, the winners will be invited to watch the Academy Awards telecast at a nearby location.

Click for the application form. The online-only application process will close at noon PST, Monday, 24 September.

To be eligible for the random lottery, an individual must complete the application form in its entirety. Applications may only be submitted online. No other method of delivery will be accepted.

Those whose names are selected in the random drawing will be notified in early October. They will then be required to submit additional information for security purposes prior to final approval. Eligible attendees will receive a confirmation letter in early December with information pertinent to the event.

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network.

My Film Festiva Page News

Wes Anderson’s new film, THE DARJEELING LIMITED, featuring Owen Wilson, Adrien Brody, Jason Schwartzman, and Anjelica Huston. (Fox Searchlight)

Winners at the Sarajevo and Edinburgh Film Festivals were posted today on my Film Festival Page as the fall film festival season is underway. My MIMI'S FILM FESTIVAL PAGE is currently reporting on happenings at the Edinburgh (England) and Sarajevo (Bosnia) festivals as well as the following: Montreal (Canada), Venice (Italy), Telluride (Colorado, USA), Toronto (Canada), San Sebastián (Spain), Vancouver (B.C.), New York (NYC, USA), Catalonian (Sitges, Spain), and the Times BFI London (UK) festivals. Others will be added as information becomes available.

The page is designed as a "quick stop" for viewers/readers to catch the highlights, and access the official sites immediately through quick links. Updates are sporadic, because they are made whenever information is received from various sources.

So, go visit and bookmark/favor the page for convenient frequent checking.

Three Movie Trilogies For Summer's Dog Days

The Dog Days of Summer have been with us for a couple of weeks, and the forecast does not predict any relief in sight for the rest of August, with temps well above 95 degrees F, mostly above 100, and heat indices of 105 or higher. So, if you are living through the dog days where you are, now is the time to consider renting some movies you may not have previously considered.

Nothing like turning off the telephone, sending everything to your mailbox, kicking back with a tall cool drink, a snack, and watching a movie all by yourself, or with a significant other, without the distractions in the average movie theater. The experience of watching a movie which does not follow the formula of the usual Hollywood concocted pablum - - most now written with pre-programmed computer programs and filled with computer-generated images (CGI) - - provides new stimulation for one's mind and emotions.

The movies I recommend here are definitely not computer generated pablum. Warning: Attention, brain power and reading (subtitles) are required, unless you understand French, Polish, Spanish, Hindi! The movies all have simple one-word titles, but there is nothing simple about any of them, cinematically or thematically.

FIRST TRILOGY

There was a Polish filmmaker, most call him a cinematic genius, who made a a movie trilogy in French and Polish, which he titled THREE COLORS (Trois Coleurs). He had made other films before discovering that he had congenital heart failure, and died shortly after he finished the third film in the trilogy. I am referring to the late Krysztof Kieslowski, and the award-winning movies in the three colors trilogy are, in the order they were made and in the order they should be viewed: BLUE (Bleu, 1993), WHITE (Blanc, 1994), and RED (Rouge, 1994).

The colors represent the tricolors in the French flag, left to right as it flies: Blue, White and Red. And, everyone should know that the French chose those colors after their revolution to express their ties and appreciation to America. They simply reversed the Red, White and Blue. The national motto of France is: Liberty, Equality, Fraternity (Liberté , Egalité, Fraternité). The last, fraternity, refers to brotherhood, not a keg party.

BLUE (1993)
Trois Couleurs: Bleu

In the first installment of Kieslowski's three colors trilogy BLUE represents liberty in the French national motto and is the first color of the French flag. A young Frenchwoman Julie Vignon (Juliette Binoche), tries to uncover her famous composer husband's secret life when she finds a couple of not-so-subtle clues after he and their young daughter die in an automobile accident. Blue in this movie also represents fidelity, a trait lacking in Julie's late husband. He not only betrayed her sexually, he took her musical talents and claimed them as his own. Each step takes her both closer and farther from the truth as she journeys on a path ultimately leading to self-discovery, a man who will not betray her, and a liberating life.

WHITE (1994)
Trois Couleurs: Blanc

Julie Delpy stars in WHITE (Blanc, 1994), a dark comedy that is the middle segment of the trilogy, representing the middle section of the French flag and equality in the French motto. It is about the price of passion. Polish immigrant Karol (Zbigniew Zamachowski) is humiliated in a public courtroom by his wife Dominique (Delpy) during their divorce proceedings in a French court. She is divorcing him because he cannot perform in bed. Shamed and brokenhearted, he finds an ally in a fellow countryman. The two concoct a way back to post-Communist Poland, where Karol sets about rebuilding his life, but not without some missteps until he and his countryman come to view each other as equals.

RED (1994)
Trois Couleurs: Rouge

RED (Rouge, 1994), is the final film in Kieslowski's three-colors trilogy, and in the French flag. The plot is an excellent fit with the last word in the French motto, fraternity. In this meditation on the need for passion and human connection, Valentine (Irene Jacob) accidentally hits a dog with her car, and the accident brings together two very different people -- Valentine, a model, and Joseph (Jean-Louis Trinignant), a retired judge who owns the dog. Random fate chooses to pair them and, although deeply improbable, their eventual relationship becomes a true romance.

The movie is poignant when we know what was happening behind the scenes. Before and during the production, Kieslowski was aware that he had heart failue and that he was dying, but RED ends on a positive note.

SECOND TRILOGY

Deepa Metha

The second trilogy, featuring three films directed by Indian-born and current Canadian resident Deepa Mehta, a female, is a trilogy about Indian Women in the early to mid Twentieth Century. All the movies are set in times past. How far in the past? We know only that the events in the movies, as well as references to Mahatma Gandhi as being alive, free in India and advocating nonviolent resistance, place the timeframe of all the movies in, or around, the 1940s.

