June! Tony and Emmy Awards, and Film Festivals!

Whoopi Goldberg will host Tonys.

Regis gets Lifetime Emmy.
Ah. The month of June will be here next week. Two of my favorite award shows come out of the gate in June - the Tony Awards (15 June, NYC) and the Daytime Emmy Awards (20 June, Hollywood).

The nominations for both organizations are in, and the hosts have been announced. Click here for the Tony nominations, and for the Daytime Emmy nominations. To find much more, and access official sites, click my 2009 Awards Page link on the right sidebar.

At the same time the Theatre Wing and the Television Academy are honoring their own in June, the film festival crowd tries to beat the heat in Wyoming (Jackson Hole), Scotland (Edinburgh), or on the beach in L.A. It's a great life, if you can live it. Should they prefer more exotic and hotter times with their movies, they may head for Shanghai. Or, later, to Sarajevo.

I'm now following so many film festivals that one page is not enough. So, for 2008, I'm splitting the coverage into at least three parts.

Part I began in Palm Springs, California, and ended in Cannes, France. Cannes closed this week, but you can read about it, and others during the first part of year, for as long as you like by clicking the link for Part I on the right sidebar.

Film Festivals Part II is now online, with lots of interesting festivals. A link is also on the sidebar.

Part II begins with the Jackson Hole Festival and ends in early October with the 46th New York Film Festival in NYC. In between you'll find Montreal, Telluride, San Sebastian, and more.

Coming online in August will be Part III. It begins with Vancouver in September. I'm not sure where it will end. It may be necessary to add a Part IV. At any rate, watch this blog for notification when Part III is online sometime in August.

To get the overview of the film festivals I cover during a year, take a look at my Film Festivals Page 2007.

61st Cannes Winners Spread Among Countries

The 61st Cannes Film Festival, which wrapped today, spread the festival awards among many countries with the biggest winners being France and Italy.

The jury headed by Sean Penn named the French movie THE CLASS (Entre Les Murs), the Palme d’Or (Golden Palm) winner for best film at Cannes. It was directed by Laurent Cantet (TIME OUT, 2001, HUMAN RESOURCES, 1999), and is based on an autobiographical novel by Francois Begaudeau who plays himself as a young French teacher facing a sometimes rebellious class (surprise?).

The Grand Prix runner-up prize went to Italy's GOMORRAH (Gomorra), Matteo Garrone's hard-hitting film about the world of modern day Naples crime families, the principal one being the Camorra family. The movie is based on the book by Neapolitan writer Roberto Saviano.

The second Italian competition entry, IL DIVO, a satire on the life of former prime minister Giulio Andreotti and directed by Paolo Sorrentino, won the jury award.

A special prize was given to screen legend Catherine Deneuve, as well as Clint Eastwood whose film THE EXCHANGE (a.k.a., CHANGELING) was in competition. The Camera d'Or for best new directorial debut went to Britain's Steve McQueen for HUNGER. Yes, that's his name.

The Best Director award went to Turkey's Nuri Bilge Ceylan's dark tale, THREE MONKEYS.

Puerto Rican actor Benicio del Toro was named Best Actor for his portrayal of the Argentine revolutionary Ernesto "Che" Guevara in Steven Soderbergh's epic four-and-a-half hour CHE (USA).

The Best Actress award went to Brazil's Sandra Corveloni. She portrays the trials of a now pregnant mother, who already has four sons, in the popular Brazilian drama LINHA DE PASSE (Line of Passage), co-written and directed by Walter Salles, which is set in the slums of Sao Paulo.

Belgium's Dardenne brothers, Jean-Pierre and Luc, won Best Screenplay for LORNA'S SILENCE. Previously, the brothers have won two Golden Palms together: L' ENFANT (2005) and ROSETTA (1999).

The Federation of International Film Critics (FIPRESCI) awarded their FIPRESCI Prize for "Revolation Film" to Mexican filmmaker Fernando Eimbcke's second feature, LAKE TAHOE. The award was announced 19 May during Critics' Week.

Films receiving this award at Cannes must have won a FIPRESCI at a previous festival during the year, and TAHOE won the FIPRESCI at the Berlinale in Berlin this year. His first film, DUCK SEASON, won the same award during the Cannes Critics' Week in 2004.

For a list of the 22 films in competition, to read more about these films and Cannes, click the link on the right sidebar to access my Film Festivals Page-Part I.

AMPAS® Announces Student Academy Awards®

Students from eight colleges and universities have been named winners of the Academy of Motions Pictures Arts and Sciences' 35th Annual Student Academy Awards®. Eleven students attending college in the U.S., and one film student from the Academy of Media Arts, Cologne, Germany, who has been selected to receive the honorary foreign film award, will receive their awards in a ceremony 7 June at the Academy's Samuel Goldwyn Theater in Beverly Hills. Tickets are now available and are free.

The U.S. students first competed in one of three regional competitions. Each of those regions was permitted to send as many as three finalist films in each of four award categories. Academy members then screened the finalists’ films and voted to select the winners.

Winner's placement – Gold, Silver or Bronze – will not be revealed until the ceremony 7 June. In addition to a trophy, Gold Medal winners receive $5,000, Silver Medal winners receive $3,000, Bronze Medal winners receive $2,000, and the Honorary Foreign Film winner receives $1,000.

Winners are (listed alphabetically within each category by University):

Alternative:
San Francisco State University - Phoebe Tooke, CIRCLES OF CONFUSION.
University of Southern California (USC, Los Angeles) - Shih-Ting Hung, VIOLA: THE TRAVELING ROOMS OF A LITTLE GIANT.

Animation:
California Institute of the Arts (CalArts, Valencia, CA)- Nicole Mitchell, ZOOLOGIC.
The Ringling College of Arts and Design (Sarasota, FL) - Evan Mayfield, THE VISIONARY.
The School of Visual Arts (NYC) - Tatchapon Lertwirojkul, SIMULACRA.

Documentary:
American University (Washington, D.C.) - Laura Waters Hinson, AS WE FORGIVE.
Columbia University (NYC) - J.J. Adler, UNATTACHED.
USC - Brian David, IF A BODY MEET A BODY.

Narrative:
Florida State University - Z. Eric Yang, THE STATE OF SUNSHINE.
USC - Melanie McGraw, PITSTOP.
USC - Rajeev Dassani, A DAY'S WORK.

Honorary Foreign Film:
Academy of Media Arts, Cologne, Germany - Reto Caffi, ON THE LINE (Auf der Strecke). Caffi was selected from a pool of 43 entries.

Information about tickets, etc.:
The Academy’s Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 5 p.m. All seating is unreserved. The Gold Medal-winning films and the Honorary Foreign Film will be screened in their entirety. A maximum of four free tickets may be requested online (click title of this post), in person at the Academy box office, by calling the Student Academy Awards department at (310) 247-3000, ext. 130, or by mail: Academy of Motion Picture Arts and Sciences; 8949 Wilshire Boulevard; Beverly Hills CA 90211-1972.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level. Past Student Academy Award winners have gone on to receive 35 Oscar® nominations and have won, or shared, six Academy Awards. Two former Student Academy Award winners were nominated in the Documentary Short Subject category at the 80th Academy Awards held earlier this year. James Longley was nominated for SARI'S MOTHER, and Amanda Micheli for LA CORONA (The Crown). The winner was Josh Raskin's I MET THE WALRUS.

Here Comes Cannes 2008

Harrison Ford in Indy4

The Riviera resort of Cannes prepares to welcome the who's who of filmdom Wednesday. That's the opening day of the 61st Cannes International Film Festival, which means the festival is much older than the majority of the potential attendees.

One of the biggest premieres at the festival will surely be INDIANA JONES and the KINGDOM of the CRYSTAL SCULL, or Indy4 for short. It is screening out of competition. Of course, it would be unlikely to win the Golden Palm (Palme d'Or), anyway. But, it will generate a lot of excitement.

One of the longest features, Steven Soderberg's CHE (a.k.a., GUERRILLA - USA, France, Spain), a two-part, four-and-a-half-hour epic on Argentine revolutionary Ernesto "Che" Guevara, will premiere in competition. Benicio del Toro stars as the charismatic Guevara.

These are only two top motion pictures in the 12-day movie marathon, which will command world attention while cinephiles watch for the two, or three, break-out feature films that will make cinematic history in 2008. Then, the question becomes, "Will any one of the favorites at Cannes claim the biggest prize of all, the Oscar® for Best Motion Picture of 2008?"

You can read about Cannes, and 18 other major and/or popular festivals already completed this year, on my Film Festivals Page. This year, I am dividing the festivals into three sections. Every year, I add more, and every year I write more, so it was the only sensible thing to do. Cannes completes Part I for 2008, which began with Palm Springs in January.

Part II is now online. It begins with Jackson Hole, Wyoming, in June, and ends with the New York Film Festival, opening in late September.

Next up will be Part III, beginning with the International Film Festival of Catalonia (Sitges, Spain) the first week in October, and probably ending with the Dubai Festival in mid-December. I can't say for sure yet because the Dubai dates run very close to the New Latin American Festival in Havana, Cuba.

Part III should be online by the last of August. By the end of October the action will shift to my Awards Page, which is the time the Oscar race really shifts into high gear, but there will still be some interesting film festivals to follow until Christmas. Then, my Film Festivals Page for 2009 begins.

I think you will find my Festivals Page handy. I try to note interesting tidbits, sometimes from my personal experience, and I always include handy links to help viewers quickly find the information in which they may be most interested. You can access the page by clicking the title of this post, or the permanent link on the right sidebar. Hope you enjoy!

Memphis Area Alert: Free Screening

On Location: Memphis, and WKNO (Radio and TV), are hosting a free preview screening of SON OF RAMBOW at Malco's Studio on the Square in Memphis, TN, Wednesday, 14 May at 7:30 p.m. On Location: Memphis sponsors the annual Memphis Film Festival.