FIRE (1996)

Deepa Mehta's FIRE, the first Indian film about lesbians, follows two Hindu women struggling with loveless arranged marriages. When Sita discovers that her husband Jatin has a mistress, she shares her unhappiness with her sister-in-law Radha, who cannot give birth. As the lukewarm coals of their long-term relationships fade, they ignite passion in their lives by finding comfort in each other. The fire that has smoldered within each of them is finally free to blaze.

The movie almost didn't get made because of the lesbian content, and fires were set in Movie theaters in India when the film was shown. Be sure and watch all the features on the DVD.

EARTH (1998)

This middle film in the trilogy is a stirring tale about the real-life religious and civil wars that broke out in India and Pakistan in 1947. The battle to gain independence from the British brought about horrendous violence between Muslims and Hindus, finally causing the splitting of India (mainly Hindu) by carving from it he nation of Pakistan (mainly Muslim). EARTH, the second movie in a trilogy from Mehta, is based on the autobiographical novel Cracking India by Bapsi Sidhwa and is told through the eyes of a little girl Lenny, who has one leg in a brace. Again, the DVD special features are almost as interesting as the movie itself. Don't miss them.

WATER (2005)

After losing her much older husband to illness, 8-year-old Chuyia is forced to live out the rest of her days in a temple for Hindu widows, communing with 14 other women with a cruel headmistress who agrees to take her into the Ashram. It is through the trials of another widow that Chuyia learns the many restrictions of widowhood.

Chuyia's friend is a beautiful young woman Kalyani (Lisa Ray), who is forced into prostitution by the greedy headmistress. Meanwhile, Kalyani is being courted by Narayan (John Abraham), a wealthy educated man from a higher caste. Marriage between the star crossed lovers Kalyani and Narayan is forbidden by law for two reasons. First, because widows are forbidden to remarry (unless they marry a relative of their deceased husband) and second, because the young people belong to different castes.

Chuyia and Kalyani both eventually escape their bondage but only after being cruelly used by Narayan's father. Chuyia escapes through the kindness of a fellow widow and Narayan, but Kalyani does not understand the concepts of forgiveness and redemption through the use of holy water and makes a tragic mistake.

WATER was nominated for an Oscar as the Best Foreign Language Film of 2006 (Canada/India), but lost to THE LIVES OF OTHERS (Germany). The art direction and visuals are absolutely stunning, as are Ray and Abraham. A visual feast almost as mesmerizing as a Bernardo Bertolucci movie.

All these movies are available to rent from NETFLIX (see link on right sidebar), and WATER may be downloaded for instant viewing at NETFLIX.

ADDED NOTE: I just saw Mehta's BOLLYWOOD/HOLLYWOOD (2000) "Different tree. Same wood". It is the first film of Metha's in which Lisa Ray stars. It is a hoot!

THIRD TRILOGY

There is another trilogy of movies that I whis to recommend. I highly recommend the first dance trilogy of Spanish filmmaker Carlos Saura: BODAS DE SANGRE (BLOOD WEDDING, 1981), CARMEN (1983), and EL AMOR BRUJO (aka, Love Bewitched, 1986). All three star the famous late male flamenco dancer Antonio Gades. The marvelous dancer Cristina Hoyos dances with Gades in all the movies, starring in the first. Laura del Sol danced the featured role with Gades in CARMEN and AMOR BRUJO, but Hoyos is fabulous in the supporting roles. So, too, are the soundtracks. I have the soundtrack for BRUJO, but don't know about availability of the others.

FYI, Saura may have completed his second dance trilogy that began with FLAMENCO (1995), followed by TANGO (1998) only recently. Some critics are writing that FADOS (2007) is the last movie in the trilogy, but I'm not sure they are correct. From what I have read, it may relate more to Sevillanas (1992), or ¡Ay, Carmela! (1990). FADOS will receive a special screening at the San Sebastián Film Festival next month (see link to my Film Festival Page on the right sidebar). I'll keep you advised about the trilogy.

FLAMENCO and TANGO are available to rent at NETFLIX. UPDATE 10/07: BLOOD WEDDING, CARMEN and EL BRUJO are now available to rent on DVD. NETFLIX has them as a set (see link for NETFLIX on right sidebar). All the movies are also available on video tape (VHS and PAL).

Happy Dog Days!

My Film Festival Page News

My Film Festival Page is updated! Tomorrow, 15th, the 61st Edinburgh International Film Festival (Edinburgh, Scotland), kicks off the late-summer into fall season. The updates begin in Scotland and run through the Times BFI London Film Festival closing 1 November.

In between, you will find information about others, including festivals in New York (NYC), Montreal, San Sebastian, Sitges (Barcelona), Telluride, Toronto, Venice, etc. I try to find and post interesting highlights before the festivals, but you will always find links to the Official Web Sites and a notification, with highlights, when the awards are presented with easy links for more information.

This page is not static. I am constantly updating it as I receive new information, and there is a permanent link to it on the right sidebar of this blog. Visit often and enjoy!

MIMI'S NEW BLOG

I'm searching for the Baghdad Blogger, Salam Pax. I've added a new blog, WHERE IS SALAM PAX. Perhaps, you can help me find his current whereabouts. Click the title of this post to view the blog.

More later.

MORE ABOUT TOP MOVIES AT CANNES

In the previous post I forgot to mention that Geraldine Chaplin is appearing in THE ORPHANAGE (El Orfanato, Spain-Mexico). Her character's name is Aurora, and the director is Juan Antonio Bayona.

Also, I failed to mention Michael Moore's latest documentary, SICKO. This is the "Inconvenient Truth" about the ailing American health care system but, overall, much less entertaining than "Truth," or Moore's previous films. One thing it is - - a powerful wakeup call!

SOME TOP MOVIES AT CANNES

According to many critics, there were more top-rate movies at Cannes than were expected. The first thing that caught my eye was the Mexico-Spain co-production THE ORPHANAGE (El Orfanato), produced by director Guillermo del Toro (PAN'S LABYRINTH). It's a Spanish ghost story that has been described as, "terrifying and enthralling." I suggest you watch for it.

Others you might want to put on your must-see list:

THE DIVING BELL AND THE BUTTERFLY (French) that won best director at Cannes for Julian Schnabel, and A MIGHTY HEART, produced by Brad Pitt and starring Angelina Jolie as reporter Daniel Pearl's widow, were both extremely well received.

The Coen brother's NO COUNTRY FOR OLD MEN starring Javier Bardem, Kelly Macdonald and Josh Brolin, didn't win any awards but it received great buzz. It arrived with distribution from Miramax, which acquired DIVING BELL at the market.

Sony Pictures Classics purchased rights to the Israeli comedy THE BAND'S VISIT, while IFC bought the Palme d'Or winner, the Romanian drama 4 MONTHS, 3 WEEKS & 2 DAYS (now mostly referred to as 4 MONTHS). IFC also acquired FLIGHT OF THE RED BALLOON (Le Voyage du ballon rouge, France) starring Juliette Binoche.

It's almost summer, and I'm going on a short hiatus. Of course, if anything happens that I think is interesting, movie-wise, I'll probably post it.

HAPPY SUMMER EVERYONE!

KITE RUNNER Production, and Cannes

The Kite Runner, a best-selling novel by Afghan-born Khaled Hosseini, is now in production as a movie. It is scheduled to be released this fall. The 2003 novel and the movie are set in Afghanistan under the brutal radical Islamist, the Taliban.

Marc Forster (FINDING NEVERLAND) directs. Khalid Abdalla, who played the pilot/hijacker Ziad Jarrah (UNITED 93), stars as Amir who returns to his native Afghanistan after years in the U.S. to help his boyhood friend Hassan. The novel was on the best-seller list for four years and has sold over four million copies in the U.S. After a summer of predictable movie pabulum, this movie will be welcomed by the millions of adults who read the book and, hopefully, most movie goers. Hosseini's new novel A Thousand Splendid Suns was recently published.

The summer movie season officially kicked off this weekend with PRIATES 3, the Cannes Film Festival just wrapped where the Romanian movie, 4 MONTHS, 3 WEEKS, AND 2 DAYS (Cristian Mungiu, dir.), won the Palme d'Or and the FIPRESCI (International Federation of Film Critics) prize. See link on right sidebar for Mimi's Film Festival Page.

SPIDEY OPENS SUMMER MOVIE SEASON EARLY

The traditional opening of the summer movie season is the Friday of the Memorial Day weekend. However, the movie gate has been swinging open for the summer season earlier and earlier each year.

PIRATES OF THE CARIBBEAN: At World's End will open on the traditional date this year, 25 May. Traditional season: Memorial Day to Labor Day.

Oops! SPIDER-MAN 3 opened 4 May and set the bar for the "official" season by grossing over 150 million in the U.S. alone, breaking all box office records. Sympathy to the other films that opened the same time, such as the Eric Bana, Drew Barrymore, Robert Duvall cutesy LUCKY YOU, and the multi-directed, critically well-received PARIS, JE T'AIME. THE WAITRESS opened two days earlier, but caught a pie in the face anyway.

Next big blockbusters of the season? How about OCEAN'S THIRTEEN (June8), HARRY POTTER AND THE ORDER OF THE PHOENIX (13 July), HAIRSPRAY (20 July), THE SIMPSONS MOVIE (27 July), and THE BOURNE ULTIMATUM (23 August)?

Some long-distance runners not mentioned above may be GEORGIA RULE (11 May), NANCY DREW (15 June), RUSH HOUR 3 (10 August) that is scheduled to open against STARDUST, and THE INVASION (17 August). One that critics think will not have legs? J-Marc's EL CANTANTE (The Singer), and some have dubbed it "CAN-NOT-A".

We'll see how they all shakes out come September.

Tribeca Film Festival Opens Tonight

6TH TRIBECA FILM FESTIVAL
25 April - 6 May 2007, New York City

Many New Yorkers probably agree that the Tribeca Film Festival, opening tonight, has done wonders for Lower Manhattan, devastated by the attacks on the World Trade Center 9/11/2001, but the Festival has never shown a profit in it's five years. Founded in 2002 by Robert De Niro, Jane Rosenthal and her husband Craig Hatkoff as a response to the attacks on the World Trade Center, it was conceived to help foster the economic and cultural revitalization of Lower Manhattan through an annual celebration of film, music, and culture with the spirit of independent film as it driving force.

Since the inaugural festival, Lower Manhattan, once covered in rubble and shrouded in loss, has become a thriving cultural and economic center as Tribeca has become one of the largest and, certainly, respected film festivals in the U.S. Unfortunately, the Festival has run about a million-dollar deficit each year since it's opening and, according to Rosenthal, the same is projected for this year. That comes out of the pockets of De Niro, Rosenthal and Hatkoff.

No official figures are available on how much the festival costs, earns or loses because, since its second year, Tribeca has operated under the umbrella of the private, for-profit Tribeca Enterprises (De Niro, Rosenthal and Hatkoff). Some estimate the annual cost is probably about $13 million.

Unlike festivals such as Toronto and Cannes in Canada and France, and Sundance in the U.S., Tribeca gets no city or state funding, not even for free events. This year, ticket prices have jumped 50% to $18.00 each. The Festival probably would receive funds if it became non-profit but, then, the founding trio would lose most, if not all, of the control they now have. How long they can tolerate the loss remains to be seen.

If there are ever any Tribeca Film Festival profits, they will benefit the Tribeca Film Institute, which coordinates programs throughout the year. Currently, the institute runs the Tribeca All Access program, which assists minority filmmakers, and the Tribeca Film Fellows program, for aspiring teen directors.

Former Vice President Al Gore is the opening act at the 6th Tribeca Film Festival tonight, hosting the global warming-themed SOS Short Films Program. The SOS program will features seven shorts. Also featured at the opening, music performances by acts set to appear at the July 7th Live Earth, a worldwide 24-hour concert benefiting Gore's Alliance for Climate Protection.

Tribeca curtain will close May 6 with Antonio Ferrera and Albert Maysles' documentary about the art project that covered Central Park in orange drapes, THE GATES.