Directed by Garth Jennings (The Hitchhiker's Guide to the Galaxy), the movie was an audience favorite at this year's Sundance Film Festival. It is described as a hilariously fresh and visually inventive take on friendship, family, film heroes and death-defying adventures, during an English summer in the 1980s.

To request free passes to the screening, send an email to lisab@onlocationmemphis.org, or call 901.626.9685. Be sure to include your name and phone number. Passes may be picked up Monday, Tuesday, or Wednesday, at 326 Ellsworth, or held at the door. The film is rated PG-13.

Tribeca Festival Wraps with Cadillac Audience Award

The Cadillac Award: The Audience Choice for Best Feature Film at the Tribeca Film Festival (23 April - 4 May), New York City, was announced 4 May, and the winner is the documentary feature, WAR CHILD. It won over nine others, including PRAY THE DEVIL BACK TO HELL, which won the juried award for the best documentary feature.

First-time director C. Karim Chrobog received a cash prize of $25,000, the art award "Peripheral Drift Illusion" by Ryan McGinness, and a one-of-a-kind trophy to commemorate his achievement for WAR CHILD.

The true story in the doc: Emmanuel Jal raps his "Warchild," and tells his story of being conscripted as a soldier into the Sudanese People's Liberation Army when he was only eight years old. Now, as a veteran of a 20-year civil war between the Muslim North and Christian South, he has become, at 28, a rising hip-hop star.

Jal had declined other offers to film his story, but Chrobog offered him something else, "We want to use the story so you can give back and build a school." Last fall, Jal and Chrobog launched a foundation, Gua Africa, which is raising money to build two schools, one in southern Sudan and another outside of Nairobi, Kenya.

The top ten in the running for the award were:

1. Pray the Devil Back to Hell - won Best Documentary Feature.
2. War Child
3. Gotta Dance
4. Playing For Change: Peace Through Music
5. Man on Wire
6. Run For Your Life
7. Under Our Skin
8. Kicking It
9. The Wackness
10. Fighter

To view a still from WAR CHILD, read about other awards at Tribeca and other festivals, plus links, click the link for My Film Festivals Page on the right sidebar.

LINKS RELEVANT: Jal's MySpace / Read more about the film

Woody Allen's Salute to Barcelona at Cannes

In the city of Barcelona, actresses Rebecca Hall, Patricia Clarkson and Scarlett Johansson experience the creations of its famous architect, Antoni Gaudi, as they stand on the roof of his Casa Milá. His famous church, the Familia Segrada (Sacred Family), is far right.


Woody Allen's latest movie, VICKY CRISTINA BARCELONA, filmed in the Catalonian city of Barcelona, Spain, is considered by some to be Allen's homage to that city, as MANHATTAN (1979) was to New York City.

It is also a homage to Spanish actress Penélope Cruz, nominated for an Oscar® in the best actress category for her role in Pedro Almodóvar's VOLVER (Return, 2006). Allen says the moment he saw her in that movie, he decided he had to make a movie with her. Yep. The guy still has it!

BARCELONA stars Javier Bardém with Scarlett Johansson, Penélope Cruz, Rebecca Hall, and Patricia Clarkson. This could be one of Allen's best sex fantasies yet. I get excited just thinking about seeing the movie, as well as scenes from my beloved city, Barcelona, which I am not now able to visit as much as I would like.

The movie premieres at the Cannes International Film Festival next month, screening out of competition. The scheduled U.S. opening is 29 August. For more about Cannes, see link on right sidebar to my Film Festivals Page. For much more about Bardém, click the link for my Foreign Movies Page.

Ready for the 81st Academy Awards®?

Ready or not, here come the 81st Annual Academy Awards®. Well, the information about the annual ritual for 2009, anyway. Academy President Sid Ganis announced today that the awards will be presented Sunday, 22 February 2009. The ceremony will again take place at the Kodak Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.

Key dates currently scheduled are:

Monday, December 1, 2008 - Official Screen Credits forms due;
Friday, December 26, 2008 - Nominations ballots mailed;
Monday, January 12, 2009 - Nominations polls close 5 p.m. PT;
Thursday, January 22, 2009 - Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater;
Wednesday, January 28, 2009 - Final ballots mailed;
Monday, February 2, 2009 - Nominees Luncheon;
Saturday, February 7, 2009 - Scientific and Technical Achievement Awards presentation;
Tuesday, February 17, 2009 - Final polls close 5 p.m. PT;
Sunday, February 22, 2009 - 81st Annual Academy Awards presentation.

NOTE the change of the day for the nominations announcement, which had to be changed from Tuesday to Thursday because 20 February is the Presidential Inauguration in 2009.

There will soon be a link on the right sidebar for the 81st Academy Awards Schedule.

Coming: Three Film Festivals of Note

Three well-known U.S. regional international film festivals are opening this month. They open the 23rd or 24th. These festivals are unique because each is offering the screening of a classic highly-honored silent movie with live accompaniment.

One accompaniment group is The Alloy Orchestra, a three-man musical ensemble, writing and performing live accompaniment to classic silent films. Working with an outrageous assemblage of peculiar objects, they thrash and grind soulful music from unlikely sources.

The other accompaniment will be provided by Black Francis, a.k.a., Frank Black, who was born Charles Michael Kittridge Thompson IV in Boston. He has composed scores for other German silent classics. He also performs and tours with his Pixies.

Ebertfest (Urbana-Champaign, IL)
25th - The Alloy Orchestra will accompany the silent movie UNDERWORLD (USA), Austrian Josef von Sternberg's 1927 silent classic that won an Oscar for writer Ben Hecht (story). Then Sunday, they play for the silent classic PHANTOM OF THE OPERA at RiverRun's closing in North Carolina.

Roger Ebert said of this group, "They are the best in the world in accompanying silent films."

RiverRun (Winston-Salem, NC)
27th - Festival Closing Night: The Silent Movie Classic PHANTOM OF THE OPERA with The Alloy Orchestra, Sunday, 9:00 p.m. EDT. This 1925 movie directed by Rupert Julian, stars Lon Chaney. If they have the original print or an excellent copy thereof, it will contain the first two-color scene in a motion picture, that of the Masque Ball.

San Francisco (San Francisco, CA)
25th - Special events include a special screening of the silent German Expressionist classic, THE GOLEM (Der Golem: wie er in die Welt kam, (Germany 1930, 82 min), Pauls Wegener, Carl Boese. Live musical accompaniment by Black Francis.

Other notable festivals opening this month: Hot Docs (Toronto), and Tribeca (NYC). For extensive information about these five festivals click the link on the sidebar of this blog for my Film Festivals Page, or the title of this blog post. Also there, you will find direct links to the official Web sites, the musical groups mentioned here, plus miscellaneous info links. I also include little tidbits about musical and film history, now and then.

Next up in May - Cannes (14-25 May). They are just now getting it together. Some hints: Sean Penn, Indiana Jones, Cate Blanchett and MY BLUEBERRY NIGHTS. Follow it on my Festivals Page.

New Movies About Islam: Con and Pro

Two new movies about Islam have been released so far this year. The con is short (17 minutes), and is described as a hate diatribe against Islam. The other is a feature love story (88 minutes), definitely pro Islam.

The short is by the Dutch politician, anti-immigration activist, filmmaker Geert Wilders. It is called FITNA, an Arabic word often translated as "strife," and tomatoes are flying at it from every direction.

The feature, VERSES OF LOVE, is from an Indonesian Muslim filmmaker, Hanung Bramantyo. It has received a rousing reception in Indonesia, which has almost a 100 percent Muslim population, and a "ho-hum" from the rest of the world. It should be extremely well received at the next Arab Emirates' film festivals in Dubai or Abu Dhabi this year, should it screen in either. Read about the Dubai and Abu Dhabi festivals last year on my 2007 Film Festivals Page.

By far, FITNA, has received most of the attention. It was posted on the Internet by YouTube, and others, but has since been removed because of general outrage due to its visuals and rhetoric.

Because both of these are mainly religious propaganda meaning, "a one-sided argument often untrue," I have posted about each in more detail on my Universal Mind Warp blog. Click the Title on each post for a major link.

I did see the images in FITNA, but the dialog was in Dutch, and I haven't seen anything of the other one, so I cannot judge either at the moment.

On Location: Memphis International Film Fest opens Thursday!

This year's On Location: Memphis International Film Festival opens Thursday night. There will be films, music, and a party every night. Filmmakers, producers, actors, and a surprise celebrity here and there are expected to attend. More than 90 films representing 20 countries and the U.S. will be screened.

Thursday, the festival opens at 7:30 pm at Malco's Paradiso Theater, with a screening of the new blues documentary, DELTA RISING, filmed at Morgan Freeman's Ground Zero Blues Club in Clarksdale, MS.

If you have a full-fest pass, you can attend, at no additional charge, the screening and the after party at the Ground Zero Club on Beale Street (approximately 9:00 pm), Freeman's not-yet-open-to-the-public Ground Zero Blues Club Memphis, featuring the Queen of Beale Street, Ms. Ruby Wilson.

If you do not have a full-fest pass, do not wish to purchase one, you may still attend the screening and after party by purchasing a Membership for $20.00 each before the screening, plus screening tickets.

You can attend only the screening for $8.50, if individual tickets are available. No after party included.

Full-fest passes were $60, and were available online. You should have checked my Film Festival Page earlier this month, because fest passes go up to $70 today, and will only be available at the door. I'm not sure if the student pass ($30) will increase. Individual screening tickets are $8.50 each. They, Memberships, and full-fest passes, will be available now only at the door of each event. Available tickets on a first-come basis.

For more, see my Film Festival Page (link on right sidebar), call 901.626.9685, or go online by clicking the title of this post.

PERSEPOLIS releasing in English

PERSEPOLIS scene, poster, and French actress Catherine Denueve
The French Oscar-nominated feature animated movie PERSEPOLIS, will get a second opening in movie theaters 11 April, and this version is in English. I'm delighted. They may have done it in French for financing, and anticipating that it would be chosen by the French Academy as an entry in the Best Foreign Language category for an Oscar® nomination, which it was.

The plan backfired. It was not selected by AMPAS® in that category, but was nominated in the best animation category. In my humble opinion, if they had released it in the U.S. with the English soundtrack, in the period to qualify for a nomination on its own merits, it would have stood a better chance of winning the Academy Award®. It is totally hand-drawn like the early Disney animated movies.

The movies' writers / directors Marjane Satrapi and Vincent Paronnaud, directed actors recording the English soundtrack as they were recording the French soundtrack. The movie is based on the autobiographical graphic novel of the same name by Satrapi, which is based on her experiences as a young girl in Iran. It takes place when a large number of fundamentalist Shi'ite Islamic radicals deposed Shah Reza Palavi (1979) and established Sharia law as the supreme law.

Mother and daughter Catherine Deneuve and Chiara Mastroianni will reprise their roles as the mother Tadji, and daughter Marjane, respectively, in the English version. Sean Penn will provide the voice of Marjane's father Ebi; Gena Rowlands plays Marjane's grandmother; Iggy Pop is Uncle Anouche; and Amethyste Frezignac plays young Marjane.

Marion Cotillard Gets L.A. Mural

French Actress Marion Cotillard, who received a Best Actress Academy Award for her performance as Edith Piaf in LA VIE EN ROSE (La Môme), now has a mural in Los Angeles. It is located on La Brea, between Pico and Olympic.

LA-LA Land is known for its great art, and its quirky graffiti murals that pop up here and there on building walls. Painting murals on walls started when some artists decided to counter the blight of the gang members scrawling their hateful slogans and obscene gestures on walls all over Los Angeles County, but mostly in the city.

Before the Cotillard mural, another painting, "Moona Lisa" occupied the wall. Every morning she "mooned" commuters. Only in L.A.! Cotillard's mural (rated G). Moona Lisa (rated NC 17).

Film Festival Page Updated

My new updates include the about-to-wrap San Diego Latino and the just-wrapped South by Southwest (SXSW) Festivals. There is new information on the upcoming Memphis (TN), River Run (NC), Canadian Hot Docs Documentary (Toronto), Ebertfest (IL), Tribeca (NYC), San Francisco (CA), and the festival most festival-watchers consider the world's most prestigious film festival, Cannes (France).

You can read about those already completed this year, which included Berlin (Germany), Santa Barbara and Palm Springs (CA), Sundance (UT), Miami (FL), and the Mexican sister-festivals, Guadalajara and Puerto Vallarta (MX). That's just Part I of Mimi Film Festivals 2008.

Part II, which will include festivals from June through September 2008, will go online sometime in April. The festivals highlighted will begin with Jackson Hole (WY) and probably conclude with San Sebastián (Spain) or San Diego (CA), but new ones are always cropping up, so there are no guarantees at this point.

In between, there will be the world's oldest festival, Venice (Italy), and the world's bravest, Sarajevo (Bosnia). Major festivals in the USA include Los Angeles (CA) and Telluride (CO). Foreign ones, other than San Sebastián, include Montreal and Toronto (Canada), Deauville (France), and Edinburgh (UK), plus any new ones that may spring up during this time frame.

Firsts at 80th Academy Award Awards®

Day-Lewis, Swinton, Cotillard, and Bardém

All four acting categories at the Academy Awards® Sunday night were won by actors who have residences outside the U.S. I haven't had time to check this out thoroughly, but I have followed the Oscars® for longer than I am willing to admit on this blog, and I'm almost certain that has never happened before in the history of the Awards. So, that would be the first, first.

UPDATE 9 MARCH to original post of 26 February: It is not a first. All four acting awards going to foreigners at this year's Oscars was NOT a first. That happened first in 1965. Russia's Lila Kedrova received the statuette for ZORBA THE GREEK for best supporting actress, while Julie Andrews took best actress for MARY POPPINS. Best actor and supporting actor went to Rex Harrison, MY FAIR LADY and Peter Ustinov for TOPKAPI, respectively. The last three were Brits. Now, we know. (Source: Entertainment Weekly Magazine, 7 March 2008, Issue #981, p. 42.)

Briton Daniel Day-Lewis won best actor for his role in THERE WILL BE BLOOD; Scotland's Tilda Swinton was named best supporting actress for her role in MICHAEL CLAYTON; and French star Marion Cotillard won best actress for her portrayal of the late real-life French chanteuse, Edith Piaf, in LA VIE EN ROSE. Cotillard was the first French woman to win the award since Simone Signoret in 1960, thus, the second, first. Signoret won for her role in ROOM AT THE TOP.

Spanish actor Javier Bardém, whose Bardém family in Spain is often compared to the U.S. theatrical family dynasty, the Barrymore family, garnered his first personal Oscar® for his role as the maniacal Chigurh in NO COUNTRY FOR OLD MEN, which won Best Picture. Bardém also won the Golden Globe and the SAG award, plus many other awards, for this performance. He now holds the forever distinction of being the first Spanish actor to win an Oscar. So, that's the third, first.

There was some pre-Oscar buzz about whether, or not, Bardém would escort Penélope Cruz to the Awards. He took his mother, Pilar Bardém, sister of the late great Spanish director Juan Antonio Bardém. Pilar is an award-winning Spanish actress,. She gave her son a big kiss when he was announced as winner. Read more about Bardém, his family and foreign movies on my Foreign Movie Page, and there is also a permanent link on the right sidebar. However, taking one's mother to the Oscars is not a first. I do not know to whom that honor goes.

The fourth, first: The winner of the Best Foreign Language Film, THE COUNTERFEITERS (Die Fälscher, Austria), directed by Stefan Ruzowitzky, is the first-ever win in this category for Austria.

It wasn't only actors residing in other countries who "cleaned up" at the Oscars. The music categories did too. The best original score was awarded to Italian Dario Marianelli for ATONEMENT. Also, Irishman Glen Hansard and Czechoslovakian Marketa Irglova performed their award-winning song, "Falling Slowly" from the very low-budget movie ONCE (Ireland).

The fifth-first happened after Miss Irglova was "played" off the stage before she got a chance to say a word after receiving the Oscar. When the commercial break was over, host Jon Stewart apologized, and she returned to the stage to make an elegant and respectively short, "Thank you" speech. No one cut-off by the show's director has ever been invited back before. It was a wonderful spontaneous moment, one that may join Oscar-clip history.

The sixth first, of which I am aware, is that this was the lowest rated Academy Awards show in history. According to AP, Nielsen Media Research says preliminary ratings for the 80th annual Academy Awards telecast are 14 percent lower than the least-watched ceremony ever, which was in 2003 when CHICAGO won, and there were 33 million viewers. This year's show had a 21.9 rating and 32 million viewers.

This year's ratings are 21 percent lower than last year when THE DEPARTED was named best picture, and Scorsese finally won for best director. That show attracted 41 million. The movie critics, professors and pundits will have a field day postulating as to why almost 10 million U.S. viewers were lost, if these were the correct figures.

And, now, the final first considered here, number seven. The Oscars have made a cautious venture onto the Internet. You can see their first efforts right now on YouTube. Next year, the Oscars may be streaming live on YouTube, or from the Academy's own Web site. That's roughly 362 days and counting. How can one wait that long?

Film Festival Page Updated

Anjelina Jolie and Brad Pitt at the Santa Barbara Festival earlier this year.
There is new information on my Mimi's Film Festivals Page about the film festivals now playing: Miami International, San Diego Latino, Austin's South by Southwest, and the sister festivals in Mexico: Guadalajara and Puerto Vallarta in conjunction with the University of Guadalajara.

Check the happenings at these festivals, and start preparing for the other upcoming international festivals: Memphis, River Run, Canadian Hot-Docs, San Francisco, and the biggest of the internationals - - the 61st in Cannes, France.

Oh, I haven't forgotten NYC's Tribeca, or the Ebertfest, as in Roger Ebert. This will be the 10th in Champaign, IL. As always, there are links to the festival's official Web sites.

All the above, and it is only Part I this year of my Mimi's Film Festivals Page 2008! This year's previous festivals are included, and I update the page about every week, but don't always post an update notice here, so visit often. There is a permanent link on the right sidebar of this blog.

KITE RUNNER Releasing on DVD

Author Hosseini and Director Forster at L.A. Premiere
THE KITE RUNNER is scheduled for DVD release, 25 March. It has had only a limited release in the U.S., beginning 14 December, dates depending upon where you live. It has never made it to my neck of the woods, so I am excitedly awaiting the DVD.

THE KITE RUNNER (USA) is based on the 2003 novel of the same title by Afghani Khaled Hosseini, now a U.S. citizen and California resident. The awarding-winning book was at the top, or on the New York Times best-seller list for almost three years. Director Marc Forster (FINDING NEVERLAND, 2002) chose to film in China in five languages: English, Dari (an Afghan language), Pashtu, Urdu, and Russian. For the U.S. scenes, filming was in northern California.

Hosseini's novel covers three decades of Afghan strife, from before the Soviet invasion through the rise of the Taliban. The protagonist is Amir, a wealthy Pashtun boy (played in movie by Zekiria Ebrahimi), who returns from America to Afghanistan after the Taliban are routed. There, he had formed a bond with a young boy his age, Hassan (Ahmad Khan Mahmoodzada), the Hazara son of Amir’s father’s servant. Hassan was raped in an alley by a Pashtun bully. Amir witnessed the rape, but never told. Later, also witnessed Sohrab, a Hazara boy played by Ali Danish Bakhty Ari, being preyed upon by a Taliban official, and never told. Now, back in Afghanistan, Amir must confront his past by finding Hassan, and in the process, Amir finds much more.