Between the opening and the closing, the slate boasts 157 films (down from 174 last year), with 73 world premieres and 28 North American premieres, including Curtis Hanson's romantic drama LUCKY YOU. The movie stars Drew Barrymore and Eric Bana, who are expected to attend. There is the popular Tribeca/ESPN Sports Film Festival, and this year's Ambassador is Billie Jean King.

SPIDER-MAN 3, directed by Sam Raimi, will have its U.S. Premiere at the 2007 Tribeca Film Festival, presented by American Express. Opening worldwide 4 May, "SPIDY" 3 (Columbia Pictures) will celebrate the first-ever star-studded gala premiere in Queens, Peter Parker’s hometown. Stars of the film, including Tobey Maguire and Kirsten Dunst, will join a crowd of 3,000 people at the UA Kaufman Astoria 14 in downtown Astoria on Monday, 30 April.

FILM FESTIVAL PAGE UPDATED

I have updated my Film Festival Page. Included are the results from the Guadalajara, Memphis, and Miami International Film Festivals. Also, for the other film festival completed in March, South by Southwest, which does not use international in its name.

This page follows film festivals from January though December 2007. See the link on the right sidebar, or click.

80th ACADEMY AWARDS® DATES ANNOUNCED

21 March 2007, President Sid Ganis, Academy of Motion Picture Arts and Sciences® (AMPAS®), announced some key dates for the 80th Academy Awards that will be presented Sunday, February 24, 2008. The telecast will again originate from the Kodak Theatre at the Hollywood and Highland Center® in Hollywood and broadcast live on ABC. Other dates will be posted when available.

The announced dates are:

Monday, December 3, 2007: Official Screen Credits forms due.
Wednesday, December 26, 2007: Nominations ballots mailed.
Saturday, January 12, 2008: Nominations polls close 5 p.m. PST.
Tuesday, January 22, 2008: Nominations announced 5:30 a.m. PST, Samuel Goldwyn Theater.
Wednesday, January 30, 2008: Final ballots mailed.
Monday, February 4, 2008: Nominees Luncheon.
Saturday, February 9, 2008: Scientific and Technical Achievement Awards presentation.
Tuesday, February 19, 2008: Final polls close 5 p.m. PST.
Sunday, February 24, 2008: 80th Annual Academy Awards presentation.

Events for which dates are yet to be announced:

Deadline for documentary filmmakers to submit their short subject and feature-length documentaries to the Academy of Motion Picture Arts and Sciences for consideration for the 79th Academy Awards®.

Entry forms for acceptance in the process for nomination in the Best Foreign Language Film and Short Films categories must be received at the Academy.

Deadline for Academy to receive film prints for the Best Foreign Language category.

Official Screen Credits Forms Due for all categories.

80th Awards Schedule will be available through the link on the right sidebar until the awards in 2008.

GUADALAJARA FESTIVAL OF CINEMA

The 22nd Guadalajara International Festival of Cinema will run 22 - 30 March 2007, in Guadalajara, Mexico.

Mexican director Guillermo del Toro (PAN'S LABYRINTH) will receive the first Guadalajara Award. This new award is for outstanding personalities of the Ibero-American cinematographic community who have distinguished themselves at the international level.

American Actress Elizabeth Peña will present the movie, ADRIFT IN MANHATTAN, directed by Alfredo de Villa. It will screen in a new event at the Festival: From the Other Side (Desde el Otro Lado).

Spanish actor/director Antonio Banderas will present his movie SUMMER RAIN (El Camino de los Ingleses). RAIN will screen Saturday, 24 March. Several films from Mexico will also screen. The 5th Guadalajara Film Market will run concurrently with the festival.

For more about this festival and many others, see Mimi's Film Festival Page. Link also on right sidebar.

Two More Movie Series for Los Angeles

The Academy of Motion Picture Arts and Sciences will again present continuations of two of its popular film series, "Rediscovered Silent Films" and "Great to be Nominated, Part Four." The first begins 29 March and the second 23 April.

Series # 1 - Rediscovered Silent Films, Linwood Dunn Theater

THE CURSE OF QUON GWON, the first known feature made by Chinese-Americans, and HER WILD OAT, starring the quintessential 1920s flapper Colleen Moore, will unspool as part of the Academy of Motion Picture Arts and Sciences’ “Lost and Found” film series on Thursday, March 29, at 7:30 p.m., Linwood Dunn Theater at the Academy’s Pickford Center for Motion Picture Study in Hollywood. Both films will be accompanied by live music performed by Michael Mortilla.

THE CURSE OF QUON GWON, directed by Marion Wong, is one of the few American silent feature films directed by a woman. It was thought to be lost until filmmaker Arthur Dong discovered two surviving reels in the possession of the lead actress’s daughters. Dong brought the nitrate 35mm negative reels, as well as ten minutes of additional 16mm footage, to the Academy Film Archive for preservation. In December 2006 the Library of Congress selected the movie for the National Film Registry.

In HER WILD OAT, Moore, with her signature flapper haircut, stars as a woman who owns a small lunch wagon and falls for a duke’s son who is pretending to be his own chauffeur. Many of Moore’s films have been lost to nitrate decomposition. This print newly restored by the Archive provides the public a rare opportunity to rediscover Moore’s work. Her filmography includes both silent and sound films. Her final movie role was as Hester Prynne in the 1934 version of THE SCARLET LETTER.

“Lost and Found” is a periodic screening series designed to showcase archival prints that have been recently rediscovered, or films that have been restored from new materials that improve the presentational quality of previous available versions. In some instances, the films may be incomplete or damaged, making access unlikely through more traditional venues. The series provides renewed access to “lost” films and brings to light some of film preservation’s more notable success stories.

Tickets to “Lost and Found” are $5 for the general public, and $3 for Academy members and students with a valid ID. Doors open at 6:30 p.m. Get your tickets beforehand, and get their early to be safe. I think you can pay for the tickets a pick them up at the boxoffice that evening. For more information, call (310) 247-3600.

The Linwood Dunn Theater is located at 1313 North Vine Street in Hollywood. Free parking is available behind the building through the entrance on Homewood Avenue.

Series # 2 - “Great To Be Nominated” blasts off with STAR WARS, Samuel Goldwyn Theater

The Academy of Motion Picture Arts and Sciences will launch part four of its popular “Great To Be Nominated” series on Monday, April 23 with George Lucas' STAR WARS. The 16-week series will once again showcase the Academy Award® nominees for Best Picture that garnered the most Oscar® nominations in a particular year but did not win the Oscar for Best Picture. This installment will cover films from 1977 to 1992. A different film will screen each Monday evening, plus one Tuesday night, at 7:30 p.m. in the Academy’s Samuel Goldwyn Theater on Wilshire Boulevard.

The “Great To Be Nominated” screening of STAR WARS coincides with the 30th anniversary of the breakthrough science fiction film that launched an empire. George Lucas and many of his fellow filmmakers will be present for a post-film panel discussion.

The film was nominated for ten Academy Awards® and took home Oscars® for Art Direction (John Barry, Norman Reynolds, Leslie Dilley; Set Decoration: Roger Christian), Costume Design (John Mollo), Film Editing (Paul Hirsch, Marcia Lucas, Richard Chew), Music - Original score (John Williams), Sound (Don MacDougall, Ray West, Bob Minkler, Derek Ball), and Visual Effects (John Stears, John Dykstra, Richard Edlund, Grant McCune, Robert Blalack). Benjamin Burtt, Jr. received a Special Achievement Award for the creation of the alien, creature and robot voices in the film.

The film was also honored with nominations for Actor in a Supporting Role (Alec Guinness), Directing (George Lucas), Best Picture (Gary Kurtz, producer) and Writing – Screenplay written directly for the screen (Lucas).

STAR WARS was the first, and only, best picture nomination for a Lucas-directed movie. It lost to ANNIE HALL (Woody Allen). Also, George Lucas received his only best director nomination for this movie and lost to Woody Allen.

The series will continue through August 20. “Great To Be Nominated” will then go on hiatus until Spring 2008, when part five will begin with REMAINS OF THE DAY (1993). The complete screening schedule for part four of “Great To Be Nominated” is:

April 23 - Star Wars (1977); April 24 - (Tuesday) - Julia (1977); April 30 - Heaven can Wait (1978); May 7 - All That Jazz (1979); May 14 - Raging Bull (1980); May 21 - Reds (1981); June 4 - Tootsie (1982); June 11 - The Right Stuff (1983); June 18 - A Passage to India (1984); June 25 - The Color Purple (1985); July 9 - A Room with a View (1986); July 16 - Broadcast News (1987); July 23 - Dangerous Liaisons (1988); July 30 - Born on the Fourth of July (1989); August 6 - The Godfather, Part III (1990); August 13 - Bugsy (1991); August 20 - Howards End (1992).

Passes for part four of “Great To Be Nominated” will be available starting April 2 at a cost of $30 for film buffs wishing to see the series in its entirety. A $5 discount is available for those who wish to renew their passes from parts one, two or three of the series. Tickets for the first four individual screenings will be available starting April 9 at a cost of $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m., but you better purchase beforehand.

Other elements from each year, such as short subjects, behind-the-scenes footage, trailers and music, will be incorporated into each evening’s program. Curtain time for all features is 7:30 p.m., and pre-show elements will begin at 7 p.m. The Academy is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call 310-247-3600.

# # #
See links for A.M.P.A.S.® and Oscars Web sites on right sidebar.

MOVIE & ART EVENTS IN LOS ANGELES

1. Exhibit of movie Posters. Posters honoring the 50-year anniversary of the inauguration of the Oscar® category for Best Foreign Language Film is currently in the Grand Lobby Gallery at the home of the Academy of Motion Picture Arts and Sciences® (AMPAS®) on Wilshire Boulevard in Los Angeles. The exhibit, "From Amarcord to Z," featuring posters of Oscar winning foreign movies since 1956 will run through 15 April, and is presented by the Academy Foundation of the AMPAS.

The history of the award actually goes back to 1947, when the Academy recognized SCIUSCIÁ (Shoe Shine, Italy, directed by Vittorio De Sica) from war-scarred Italy, for offering “proof to the world that the creative spirit can triumph over adversity.” The Academy presented seven more “special” or “honorary” foreign language film Oscars® before officially establishing the category in 1956, to be awarded for the first time in 1957. The first competitive Academy Award went to Italy for LA STRADA (The Road, 1956, directed by Frederico Fellini).

The exhibition, which has been assembled from the extensive poster collection of the Academy’s Margaret Herrick Library, many of which are originals, includes the posters for both those Italian films. The Academy’s Grand Lobby Gallery is open Tuesday through Friday from 10 a.m. to 5 p.m. and weekends from noon to 6 p.m. Admission is free.

2. Contemporary Documentaries Screening Series (Part II), 14 March – 6 June 2007

Presented by the Academy Foundation of the Academy of Motion Picture Arts and Sciences and the UCLA Film & Television Archive. The 25th annual Contemporary Documentaries series is a showcase for feature-length and short documentaries drawn from the 2005 Academy Award® nominations, including the winners, as well as other important and innovative films considered by the Academy that year. This is Part II of the series. Part I was screened in December - November 2006. All films in the series screen on Wednesdays at the Linwood Dunn Theater at the Academy’s Pickford Center for Motion Picture Study at 7 p.m., unless otherwise noted. The filmmakers will be present at screenings whenever possible.

Docs Screenings in March:

Wednesday, March 14: MARCH OF THE PENGUINS, directed by Luc Jacquet, and GRIZZLY MAN, directed by Werner Herzog.

Wednesday, March 28: THE DEATH OF KEVIN CARTER: Casualty of the Bang Bang Club, directed by Dan Krauss, and KORDA VISION, directed by Héctor Cruz Sandoval.

For list of additional screenings, visit "2006-2007 Contemporary Documentaries".