There are two reasons the movie was mostly filmed in China. One, the war in Afghanistan had destroyed any hopes of finding a location suitable for filming as so much is simply rubble. Two, the boy actors received death threats because of the rape scene, so the production company (DreamWorks SKG), and releasing company (Paramount Pictures) arranged to send them, plus a guardian for each, to the United Arab Emirates for their safety. Consequently, the release date was moved from November to December.

The young actor who played Hassan, Ahmad Kahn Mahmoodzada, won the Broadcast Film Critics Association's Critics Choice Award as best supporting actor, awarded 7 January in Santa Monica, CA. The movie was nominated for a Golden Globe for best foreign film, and film score by Alberto Iglasias. It won neither. The film score was nominated for an Oscar, but that category was won by Dario Marianelli for ATONEMENT. I repeat from a previous post, I love that name!

Unfortunately, the movie was released too late, and too limited, to compete in any 2007 major film festivals. No awards, no "buzz," and vice versa.

Hosseini's current novel, A Thousand Splendid Suns, was well received and resided on the best-seller for a month, or more. It is also set in Afghanistan. Instead of two Muslim boys who become men, it is about two Muslim women and their trials in Afghani society.

For more posts about this movie, click the "Kite Runner" label at bottom of this post.

Iranian Muslim Makes Jesus Movie

Iranian filmmaker Nader Talebzadeh has made a movie about Jesus, THE MESSIAH. It is his feature film directorial debut, and was shown at the Religion Today Film Festival 18 October 2007, in Rome, Italy. This is a festival sponsored by the Roman Catholic Vatican and the movie won an award for generating interfaith dialogue. I have not seen the movie, but have researched it and used the interview of the filmmaker by Lara Setrakian, which is posted on abcnews.com.

There is an extensive post on my Universal Mind Warp blog. If you are interested in comparative religions, especially between Islam and Christianity, you should read that post.

Snubs at 80th Academy Awards®

There was one glaring omission during the 80th Academy Awards® presentation show Sunday night. Whoopi Goldberg was not included in the montage of former hosts of the Academy Awards.

The Oscar®-winning actress (GHOST, 1990) hosted the Awards in 1994, 1996, 1999 and 2002. Plus, she has two nominations, including one for THE COLOR PURPLE.

She was consoled yesterday by her The View television co-hosts, Barbara Walters, Joy Behar, Elisabeth Hasselbeck, and Sherri Shepherd. Will AMPAS® offer an explanation?

The Academy did not give an explanation for the omission of actor Brad Renfro (THE CLIENT) in the Academy Awards tribute to 43 Hollywood figures who died this past year. Renfro died in January of a morphine overdose, but they did include Heath Ledger, who died from an overdose of prescription drugs one week later.

Speculation is rife that Renfro was omitted because his drug of choice was morphine, or because he was not considered as big a star as Ledger. Leslie Unger, Academy spokeswoman, offered only that they could not include everyone.

Oscar-nominated Roy Scheider (JAWS) was not included, but it was explained that Scheider's death, on 10 February, fell outside the time frame of the tribute video, which covered 1 February 2007 to 31 January 2008. No mention was made as to whether or not Scheider would be included next year.

And the Oscar® goes to . . . . .

80th Academy Awards®24 February 2008Winners

Full list of all 80th Academy Award winners and nominees. There is a link on the right sidebar, too - - 80th Winners & Nominees.

In the previous post, I gave my picks for the major awards. My hypothesis was that the data collected through my Awards and Film Festival Pages, showing the most wins in a particular nominated category, would correlate to support an Oscar win in that category. I went with the data I had collected, and these were my conclusions, not including some of the tech stuff and short films (three I missed marked in red):

NOTE: I really didn't have enough data for the score and song, so to be fair, these first two were really my choices.
Best original score: Dario Marianelli, ATONEMENT, because I REALLY like the last name!
Best song: "Falling Slowly," ONCE, written by Glen Hansard and Marketa Irglova .

Best cinematography: THERE WILL BE BLOOD.
Best supporting actress: Amy Ryan for GONE BABY GONE. MISSED
Best supporting actor: Javier Bardem for NO COUNTRY FOR OLD MEN.
Best actress: Julie Christie for AWAY FROM HER. MISSED
Best actor: Daniel Day-Lewis for THERE WILL BE BLOOD.
Best animated feature: RATAEOUILLE, paws down.
Best documentary: SICKO, Michael Moore. MISSED
Best foreign-language feature: THE COUNTERFEITERS, Austria.
Best original screenplay: JUNO, by Diablo Cody.
Best adapted screenplay: NO COUNTRY FOR OLD MEN, by Ethan & Joel Coen.
Best director(s): Ethan and Joel Coen, NO COUNTRY FOR OLD MEN.
Best motion picture feature (best picture) - NO COUNTRY FOR OLD MEN.

I gave a rationale for the picks in the previous post. Now I shall give the rationale for the three I missed. They were and they went to:

Best Actress: Marion Cotillard for LA VIE EN ROSE.
Best Supporting Actress: Tilda Swinton for MICHAEL CLAYTON.
Best Documentary: TAXI TO THE DARK SIDE.

In the best supporting actress category, Ruby Dee was nominated for AMERICAN GANGSTER, Tilda Swinton for MICHAEL CLAYTON, and Amy Ryan for GONE BABY GONE. SAG nominated all of them in this category along with Cate Blanchett, I'M NOT THERE, and Catherine Keener, INTO THE WILD. Neither of these last two ladies had shown any legs in other awards.

SAG gave the award to Dee. Because all the data was stronger for Amy Ryan, I went with Ryan, figuring the SAG award for Dee was a sentimental one. I never gave Swinton a thought because her award tally was almost nothing. Apparently, the actual vote was really split in this category. Anyway, my data showed Ryan, so I went with her, and she did not win.

Both Julie Christi and Marion Cotillard were nominated by SAG in the best actress category. SAG gave the award to Christi, and the other data for Cotillard was weak as it was for Swinton, so I went with Christi. Again, with the rules.

Members of the Academy have told me that when they face that final ballot, they often vote their "gut," and the odd thing was that my "gut" was telling me to go ahead and vote for Marion Cotillard, but I stayed true to my experiment.

The documentary category is like the music categories, there isn't that much data out there to make a strong case for any particular film. SICKO had the most votes according to the data available to me.

However, the experiment basically worked. It worked perfectly in the other categories. This year, at least.

Mimi's Oscar® Picks for 80th Awards

Host Jon Stewart opening television gala in 2006, and he returns tonight.

Trying to choose the winners of the Academy Award® Oscar® is no picnic. Never has been, but every year I try, and every year I miss some.

All year long, I track the winners of film festivals and the various awards. Not all. That's impossible. I try to track the ones I think might influence voters of the Academy of Motion Pictures Arts and Sciences (AMPAS®).

The cold facts are these: AMPAS is composed of voting members that come from the guilds, i.e. unions, who work in the movie industry. The largest voting block is the Screen Actors Guild (SAG), followed in a random order by the Writers Guild (WGA), Directors Guild (DGA), and Producers Guild (PGA), etc.

Then there are the so-called "technical guilds," e.g., cinematographers, film editors, sound mixers, lighting designers, etc., and all of these have a cadre of technicians. Next come the "artistic guilds," and they are the folks who design, decorate, and execute sets, costumes, hair, makeup, etc. Plus, there is a plethora animators, running the gamut of everything necessary from enhancing major motion pictures to bringing those cute little critters who populate animated movies to life.

Of course, these members are subject to influence by their guilds and others such as film critics and film festival juries, but it basically comes down to how the AMPAS members vote when faced with that annual final ballot. However, I am going with the data I have collected, and these are my conclusions (not including some of the tech stuff and short films):

Best original score: Dario Marianelli, ATONEMENT, because I REALLY like the last name!
Best song: "Falling Slowly," ONCE, written by Glen Hansard and Marketa Irglova .
Best cinematography: THERE WILL BE BLOOD.
Best supporting actress: Amy Ryan for GONE BABY GONE. *
Best supporting actor: Javier Bardem for NO COUNTRY FOR OLD MEN.
Best actress: Julie Christie for AWAY FROM HER.
Best actor: Daniel Day-Lewis for THERE WILL BE BLOOD.
Best animated feature: RATAEOUILLE, paws down.
Best documentary: SICKO, Michael Moore. * *
Best foreign-language feature: THE COUNTERFEITERS, Austria. * * *
Best original screenplay: JUNO, by Diablo Cody.
Best adapted screenplay: NO COUNTRY FOR OLD MEN, by Ethan & Joel Coen.
Best director(s): Ethan & Joel Coen, NO COUNTRY FOR OLD MEN.
Best motion picture feature (best picture) - NO COUNTRY FOR OLD MEN.

My rationale? NO COUNTRY FOR OLD MEN has won more major guild and critical awards than any other nominee, including the DGA, PGA, SAG, and WGA. I think it is finally the year the Coen brothers reap their rewards. However, one interesting note, JUNO has garnered more box office than any of the other "best picture" nominees, and has been dubbed, "The little movie that could".
__________________
* - - NOTE - Ruby Dee (MICHAEL CLAYTON) has won only one major award in the best supporting actress category, but it is the SAG award, and she is a sentimental favorite of AMPAS (as was her late husband Ossie Davis). However, the actress who has won most awards in this category, including influential critics awards such as the National Board of Review, plus the BFCA, L.A., N.Y., S.F., and Boston critics' awards is Ryan. Therefore, I'm going with Ryan with a possible Dee.

* * - - NOTE - The best documentary feature category is a tough one, but I'm going with Michael Moore's SICKO, because it has won more awards in this category, with NO END IN SIGHT running strong. Then, there is TAXI TO THE DARK SIDE that got out of the gate late. Who knows? Only the envelope does.