The Linwood Dunn Theater is located at the Academy’s Pickford Center for Motion Picture Study, 1313 North Vine Street, Hollywood. Free parking is available behind the building through the entrance on Homewood Avenue (one block north of Fountain). Admission is free. Doors open at 6 p.m. All seating is unreserved. For additional program information call (310) 247-3600.

General Information

Tickets for these, and other, Academy programs may be purchased by mail, at the Academy during normal business hours, or at the box office which opens one hour before the start of the event.

The Academy's main location is at 8949 Wilshire Boulevard in Beverly Hills, California. Office hours are 9 a.m. to 5 p.m. Monday through Friday, except most major holidays. For further information on all Academy events and exhibitions in Los Angeles, call (310) 247-3600, unless otherwise noted.

The Academy's New York office is located at 111 East 59th Street, New York, New York, closed most major holidays. For further information on all Academy events and exhibitions in New York, call (888) 778-7575, unless otherwise noted.

To purchase tickets by mail, please send your check or money order made to "Academy Foundation" to: Academy Foundation Programs Dept., 8949 Wilshire Boulevard, Beverly Hills, CA 90211.

MOVIE & ART EVENTS IN NYC

1. Exhibit of Famous Spanish Artists. The exhibit "Barcelona and the Modernity: Gaudí to Dalí" opened Wednesday, 7 March, at the Metropolitan Museum, NYC, Special Exhibition Galleries, The Tisch Galleries, 2nd floor.

Andalusian Pablo Picasso, the Catalans Joan Miró, Salvador Dalí and Antoni Gaudí are represented in the exhibition that will close 3 June. The president of the Metropolitan, Emily Rafferty, referred to the exhibition as one of the biggest international exhibitions of modern art."

The Metropolitan Museum is located at 1000 Fifth Avenue. New York, New York 10028 -0198. It appears that admission prices are recommended: Adults, $20; Seniors (65 and older) $15; Students, $10 (with some restrictions); and Children under 12 with an adult are free. For more specific information call 212-535-7710. Visit online.


2. "Monday Nights With Oscar®" Screenings. The movie NETWORK (1976) will screen at the Academy of Motion Picture Arts and Sciences® (AMPAS®) Theater at Lighthouse International in New York City, Monday, 19 March. NETWORK opens the "Monday Nights With Oscar" screening series in New York City (NYC). The movie contains the famous line, “I’m as mad as hell, and I’m not going to take this anymore!”

Hosted by Robert Osborne, host of Turner Classic Movies, the special guest will be the movie's director Sidney Lumet, and showtime is 7:30 p.m. The Theater at Lighthouse International is located at 111 East 59th Street, New York.

Tickets are $5 for the general public and $3 for Academy members and students with a valid ID and may be reserved over the phone by calling 1-888-778-7575. Depending on availability, tickets may be purchased in person the night of the screening. Doors open at 7 p.m. For more information.

General Information

Tickets for these, and other, Academy programs may be purchased by mail, at the Academy during normal business hours, or at the box office which opens one hour before the start of the event.

The Academy's main national office is at 8949 Wilshire Boulevard in Beverly Hills, California. Office hours are 9 a.m. to 5 p.m. Monday through Friday, except most major holidays. For further information on all Academy events and exhibitions in Los Angeles, call (310) 247-3600, unless otherwise noted.

The Academy's New York office is at 111 East 59th Street, New York, New York, closed most major holidays. For further information on all Academy events and exhibitions in New York, call (888) 778-7575, unless otherwise noted.

Best Foreign Language Movie Goes English

Actors Ulrich Muehe and Ulrich Tukur in a scene from the Oscar®-winning foreign movie THE LIVES OF OTHERS. Photo courtesy of Sony Pictures Classics.
When it came time for me to choose a Best Foreign Language Film, I was stumped. The winner in the too-close-to-call race was THE LIVES OF OTHERS from Germany.

As I posted 23 February, it was easy to conclude that the two front runners were THE LIVES OF OTHERS (Florian Henckel von Donnersmarck, director, Germany), and PAN'S LABYRINTH (Guillermo del Toro, director, Mexico), order of rank undeterminable. I, like many writing about the Oscars®, found myself unable to make a decision in this category. I bemoaned I had seen neither movie. Had I seen both of them, I would have gone out on a limb and picked THE LIVES OF OTHERS. I did warn PAN'S fans that I was doubtful it would win.

Possible reasonsing for LIVES win? The Academy mandates that all Academy members casting final votes in this category must prove that they have seen all five nominees. Up until this time it was only important for members of the two evaluating committees who made the preliminary cuts to see the movies.

Let's face it, the younger members of the Academy are busy. In the main, they do not have time to view all the films in the Foreign Language category. Many are simply not interested.

That skews the votes towards the older members of the Academy. Now, knowing that, I should have gone out the limb and predicted THE LIVES OF OTHERS as the winner. I was about 90% certain that this was the way the votes would come down but, in the Oscar race, 90% is not good enough. Well, next year is another year, and since Martin Scorsese did win the Best Director Oscar, I will, God willing, be watching and evaluating this category again next year.

MEANWHILE, Daily Variety reported yesterday (Thursday), that THE LIVES OF OTHERS will be remade as an English-language movie, if the current round of plans and deal-making is successful. The team is composed of former Miramax Films chiefs Bob and Harvey Weinstein, and Oscar-winning filmmakers Sydney Pollack (OUT OF AFRICA, 1985) and Anthony Minghella (THE ENGLISH PATIENT, 1996), partners in Mirage Productions. The Weinstein brothers will develop the project through their Weinstein Co., partnering with Mirage.

According to Pollack, the partners teamed to secure the rights to do the project from the writer/director von Donnersmarck. The development team feels that this movie about wiretaps, spying, and loss of personal privacy is relevant in the lives of Americans today, and the movie deserves wider distribution than it will receive in the original German language. The remake in English will facilitate this.

LIVES is von Donnersmarck's debut movie. Oh, my. Might we possibly see this movie nominated again in the best feature motion picture category for 2008? It is possible. Keep watching the movies!