* * * - - NOTE - This year, the BFLF category is a disaster. Many respected critics agree. Unfortunately, AMPAS made it so. AMPAS either fixes the mechanism by which foreign movies are selected before the awards next year, or the category will become a mockery. See my previous blog post for much more on this year's BFLF nominees.

Download and print an Oscar ballot from IMDb's "Road to the Oscars".

LINKS RELEVANT: Mimi's Movie Awards Page / Mimi's Film Festival Page07 / Mimi's Foreign Movie Page (also on right sidebar).

Disappointing Foreign Film Oscar®

This is the first year since the best foreign-language film category (BFLF) was established for the 29th Academy Awards® in 1956, that this category thoroughly disappoints me. It is disappointing because the foreign movies that have been judged best by film festivals and other legitimate awarding organizations were shut out of the competition by self-appointed committees, and stifling rules.

It is also disappointing because the Academy seems to have forgotten why the category was begun in the first place, loading the qualification rules with insufferable specifications, and providing ways to cut some submitted films off by their knees. When it first began, the films were to be in the native language of the submitting country, and be of exceptional acting and cinematic quality for a an outside-of-Hollywood movie. The goal being to find such films and filmmakers, and help provide their distribution so that they might obtain a wider audience through an Oscar nomination and /or win.

One of the most awarded foreign movies of 2007 is the Romanian movie, 4 MONTHS, 3 WEEKS AND 2 DAYS (4 runi, 3 saptamini SI si 2 zile), directed by Cristian Mungiu. It won the Golden Palm as Best Film at Cannes, the Best European Feature in the European Awards, plus many other awards. Naturally, Romania submitted it for the BFLF Oscar®, only to see it fail to meet the first cut by the first selection committee. The L. A. Weekly, and others, called it, ". . . the best foreign film of the year."

So, were the committees appointed to screen the 63 submitted movies and cut the list from which the nominees would be chosen down to only nine, totally unaware of the awards the Romanian movie had won, or was it because the movie is about abortion?

Then, there was the denial of Taiwanese director Ang Lee's LUST, CAUTION. The Academy ruled that not enough of the actors and production staff were actually from Taiwan. Or, was it because some were afraid adults might learn about the Karma Sutra?

Another controversial absence involved the disqualification of Israel's THE BAND'S VISIT, because more than 50 percent of the dialogue between an Egyptian band and Israeli villagers is in English, albeit mostly broken English. Again, it comes down to an archaic insistence on language as the ground rule in the 21st Century where filmmakers are making multi-lingual movies through multi-country co-productions.

Language caused the French Academy to misstep by submitting the animated feature PERSEPOLIS in the BFLF category, which did not even make the short-list but did get a nod in animation. The movie is entirely in French, but is based on a graphic novel by an Iranian, Marjane Satrapi, the co-writer and co-director is the same Iranian, and the subject is a coming-of-age of a young Iranian girl in Iran during the Iranian Islamic revolution. "Persepolis" is a Greek word meaning, The City of Persians for the city, Persian name Parsa, in ancient Iran. The ruins of Parsa are still in Iran. It is a UNESCO World Heritage Site.

By submitting PERSEPOLIS for the BFLF Oscar, the French shut out one of two wonderful French movies, either THE DIVING BELL AND THE BUTTERFLY, or La Môme (U.S. title = LA VIE EN ROSE), either of which could have won in the original system, but no one knows what would have happened under the current one.

Actress Marion Cotillard, who portrays the late, great French singer Edith Piaf in the latter, is nominated for best actress. Artist, and DIVING BELL director, Julian Schnabel received a best director nod.

The committee did provide a movie that contains two favored themes for the BFLF voters, World War Two and the Holocaust. THE COUNTERFEITERS is from Austria. Perfect.

From Israel comes BEAUFORT, a story of defeat. In 2001, the last Israeli soldiers must retreat from a famous fort captured by Israel in 1982. While abandoning the fort, the soldiers confront the futility of the mission to capture it in the first place. This in place of the delightful, THE BAND'S VISIT? An abomination.

From Poland comes the best known director in the competition, Andrzej Wajda, whose KATYN tells the true story of 15,000 Poles massacred by Soviet secret police in 1940, one of which was his own father. Wajda holds an honorary Oscar (2000) and many other awards. If this one had no made the list, I would have regurgitated.

Kazakhstan received its first Oscar nomination for MONGOL, in which Russian director Sergei Bodrov chronicles the early life and love of the warrior Genghis Kahn on the Mongolian steppe. Where is Kazakhstan? Does anyone really care? It must be right behind Siberia in my list of never-go-there places.

Another Russian director, Nikita Mikhalkov, whose 1994 picture BURNT BY THE SUN won the best foreign film Oscar for Russia, has made what is described as a "loose remake" of Sidney Lumet's classic court drama 12 ANGRY MEN (1957), which Mikhalkov calls, 12. Will this remake of the Hollywood classic put it in good standing for the Oscar? Is it a "remake" or plagiarism?

Variety film critic Robert Koehler is quoted as saying, "There is a consensus that this is an embarrassing selection and it exposed the category as by far the most problematic one the Academy has."

Bien dit! ¡Bien dicho! Bene disse! Gut sagte! Well said! Is that too much English?

Oh, in case you are wondering, that first BFLF Oscar went to LA STRADA (Italy, 1956), directed by Federico Fellini, produced by Dino De Laurentiis and Carlo Ponti, starring Fellini's wife, Giulietta Masina, and Anthony Quinn. Now, if any committee member does not know who these people were, they should never be on another BFLF committee! I would be happy to prepare a test to make sure the prospective committee members are thoroughly qualified in foreign film.

Reference my Foreign Movies Page.

J-Marc Twins Arrive!

Lopez and Anthony in November, and Lopez in mid-February

It's true. Early this morning, Singer / actress Jennifer Lopez gave birth to twins, a 5-pound, 7-ounce girl arriving first, followed by a 6-pound boy, in an unannounced location on New York's Long Island. The "J-Marc" pregnancy was one of he most closely watched this decade. These are her first children, his third and fourth.

Lopez, 39, a.k.a., J.Lo. and singer / actor Marc Anthony, 38, married in 2004, becoming known together as J-Marc, as in the previous "Benifer" for the Lopez / Affleck marriage. As early as last August, there was much media speculation about a pregnancy. Last November, The J-Marc couple ended the speculation and confirmed in Miami that they were, indeed, infanticipating. They made the announcement the night their concert tour wrapped.

Earlier this month, her father David Lopez told Telefutura's "Escandalo TV" that the couple were expecting twins. At that time, it also became apparent that J.Lo's due date was rapidly approaching, and the frenzied media watch resumed.

I can't tell you how relieved and happy I am about all this. I've been on pens and needles for months. Yeah. Sure.

Now, on to more important things, like posting about the Academy Awards® to be broadcast Sunday night! Hasta lavista!

UPDATE = The first day of March: They named the twins Emme and Max.

Oscar® Red Carpet Ready to Roll

Academy members have cast their votes. The polls closed yesterday at 5 p.m. PT. By tomorrow, they will all be counted and some trusted secretary (administrative assistant) will begin typing away on the envelopes and the cards that will be inserted within them. Lucky person now, because most of the work is already done by computer and it is mainly "type winning name in the proper place on the data page that will be merged with the template."

The Oscar® red carpet will be in place Saturday, 23 February, when 50 students from Inner-City Filmmakers (ICF), a training and film industry job development program, will carry the Oscar statuettes for the 80th Academy Awards® down the red carpet and into the Kodak Theatre at Hollywood & Highland Center® this Saturday at 10 a.m.

The statuettes, which have been on display at the “Meet the Oscars” exhibition since 1 February, will be transported to the red carpet, along Hollywood Boulevard, where they will be placed in the hands of the ICF students, and they will then carry them down the red carpet into the Kodak Theatre. Once inside, the Oscar statuettes will be kept backstage, under close watch, until they are presented to the winners during the 80th Academy Awards ceremony the next day.

Academy Award nominees, presenters and performers will be greeted on Oscar’s red carpet on Sunday by film historian, television host, and Hollywood Reporter columnist Robert Osborne. This will mark his third time as official greeter. Red carpet guest arrivals are expected to begin at approximately 3 p.m. PT. Therefore, on the East coast the red carpet show will begin at 6 p.m. ET, followed by "The Barbara Walters Special" at 7. The Oscar® telecast will begin at 5 p.m. PT, 8 p.m. ET. Barbara Walters will be seen after the Oscar broadcast, Central and Pacific Times.

The guy who thinks of himself as "the king," Regis Philbin, will host the official 30-minute red carpet arrivals show preceding the 80th Academy Awards® presentation gala. This will be Philbin’s first time hosting the show that airs on ABC, immediately prior to the Academy Awards presentation.

This hosting assignment marks a return to the Oscar® red carpet for Regis, who was a pioneer interviewer of arriving stars beginning in the 1970s. Regis will be joined by first-time co-hosts Samantha Harris and Shaun Robinson. Who?

Samantha Harris is best known for her daily reporting for E! Entertainment Television’s “E! News” and co-hosting duties on “Dancing with the Stars.” A two-time Emmy nominee, she also serves as a special correspondent for “Good Morning America” and as an occasional guest co-host on “The View.” Prior to joining E!, Harris served as the weekend co-host for the nationally syndicated entertainment news magazine “Extra.”

Shaun Robinson is the weekend co-host and correspondent for the syndicated entertainment news show “Access Hollywood.” She is an Emmy® Award-winning journalist who has served as a guest co-host on “The View” and contributed reports for “The Today Show,” MSNBC, CNN and “NBC Nightly News.” Prior to joining the world of entertainment, Robinson was an anchor and reporter for WSVN-TV in Miami, Florida.

Now you know. Enjoy the red carpet show, or ship it. As for me, I shall save my "couch time" for the presentation show, and perhaps the "The Barbara Walters Special," as mentioned above, also on ABC, before or after the presentation show, depending upon where you live. Check your local station for all the times.

Oscar® Show Participants Announced

The 80th Academy Awards® telecast is definitely a "go" for Sunday, 24 February, with the customary glitz and glam. Everyone at the Academy continued to prepare, knowing that everything had to be ready today, Valentine's Day, if the curtain was to go up as scheduled. Hats-off to them all, because today they were ready to officially "greenlight" the Oscar® Gala.

Producer Gil Cates and Academy of Motion Picture Arts and Sciences President Sid Ganis announced the presenters and performers who will participate in the Oscar telecast at a press conference held at the Academy’s headquarters.

Cates and Ganis announced the presenters scheduled to date, including all four of last year’s winners in the acting categories, Alan Arkin, Jennifer Hudson, Helen Mirren and Forest Whitaker, as well as: Amy Adams, Jessica Alba, Cate Blanchett, Josh Brolin, Steve Carell, George Clooney, Penelope Cruz, Miley Cyrus, Patrick Dempsey, Cameron Diaz, Colin Farrell, Harrison Ford, Jennifer Garner, Tom Hanks, Anne Hathaway, Katherine Heigl, Jonah Hill, Dwayne Johnson, Nicole Kidman, James McAvoy, Queen Latifah, Seth Rogen, Martin Scorsese, Hilary Swank, John Travolta, Denzel Washington and Renee Zellweger.

They also announced the performers of the nominated songs, three of them from ENCHANTED, and all of them with music by Alan Menken and lyric by Stephen Schwartz. The three songs are: "Happy Working Song," sung by Amy Adams; “That’s How You Know,” sung by Kristin Chenoweth and Marlon Saunders; and “So Close,” to be performed by Jon McLaughlin.

Glen Hansard and Marketa Irglova will perform their nominated song, “Falling Slowly,” from the motion picture ONCE. From AUGUST RUSH, Jamia Simone Nash will sing "Raise it Up" with the IMPACT Repertory Theatre of Harlem, headed by Jamal Joseph, who shares the song’s music and lyric credit with Charles Mack and Tevin Thomas.

Second-time Oscar show host Jon Stewart is bringing several writers to work on the telecast. Also, scheduled to return to the Oscar telecast team will be writers Hal Kanter, Buz Kohan, Jon Macks and Bruce Vilanch.

Academy Awards for outstanding film achievements of 2007 will be presented at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

WGA Strike Settled!

INT. NIGHT.

A montage of various adults sitting at computers and typing furiously to a close up on one computer screen that reads, "WGA STRIKE OVER!" Freeze frame.

FADE OUT:

THE END

The Year of the Oscar® Rat?

In this Year of the Rat in Chinese astrology, it is may be only fitting that the Academy Awards honor Remy, the young rodent chef wannabe. The Academy members may, or may not, but the Annie Award, which is almost as important to animators as the golden statuette, did.

Pixar Animation Studios' RATATOUILLE dominated the 35th annual Annie Awards Thursday night. The International Animated Film Society (ASIFA, Hollywood) honors the best in animated features.

The Chinese consider the Year of the Rat lucky, and the Chinese lunar year 4705 (06) began 7 February, the day before the Annie Awards. The determined charismatic rodent not only took the top prize for the best animated feature movie, but the top directing and screenwriting awards for Brad Bird as well, a total of nine overall, which included character animation, character design, music, production design, storyboarding and voice acting.

RATATOUILLE is nominated for an Oscar in the best animated feature category along with PERSEPOLIS and SURF'S UP. The latter received Annies for animated effects and animated production artist, but the other ASIFA nominees, PERSEPOLIS and THE SIMPSONS MOVIE, came up empty handed.

The Annie Award has become one of those "predictors" for winning an Academy Award® in the best animated feature category. However, last year ASIFA gave CARS the Annie, and the dancing penguins won (HAPPY FEET). Win some. Lose some.

PERSEPOLIS was submitted by France to compete in the Best Foreign Language Film (BFLF) Oscar category instead of submitting THE DIVING BELL and the BUTTERFLY. The irony? PERSEPOLIS missed the Oscar BFLF nod, but is nominated in the best animated feature category.

Well, what about people born in the Year of the Rat? They are noted for their charm and attraction for the opposite sex. They work hard to achieve their goals, acquire possessions and are likely to be perfectionists. They are basically thrifty with money. Rat people are easily angered and love to gossip. Their ambitions are big, and they are usually very successful.

Are you a "rat person?" You are if you was born in 1912, 1924, 1936, 1948, 1960, 1972, 1984, or 1996. If so, this could be your lucky year, too. Uh, oh. Time to stir the Sauce Béarnaise. See my Chinese New Year Page.

WGA Agreement and Awards

The Writers Guild Boards, East and West, today tentatively approved the agreement discussed in the previous post. It is still a nail biter, because the cut-off date to proceed with the full Oscar® telecast, which will include the presence of the host (Jon Stewart), celebrity presenters and recipients, etc., is this Thursday, Valentine's Day.

As of the moment of this post, according to a recent "breaking news" notification, membership meetings will be held Tuesday to allow writers to decide whether the three-month strike should be brought to an immediate end. This according to Patric Verrone, president of the guild's West Coast branch.

The Guild also announced their annual screenwriting awards. Diablo Cody won for her original feature script, JUNO. The adapted script award went to NO COUNTRY FOR OLD MEN, written by brothers Joel and Ethan Coen, which is based on the novel by Cormac McCarthy. Both are Oscar-nominated for best motion picture.

The best documentary award went to Alex Gibney for TAXI TO THE DARK SIDE, which looks at U.S. torture practices in the wars in Iraq and Afghanistan. It is nominated in the best oscar documentary category.

In TV, HBO's "The Wire" won for the best writing of a TV drama, and NBC's "30 Rock" won for comedy.

Writers' Strike May End Monday

The New York Times is reporting this morning that the governing boards of the two writers’ guilds (WGA, West and WGA, East) are expected to meet as early as tomorrow, and the long and bitter strike could be over by Monday morning. They released a written agreement between the WGA and AMPTP (Alliance of Motion Picture and Television Producers) negotiating committees upon which the WGA membership at large will vote. Read the proposed agreement here (pdf.)

After a self-imposed news blackout, the Guild let it be known yesterday (Friday) that the east and west divisions were in talks with AMPTP and, if they agreed, Guild members might be able to vote as early as Sunday (tomorrow), or Monday, to end the strike.

Earlier his month, the Directors Guild of American (DGA) reached a hand-shake agreement with AMPTP. Their members are scheduled to vote on ratifying that agreement 20 February. The question is: Will DGA ratify that agreement, or will they now consider the terms of the WGA - AMPTP agreement and vote to reject? If they do the latter, negotiations must start over.

Next up to negotiate with AMPTP? The Screen Actors Guild (SAG). Their agreement with AMPTP expires in June. SAG has steadfastly supported the WGA, most notably declining to participate in the 80th Academy Awards® broadcast.

That brings us to the next question. If the WGA ends the strike on Monday or so, how will that affect the Oscars®? The way I understand the communications I receive from the Academy, the cut-off date to proceed with the full Oscar telecast as usual, which will include the presence of the host (Jon Stewart), presenters, recipients, etc., or the glam and bling, is this Thursday, Valentine's Day. That's the date the service people (caterers, florists, waiters, etc.), and the craft guilds (carpenters, painters, lighting technicians, camera operators, stage hands, costumers, etc.) have set as the absolute date they must be authorized to deliver what the Academy will require on the 24th. In other words, AMPAS fully commits on the 14th to pay for the ordered services, and the support services will have the needed time to deliver same.

So, the final answer is, "The 80th Academy Awards can only be 'fully greenlighted,' if the strike is officially over by this Thursday (14th)." Otherwise, there will be that "other show," on the 24th, which Gil Cates does not want to produce, and most will not want to watch.

Santa Barbara IFF Wraps

Wow! What a festival! Couldn't make it to Santa Barbara, CA, for the annual film festival? Get a capsule read on my Film Festival Page 2008, plus great links to explore more.

Find out why these stars attended: Javier Bardem, Cate Blanchett, Angelina Jolie, Brad Pitt, Tommy Lee Jones, and John Travolta, plus learn about some winning films: AMAL, AQUARIUM, BEAUTIFUL BITH, FOR THE LOVE OF GOD, and SAVING LUNA. Click permanent link on the right sidebar of this blog. What are you waiting for?

ORPHANAGE (El orfanato) Leads Goya Wins

The Academy of Cinematic Arts and Sciences of Spain handed out its Goya Awards (considered equivalent to the U.S. Academy Awards®) last night in Madrid, and there were a few surprises. THE OPHANAGE, Spain's submission for an Oscar nomination in the BFLF category but didn't make the cut, received the most Goya Awards (Premios Goya), named for the famous Spanish painter. However, the biggest surprise of the evening was that SOLITARY (La soledad) won all three categories for which it was nominated, including the two big ones: Best Motion Picture and Best Director (Jaime Rosales). The other was for Most Promising New Actor, José Luis Torrijo. SOLITARY came in under the radar, so to speak.

For the most nominees and winners, the scores break down this way: THE ORPHANAGE = 14 / 7; 13 ROSES = 15 / 4; SEVEN FRENCH POOL TABLES = 10 / 2; AND SOLITARY = 3 / 3. Carlos Saura's feature documentary FADOS = 2 / 1. Juan Antonio Bayona (THE ORPHANAGE), not nominated for Best Director, won for Best Director of a Movie Based on a Novel.