Honorary Oscars® at Gala - Morricone and Lansing

Composer-conductor Ennio Morricone, who has composed more than 300 motion picture scores over a 45-year career, was voted an Honorary Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences last December. The Oscar statuette, was presented at the 79th Academy Awards® Gala, 25 February 2007, by Clint Eastwood for "Morricone's magnificent and multifaceted contributions to the art of film music.” Eastwood translated into English as Morricone read his acceptance speech in Italian.

Morricone has never received an Oscar, although he has earned five Academy Award nominations for original scores, DAYS OF HEAVEN (1978), THE MISSION (1986), THE UNTOUCHABLES (1987), BUGSY (1991) and MALẺNA (2000).

It was fitting for the Oscar presentation was made by Eastwood, long associated with Morricone and director Sergio Leone in the so-called "spagetti westerns." Born in Rome, Morricone was hired in 1964 by Leone and began a long collaboration with him, although Morricone's career has spanned most film genres from comedy and romance to horror.

The bulk of his work has been on Italian films, including THE GOOD, THE BAD AND THE UGLY; A FISTFULL OF DOLLARS; ONCE UPON A TIME IN AMERICA; and CINEMA PARADISO. Yet, Morricone has composed memorable scores for such international titles as BULWORTH; IN THE LINE OF FIRE; LA CAGE AUX FOLLES; and TWO MULES FOR SISTER SARA. Due for a 2008 release is his current project, LENINGRAD. More about Morricone.

Also, the Board of Governors voted to honor Sherry Lansing, the former chairman of Paramount Communications Motion Picture Group, and first woman to head a major movie studio, with the Jean Hersholt Humanitarian Award. Tom Cruise presented the golden statuette at the gala. The Hersholt Award is given to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.

Lansing helped Dr. Armand Hammer form the nonprofit organization Stop Cancer and serves on its board. She is on the board of the Albert and Mary Lasker Foundation, founded to honor excellence in basic and clinical science, and is a trustee of the American Association for Cancer Research. In addition, she serves on the Citizens’ Oversight Committee of the California Institute for Stem Cell Research, on the American Red Cross Board of Governors Advisory Committee and is a trustee of the Carter Center, the human rights organization formed by former U.S. President Jimmy Carter and his wife Rosalynn. She also serves as a regent of the University of California.

A graduate of Northwestern University in Evanston, Illinois, Lansing got her feet wet in Hollywood as an actress, a career she quickly abandoned for production. She joined Talent Associates as an executive in charge of development in 1974, moving to MGM in 1975. Two years later, she became vice president in charge of production at Columbia Pictures.

She was named president of 20th Century-Fox Productions in 1980, and in 1983 formed Jaffe-Lansing Productions with Stanley Jaffe. After Jaffe was appointed president of Paramount Communications in 1990, Jaffe-Lansing Productions disbanded, and Lansing became chairman of the Motion Picture Group in 1992. Viacom became the parent company of Paramount Communications in 1993 after a hostile takeover fight with Barry Diller.

Under pressure from Viacom's Chief Executive Sumner Redstone, she resigned that position when her contract expired in 2000. While at Paramount, Lansing was responsible for the studio's biggest hit, FORREST GUMP, among others. More about Lansing.

Actors, Director, and Best Motion Picture Oscars®

ACTORS AND ACTRESSES

I apologize that I will be unable to make a more evaluative post concerning these categories. We had bad storms for over 24 hours, which cut into my time on the computer the last couple of days. Here are some of my picks. I'll justify them later, if I must. Okay?

For best performance by a lead actress in a motion picture: Helen Mirren for THE QUEEN, winner of a Golden Globe. Period.

For best performance by a lead actor in a motion picture: Forrest Whitaker, THE LAST KING OF SCOTLAND, winner of a Golden Globe. Ditto.

For best supporting actor or actress in a motion picture: This is one I never try to call, and that's especially true this year. The Academy has the habit of picking a newcomer here and all but Cate Blanchett (NOTES ON A SCANDAL) are in that sphere in the supporting actress category. There are two nominations from BABEL, a best motion picture nominee. A win for either Adriana Barraza or Rinko Kikuchi could bode well for BABEL as best motion picture, but not necessarily. Then, there's LITTLE MISS SUNSHINE'S Abigail Breslin, the youngest nominee this year, and that gives her an edge. A win for her could bode well for a best picture win for SUNSHINE. Not to be left behind is DREAMGIRLS' Jennifer Hudson, whom many consider a shoo-in.

In the supporting actor category, look early on to see if either of the veterans Alan Arkin (LITTLE MISS SUNSHINE) or Mark Wahlberg (THE DEPARTED) win. A win here could bode well for either of these candidates for best motion picture, but not necessarily.

The favorite here is Eddy Murphy from DREAMGIRLS. Yet, it seems to me that he had more screen time performing than acting. We'll see. The two unknowns are Jackie Earle Haley (LITTLE CHILDREN) and Djimon Hounsou (BLOOD DIAMOND).

BEST DIRECTOR

I have seen BABEL(Alejandro González Iñárritu), THE DEPARTED (Martin Scorsese), and LITTLE MISS SUNSHINE. Directors are nominated for the first two, but not for SUNSHINE. Also, the directors for LETTERS FROM IWO JIMA (Clint Eastwood), and THE QUEEN (Stephen Frears) are nominated. PAN'S LABYRINTH (Guillermo del Toro) is nominated in the best foreign-language motion picture category.

I've only seen the directing in BABEL and THE DEPARTED. In my opinion, Scorsese's direction is miles above Iñárritu's. Get the bonus disk for THE DEPARTED. The interview "Scorsese on Scorsese" is not to be missed.

THE AVIATOR was not his best work but with THE DEPARTED Scorsese is back doing what he does best. This time, he's walking the Mean Streets of Boston with the Irish Goodfellows. He's my pick to win.