Other than Bayona's award, and the Best Original Screenplay for Sergio García Sánchez, THE ORPHANAGE'S other awards were for craft (makeup and hair, art direction, and production direction) and technical awards (sound, and special effects). Surprisingly, the best and supporting actress awards did not go to THE ORPHANAGE'S Belén Rueda and Geraldine Chaplin, but to Maribel Verdú and Amparo Baró, both for their performances in SEVEN FRENCH POOL TABLES (Siete mesas de billar francés), directed by Gracia Querejeta, the daughter of prominent producer Elías Querejeta.

The movie that received the most Goya nominations, 13 ROSES, won only 4: Best Supporting Actor, José Manuel Cervino; Best Original Score, Roque Baños; Best Cinematography, José Luis Alcaine; and Best Costume, Lena Mossum. Even more disappointing was that Iciar Bollaín's MATAHARIS - - no English title but translates to Female Private Detectives - - nominated for 6 Goyas, received none, nada.

Two other movies won two each, UNDER THE STARS (Bajo las estrellas) and REC. STARS garnered Best Actor for Alberto San Juan, and Best Original Screenplay for Félix Viscarret. REC's wins were for Most Promising New Actress (Manuela Velasco) and Best Sound (David Gallart). Carlos Saura's FADOS, nominated for two won only one, Best Original Song, "Fado da saudade".

The HONORARY GOYA was presented to actor Alfredo Landa. Javier Bardém produced the Best Feature Documentary, INVISIBLES. Yes, that's the same Bardém nominated for a Best Supporting Actor Oscar® for NO COUNTRY FOR OLD MEN.

See all the nominees and winners, plus links and much more info, on my Awards Page, permanent link on right sidebar, but go directly to my translated Goya Awards' list here.

Final 2007 Oscar® Ballots Mailed

Final ballots for the 80th Academy Awards® were mailed today (January 30) to the 5,829 voting members of the Academy of Motion Picture Arts and Sciences. Listed on the ballots are nominees in 19 of the Award categories.

Separate ballots for five categories will be distributed after verification of mandatory member-attendance at screenings. Those categories are: Documentary Feature, Documentary Short Subject, Foreign Language Film, Animated Short Film and Live Action Short Film.

Nominations were announced 22 January. You can see the list of all nominees on my post of that date here.

Completed ballots must be returned to PricewaterhouseCoopers by 5 p.m. Tuesday, 19 February. Ballots received after the deadline will not be counted. Following the tabulation of the votes, the winners’ names will be placed in sealed envelopes to be opened on Oscar Night®, Sunday, 24 February.

Academy Awards for outstanding film achievements of 2007 will be presented Sunday, 24 February 2008, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m., PT. The Oscar presentation will be televised live in more than 200 countries worldwide.

ADDENDUM: All the above will come true if the Writers Guild Strike is resolved, or if the Guild grants waivers the Academy has requested. As this is posted, the Academy asserts that, come what may, there will be an awards show. Academy President Sid Ganis told Associated Press (AP) today that Academy personnel are planning two shows, "The show we would love to do and . . . a show that we would prefer not to do." There is no consideration of a postponement, either. The curtain will go up as scheduled. But, on what?

The good Lord willing, and the Creek don't rise, I shall post all the winners Oscar night as soon as the show is over.

In Praise of the SAG Awards

Spanish actor Javier Bardém accepts SAG award for best supporting actor for NO COUNTRY FOR OLD MEN. The award supposedly weighs 20 pounds.

Today's article in the television section of The New York Times, "Less Preening, More Fun and a Touch of Dignity at Awards Show," by Alessandra Stanley, contains nothing but praise for the Screen Actors Guild Awards' show last night, broadcast on TBS.

Recipients, one exception being Alec Baldwin, actually attended and accepted their awards. Since SAG is the guild of actors, and that guild is supporting the Writers Guild strike, the WGA granted a waiver and did not picket.

The evening also marked the 75th anniversary of SAG's founding, only five years after the founding of AMPAS®. SAG has the largest voting block in AMPAS, and SAG members will not attend the Oscars®, unless the WGA strike is settled before Oscar® night, 24 February. The writer of this blog also supports the strike, although not yet a member of the WGA.

According to the article, the SAG evening was "fast," without, "a preening master of ceremonies or any long production numbers," and "for the most part brisk and entertaining." There was, of course, less writing, and what writing done was probably done by those SAG members who are not also members of the WGA.

Note to Mr. Gil Cates, Producer, 80th Academy Awards®: Please read this article. The Oscar broadcast needs pruning and fine tuning, with less preening and long-winded buffoonery. Now!

But I digress. The winners were . . . . You will find them, plus more about the glitz and glam on my Awards Page, along with links and other info. This link will take you immediately to the exact spot on my page, and there is also a permanent link on the right sidebar of this blog.

Roman Polanski: Wanted and Desired

Roman Polanski

Tate & Polanski then. Polanski now.

UPDATE 27 January - Here is a new article from Reuters, through Yahoo News, about this controversial documentary. It just won the Documentary Editing Award at the Sundance International Film Festival. Even with all the hype, it received only this one award.

Original Post, 20 January - Marina Zenovich's documentary, ROMAN POLANSKI: WANTED AND DESIRED, about the Oscar-winning director, made its debut at the Sundance International Film Festival this weekend. Also, it was announced the film has a worldwide distribution deal from the Weinstein Co., from which the documentary division of HBO obtained the North American rights.

It was 30 years ago this past August that I met Roman Polanski at the Berlin Film Festival, which was then held in summer. Polanski arrived with a beautiful young woman on each arm. He was on the lam in Europe following a warrant for his arrest for statutory rape, having been charged with having sex with a 13-year-old girl, and fleeing the USA. The incident happened in Actor Jack Nicholson's home.

Many in 1977 Berlin hastened to cut Polanski slack because his behavior had been erratic following the loss of his beautiful actress-wife Sharon Tate, 25, and their unborn child. Both were murdered by Charles Manson and Manson's drug-crazed cohorts during an invasion of the Polanski home in 1969. Others maintained that there was no excuse for statutory rape. The next day, pictures of Polanski at the festival were published in the national press, and he high-tailed it back to France where he still maintains his citizenship.

Polanski married French actress Emmanuelle Seigner in 1989, who is over thirty years his junior, and they have two children. He directed her in FRANTIC, 1988.

Polanski, now 74, continues to work in Europe, mostly France, and has never returned to the U.S. In 2003, he won the Academy Award for THE PIANIST, but he did not attempt to return. Nicholson is still a "Hollywood darling."

Director Marina Zenovich has never interviewed Polanski. However, she did speak with Polanski's lawyer, the victim, her attorney, law enforcement officials, film industry colleagues and reporters who covered the case, among others. They all revealed troubling behavior by the judge, now deceased, who was so driven by media coverage that he kept a scrapbook of clippings. Polanski presumably fled because he feared unfair treatment amid the media frenzy.

The documentary is a patchwork quilt of comments and archived clips, similar to Ken Burn's documentary style, all designed to lead the viewer to draw conclusions. The subtext of the bizarre occurrences remains, "To what extent Polanski's state of mind, after the senseless killings of his wife and unborn child, might have contributed to his supposed lack of judgment that led to his subsequent fugitive status?"

There are still the questions as to whether the movie ROSEMARY'S BABY (1968), directed by Polanski and released shortly before the murders, may have influenced the demented Manson to choose Polanski's home that night in 1969. Some suggested that Manson's warped mind may have perceived Sharon Tate as carrying the spawn of the Devil, because Polanski directed a movie about a woman carrying the child of the Devil. Therefore, the Polanski's child might have equated to a spawn of the Devil in Manson's mind. Yes, I know. It is demented thinking, but it was postulated at the time.

Will this documentary answer all your questions about Polanski and his sex with a minor? Doubtful. It may raise more questions.

AMPAS® Unveils Best Picture Poster

New Poster"80 Years of Best Motion Picture Oscar® Winners"

In celebration of the 80th anniversary of the Academy Awards®, the Academy of Motion Picture Arts and Sciences® unveiled the latest edition of its Best Picture poster this week. Currently only the 79 known Best Picture winners are shown in the poster. The 80th Best Picture winner will be added on Oscar Sunday, February 24, immediately following the Academy Awards presentation.

The 27 x 40-inch poster is printed on premium quality, Forest Stewardship Certified paper. The poster is available for purchase on the Academy’s Web site, publications, or by calling 1-800-993-4567. Posters will be shipped in March 2008. The official poster for the 80th Academy Awards is shipping now and may be ordered on the same page as the 80 Best Picture poster. See my post Thursday, 17 January about the posters.

Designed by Alex Swart, the poster features a spiraling gold ribbon containing the one-sheets for all the Best Picture winners, forming the shape of the Oscar statuette. Swart, head of SwartAd, a marketing design agency, designed the official posters of the 73rd and 75th Academy Awards as well as previous editions of the Best Picture poster.

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m., PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

80th Oscar® Nominations Announced

The President of the Academy of Motion Picture Arts and Sciences®, Sid Ganis, assisted by the Oscar-winning actress Kathy Bates (MISERY, 1990), announced the nominations for the 80th Academy Awards® early this morning, 22 January. They made the announcement at a press conference in the auditorium of the Samuel Goldwyn Theatre at the Academy's headquarters on Wilshire Boulevard, Los Angeles, at 5:30 a.m., PT, broadcast live on ABC-TV (list below).

There are, essentially, no surprises to those of us who have watched the 2007 film festivals and the 2008 awards season unfold. There are, however, disappointments, but more about that in future posts.

Academy members selected the nominees in their respective branches, with the exception of the Animated Feature Film and Foreign Language Film categories, in which nominations were selected by vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Ballots were mailed to the 5,829 voting members in late December and were returned directly to PricewaterhouseCoopers, the international accounting firm, for tabulation.

Official screenings of all pictures with one or more nominations will begin this weekend for members at the Academy's Samuel Goldwyn Theater. Screenings also will be held at the Academy's Linwood Dunn Theater in Hollywood and in London, New York and the Bay Area.

The Academy's entire active membership is now eligible to select the winners in all categories, although in five of them — Animated Short Film, Live Action Short Film, Documentary Feature, Documentary Short Subject, and Foreign Language Film — members can vote only after attesting they have seen all of the nominated films in those categories.

. . . . AND THE NOMINEES ARE:

Best motion picture of 2007, feature:
ATONEMENT (Focus Features)
JUNO (Fox Searchlight)
MICHAEL CLAYTON (Warner Bros.)
NO COUNTRY FOR OLD MEN (Miramax and Paramount Vantage)
THERE WILL BE BLOOD (Paramount Vantage and Miramax)

Best live action film of 2007, short:
AT NIGHT (Om natten, Denmark, 37 min) Christian E. Christiansen and Louise Vesth
THE SUBSTITUTE (Il Supplente, Italy), Andrea Jublin
THE MOZART OF PICKPOCKETS (Le Mozart des Pickpockets, France 31 min), Philippe Pollet - Villard
TANGOS ARGENTINIAN (Tanghi argentini, Belgium, 14 min),Guido Thys and Anja Daelemans
THE TONTO WOMAN (USA, based on the short story by Elmore Leonard), Daniel Barber and Matthew Brown

Achievement in directing in 2007:
Julian Schnabel, THE DIVING BELL AND THE BUTTERFLY
Jason Reitman, JUNO
Tony Gilroy, MICHAEL CLAYTON
Joel and Ethan Coen, NO COUNTRY FOR OLD MEN
Paul Thomas Anderson,THERE WILL BE BLOOD

Adapted screenplay 2007, based on material previously produced or published:
Christopher Hampton, ATONEMENT
Sarah Polley, AWAY FROM HER (Lionsgate)
Ronald Harwood, THE DIVING BELL AND THE BUTTERFLY
Joel and Ethan Coen, NO COUNTRY FOR OLD MEN
Paul Thomas Anderson, THERE WILL BE BLOOD

Original screenplay 2007:
Diablo Cody, JUNO
Nancy Oliver, LARS AND THE REAL GIRL (MGM)
Tony Gilroy, MICHAEL CLAYTON
Brad Bird, RATAOUILLE (Walt Disney)
Tamara Jenkins, THE SAVAGES (Fox Searchlight)

Performance by an actor in a leading role in 2007:
George Clooney, MICHAEL CLAYTON
Daniel Day-Lewis,THERE WILL BE BLOOD
Johnny Depp, SWEENEY TODD: The Demon Barber of Fleet Street (DreamWorks and Warner Bros. Distributed by DreamWorks / Paramount))
Tommy Lee Jones, IN THE VALLEY OF ELAH (Warner Independent)
Viggo Mortensen, EASTERN PROMISES (Focus Features)

Performance by an actor in a supporting role in 2007:
Casey Affleck, THE ASSASSINAION OF JESSE JAMES BY THE COWARD ROBERT FORT (Warner Bros.)
Javier Bardem, NO COUNTRY FOR OLD MEN
Philip Seymour Hoffman, CHARLIE WILSON'S WAR (Universal)
Hal Holbrook INTO THE WILD (Paramount Vantage and River Road Entertainment)
Tom Wilkinson, MICHAEL CLAYTON

Performance by an actress in a leading role in 2007:
Cate Blanchett, ELIZABETH: The Golden Age (Universal)
Julie Christie, AWAY FROM HER
Marion Cotillard, LA VIE EN ROSE (Picturehouse)
Laura Linney, THE SAVAGES
Ellen Page, JUNO

Performance by an actress in a supporting role in 2007:
Cate Blanchett, I'M NOT THERE (The Weinstein Company)
Ruby Dee, AMERICAN GANGSTER (Universal)
Saoirse Ronan, ATONEMENT
Amy Ryan, GONE BABY GONE (Miramax)
Tilda Swinton, MICHAEL CLAYTON

Best animated film of 2007, feature:
PERSEPOLIS (France, USA), directed by Marjane Satrapi and Vincent Paronnaud (Sony Pictures Classics)
RATATOUILLE, directed by Brad Bird(Walt Disney)
SURF'S UP, directed by Ash Brannon and Chris Buck (Sony Pictures Releasing)

Best animated film of 2007, short:
I MET THE WALRUS, Josh Raskin
MADAME TUTLI-PUTLI, Chris Lavis and Maciek Szczerbowski
EVEN PIGEONS GO TO HEAVEN, (Même Les Pigeons Vont au Paradis), Samuel Tourneux and Simon Vanesse
MY LOVE (Moya Lyubov, Russia), Alexander Petrov
PETER & THE WOLFE, Suzie Templeton and Hugh Welchman

Best foreign language film of 2007, feature:
BEAUFORT, Israel, directed by Joseph Cedar
THE COUNTERFEITERS (Die Fälscher), Austria, directed by Stefan Ruzowitzky
KATYN, Poland, directed by Andrzej Wajda
MONGOL, Kazakhstan, directed by Sergei Bodrov
12, Russia, directed by Nikita Mikhalkov

Best documentary film of 2007, feature:
NO END IN SIGHT, Charles Ferguson and Audrey Marrs (Magnolia Pictures) (Magnolia Pictures)
OPERATION HOMECOMING: Writing the Wartime Experience, Richard E. Robbins (The Documentary Group)
SICKO, Michael Moore and Meghan O’Hara (Lionsgate / The Weinstein Company)
TAXI TO THE DARK SIDE, Alex Gibney and Eva Orner (THINKFilm)
WAR / DANCE, Andrea Nix Fine and Sean Fine (THINKFilm)

Best documentary short subject of 2007:
FREEHELD, Cynthia Wade and Vanessa Roth
LA CORONA (The Crown), Amanda Micheli and Isabel Vega
SALIM BABA, Tim Sternberg and Francisco Bello
SARI'S MOTHER, James Longley

Achievement in film editing 2007:
Christopher Rouse, THE BOURNE ULTIMATUM
Juliette Welfling, THE DIVING BELL AND THE BUTTERFLY
Jay Cassidy, INTO THE WILD
Roderick Jaynes, NO COUNTRY FOR OLD MEN
Dylan Tichenor, THERE WILL BE BLOOD

Achievement in cinematography 2007:
Roger Deakins, THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD
Seamus McGarvey, ATONEMENT
Janusz Kaminski, THE DIVING BELL AND THE BUTTERFLY
Roger Deakins, NO COUNTRY FOR OLD MEN
Robert Elswit, THERE WILL BE BLOOD

Achievement in costume design, 2007:
Albert Wolsky, ACROSS THE UNIVERSE
Jacqueline Durran, ATONEMENTA
Alexandra Byrne, ELIZABETH: The Golden Age
Marit Allen, LA VIE EN ROSE
Colleen Atwood, SWEENEY TODD

Achievement in makeup, 2007:
Didier Lavergne and Jan Archibald, LA VIE EN ROSE
Rick Baker and Kazuhiro Tsuji, NORBIT
Ve Neill and Martin Samuel, PIRATES OF THE CARIBBEAN: At World’s End

Achievement in art direction, 2007:
AMRICAN GANGSTER, Art Direction: Arthur Max, Set Decoration: Beth A. Rubino;
ATONEMENT, Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer;
THE GOLDEN COMPASS, Art Direction: Dennis Gassner, Set Decoration: Anna Pinnock;
SWEENEY TODD, Art Direction: Dante Ferretti, Set Decoration: Francesca Lo Schiavo;
THERE WILL BE BLOOD, Art Direction: Jack Fisk, Set Decoration: Jim Erickson.

Achievement in sound editing, 2007:
THE BOURNE ULTIMATUM, Karen Baker Landers and Per Hallberg
NO COUNTRY FOR OLD MEN, Skip Lievsay
RATATOUILLE, Randy Thom and Michael Silvers
THERE WILL BE BLOOD, Matthew Wood
TRANSFORMERS, Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing, 2007:
THE BOURNE ULTIMATUM, Scott Millan, David Parker and Kirk Francis
NO COUNTRY FOR OLD MEN, Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
RATATOUILLE, Randy Thom, Michael Semanick and Doc Kane
3:10 TO YUMA, Paul Massey, David Giammarco and Jim Stuebe
TRANSFORMERS, Kevin O’Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects, 2007:
THE GOLDEN COMPAS, Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
PIRATES OF THE CARIBBEAN: At World’s End, John Knoll, Hal Hickel, Charles Gibson and John Frazier
TRANSFORMERS, Scott Farrar, Scott Benza, Russell Earl and John Frazier

Achievement in music written for motion pictures (Original score) 2007:
ATONEMENT, Dario Marianelli
THE KITE RUNNER, Alberto Iglesias
MICHAEL CLAYTON, James Newton Howard
RATATOUILLE, Michael Giacchino
3:10 TO YUMA, Marco Beltrami

Achievement in music written for motion pictures (Original song) 2007:
ONCE, "Falling Slowly,” Music and Lyric by Glen Hansard and Marketa Irglova
ENCHANTED, “Happy Working Song,” Music by Alan Menken
Lyric by Stephen Schwartz
AUGUST RUSH, “Raise It Up,” Nominees to be determined
ENCHANTED, “So Close,” Music by Alan Menken and Lyric by Stephen Schwartz
ENCHANTED, “That’s How You Know,” Music by Alan Menken and Lyric by Stephen Schwartz
_______

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, 24 February 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

That's the hope at this point, but all eyes are on the possible settlement of the writer's strike!

LINKS RELEVANT:

There is a permanent link to this list on right sidebar of this blog. Links and other information will be added as made available, or find it here. There is a permanent link to AMPAS on right sidebar, or click title of this post.
Companion site for Oscars 2008
IMDb's ROAD TO THE OSCARS