The Directors Guild of America (DGA) named Scorsese the Best Director for THE DEPARTED. Although Scorsese has been nominated by the Guild seven times, this is his first win. He received a lifetime achievement award in 2003. This year marks Scorsese's sixth Oscar nomination for best director, which he has never won. Fifty-one of the last 57 DGA winners have gone on to win best director Oscars, and many of the movies they directed have won best picture awards.

If Scorsese doesn't win? I may never follow the Academy Awards® again.

BEST MOTION PICTURE of 2006

By now you should know the nominees in this category. I have only seen three. Two of those were disappointments.

BABEL is too slow and contemplative for my taste. It's a good premise. A Japanese businessman gives his hunting guide from a Muslim country a high-powered rifle as a gift. The recipient sells it to a goat herder, who turns it over to his two young sons. The younger foolishly shoots at a tour bus, wounding a young American woman. This sets in motion actions that will devastates five families in four countries, including the family of the Japanese man. The moral? We are all connected on Planet Earth. However, overall, the movie doesn't jell.

I also feel that LITTLE MISS SUNSHINE doesn't jell, either. The movie is great in the beginning, but it falls apart when the family reaches its destination at the beauty pageant. The stereotypes at the event, and outlandish action of the family members during the talent competition are both over the top.

As for LETTERS FROM IWO JIMA, what the heck is this film in Japanese doing being nominated in this category? Okay, they are throwing flowers at Eastwood, a favorite son. However, it is totally a foreign-language film. Can't judge this movie, or THE QUEEN, as I have seen neither.

That brings me back to THE DEPARTED, which won the DGA award. In light of not having seen all the nominated movies, I can't pick one, but I will be disappointed if either of the other four win. Can't help it. You see, I'm mainly Irish, but I have a wee bit of I-tie blood, too. I get this movie!

This category is a 52-card pickup. Toss the cards and see which one hits the floor first.

Well, it's time to prepare the snacks, chill the wine and get dressed for my party tonight. Hope everyone has a very enjoyable evening!

Songs, Scores, Performers for Tonight's Oscar® Gala

SONGS and PERFORMERS

Beyoncé, Melissa Etheridge, Jennifer Hudson, Randy Newman, Keith Robinson, Anika Noni Rose, and James Taylor are set to perform this year’s Oscar®-nominated songs on the 79th Academy Awards® show tonight, telecast producer Laura Ziskin announced late last week. In case you haven't heard, the host is Ellen DeGeneres. To read my post about DeGeneres, click my Archive for September 2006 on the right sidebar.

Three nominated songs from DREAMGIRLS will be sung. Beyoncé will sing “Listen” (music by Henry Krieger and Scott Cutler, lyric by Anne Preven). “Love You I Do” (music by Henry Krieger and lyric by Siedah Garrett) will be song by Jennifer Hudson. “Patience” (music by Henry Krieger and lyric by Willie Reale) will be sung and performed by Anika Noni Rose, Keith Robinson, and other cast mates.

“I Need to Wake Up” from the documentary feature AN INCONVENIENT TRUTH will be sung by Melissa Etheridge, who also wrote the music and lyric for the nominated song.

Randy Newman wrote both the music and lyric for "Our Town," nominated from the animated feature CARS, and he will perform with singer-guitarist James Taylor. Newman also composed the score for CARS.

NOMINATED SCORES

First of all, you can read about, and listen to, excerpts from all five nominated scores from the features BABEL, THE GOOD GERMAN, NOTES ON A SCANDAL, PAN'S LABYRINTH, and THE QUEEN at NPR.org. There you can also read excellent evaluations by NPR's movie-music expert Andy Trudeau. So, go there first, but please come back.

When I attended film school, two things about film scores were drummed into our heads:

1. The score should not overpower the visuals, dialog, and story. If the viewer keeps noticing it, then it is not a good score.
2. The score should stand alone as a unique musical composition, allowing it to be performed in concerts.

Based the second criteria, Gustavo Santaolalla's score for BABEL should be disqualified. I noticed it more than a few times, too. Second strike. It is unique, so that may give it some extra points.

Thomas Newman's score for THE GOOD GERMAN captures the big orchestrations in the Hollywood scores of the golden age with enough variations to ward off the copycat label. It can definitely stand alone as a composition but since I haven't seen the film, I must wonder about it being intrusive. Yes, he is the son of Alfred, the famous film-score composer, but Thomas has his own track record, including the score for AMERICAN BEAUTY.

Composer Philip Glass's score for NOTES ON A SCANDAL? Well, Philip Glass is Philip Glass, is Philip Glass, is Philip Glass. Even a rank amateur listener can discern a Glass composition. To me his music gets monotonous but Trudeau says that in NOTES Glass actually reaches moments of crescendo when there should be a crescendo to match the action of the movie. I did notice more contrast. I'm not sure I would go all the way with Trudeau's statement, "The result is a soundtrack brimming with melodic writing and a moody oboe theme." With those crescendos and melodic moments, the score is not as boring as his earlier works. Nonetheless, it is still somewhat sedate.

As to Alexandre Desplat's score for THE QUEEN, Trudeau says it is a score with many levels, which manages the movie's transitions between pomp and lightheartedness. Since I haven't seen the film, or heard much of the score, there it rests.

Trudeau says that Javier Navarette's score for PAN'S LABYRINTH, is a "rich, intimate score that walks the delicate line between fantasy and horror." Navarette has been composing in Spain for 20 years. His work is well known there and in Europe, but this is his first exposure in the U.S.

Since I have some knowledge of Spanish music and scores for Spanish movies, I've listened to some of this score, and I think the musical references in the score are excellent, especially the overarching theme of the lullaby, a rich tradition in Spanish music. I may have a bias here, but I'm going to choose this score as my favorite. I think it has an excellent chance of winning.

Academy Awards for outstanding film achievements of 2006 will be presented tonight, at the Kodak Theatre at Hollywood & Highland Center®. The Oscars® will be televised live by the ABC Television Network at 5 p.m. PST (8 p.m. EST), beginning with a half-hour red carpet arrivals segment, “The Road to the Oscars.”